Looking for an inspection copy?
This title is not currently available on inspection
Sarah Blake McHam presents an interdisciplinary study of one of the most important pilgrimage sites in Western Christendom: the Chapel of St Anthony at the Santo. The chapel is also universally acknowledged as one of the major monuments of Renaissance Italy. Here, for the first time since antiquity, a chapel was decorated with a monumental, narrative sculptural cycle carved entirely from marble. The use of this material on such an unprecedented scale reveals the learned antiquarian milieu in which the redecoration scheme was conceived. Spanning nearly one hundred years, the project engaged the major architects and sculptors of the sixteenth century, including Tullio and Antonio Lombardo, Riccio, Jacopo Sansovino, Falconetto, Cattaneo, Campagna, and Tiziano Aspetti. It effectively serves the modern scholar as a case study in the evolution of Venetian Renaissance sculpture at a critical period in its development, from the late fifteenth to the late sixteenth century.
Reviews & endorsements
' … in the best tradition of the Cambridge University Press, unlocks a Pandora's Box of understanding and emotion … it is close to what Cambridge and the best American universities are about that a book such as this both reveals much and points to what needs to be pursued further.' Terence Mullaly, Rivista
Not yet reviewed
Be the first to review
Review was not posted due to profanity×
- Date Published: July 1994
- format: Hardback
- isbn: 9780521418539
- length: 448 pages
- dimensions: 288 x 223 x 33 mm
- weight: 1.6kg
- contains: 264 b/w illus.
- availability: Unavailable - out of print January 1999
Table of Contents
Introduction: 'Were this clay but marble'
1. 'Go, go, become a Saint': the making of St. Anthony of Padua in biography and cult
2. The redecoration's joint sponsorship by Church and state: the Fransican Order and the city of Padua
3. history of the Chapel's redecoration: the relief cycle of St. Anthony (1470– c. 1530)
4. history of the relief cycle of St. Anthony (1530s–1570s): the advent of Tuscan influence
5. the Chapel's architecture and the altar/tomb
6. the design of the redecoration and its sources
Sorry, this resource is locked
Please register or sign in to request access. If you are having problems accessing these resources please email email@example.comRegister Sign in
You are now leaving the Cambridge University Press website. Your eBook purchase and download will be completed by our partner www.ebooks.com. Please see the permission section of the www.ebooks.com catalogue page for details of the print & copy limits on our eBooks.Continue ×
Are you sure you want to delete your account?
This cannot be undone.
Thank you for your feedback which will help us improve our service.
If you requested a response, we will make sure to get back to you shortly.×