New Theatre Quarterly 70
Volume 18
Part 2
Part of New Theatre Quarterly
- Editors:
- Clive Barker
- Simon Trussler
- Date Published: December 2002
- availability: Unavailable - out of print November 2012
- format: Paperback
- isbn: 9780521013161
Paperback
Looking for an inspection copy?
This title is not currently available on inspection
-
New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. It shows that theatre history has a contemporary relevance, that theatre studies need a methodology, and that theatre criticism needs a language. The journal publishes news, analysis and debate within the field of theatre studies. Articles in volume 70 include: A Farewell to Jan Kott; Raised and Written in Contradiction: the Final Interview; Arden and Absolute Milan: Jan Kott and the Kinds of Exile; The Maker and the Tool: High Culture, Popular Culture, and the Work of Charles Parker, Re-Placing the Audience: a Survey of Site-Specific Theatre in Britain; 'King Lear' as an Experimental Musical: the Japanese Production of 'Rio O'; Creating a Movement Space: the Passageway in Noh and Greek Theatres.
Customer reviews
Not yet reviewed
Be the first to review
Review was not posted due to profanity
×Product details
- Date Published: December 2002
- format: Paperback
- isbn: 9780521013161
- length: 104 pages
- dimensions: 245 x 172 x 8 mm
- weight: 0.226kg
- contains: 10 b/w illus.
- availability: Unavailable - out of print November 2012
Table of Contents
A Farewell to Jan Kott
Raised and Written in Contradiction: the Final Interview Jan Kott
Arden and Absolute Milan: Jan Kott and the Kinds of Exile Allen J. Kuharksi
The Maker and the Tool: High Culture, Popular Culture, and the Work of Charles Parker David Watt
Re-Placing the Audience: a Survey of Site-Specific Theatre in Britain Fiona Wilkie
'King Lear' as an Experimental Musical: the Japanese Production of 'Rio O' Douglas Kerr
Creating a Movement Space: the Passageway in Noh and Greek Theatres Kinneret Noy.
Sorry, this resource is locked
Please register or sign in to request access. If you are having problems accessing these resources please email lecturers@cambridge.org
Register Sign in» Proceed
You are now leaving the Cambridge University Press website. Your eBook purchase and download will be completed by our partner www.ebooks.com. Please see the permission section of the www.ebooks.com catalogue page for details of the print & copy limits on our eBooks.
Continue ×Are you sure you want to delete your account?
This cannot be undone.
Thank you for your feedback which will help us improve our service.
If you requested a response, we will make sure to get back to you shortly.
×