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Cambridge Studies in New Art History and Criticism

In recent years, the field of art history has witnessed a wave of interest in new approaches to the subject, and many distinguished studies that employ innovative methods and techniques have appeared. This new art history is inquiring and self-critical, without abandoning its base in careful research, and it uses the highly developed methods of other disciplines (such as anthropology and literary theory) to illuminate the complex relationship between a culture and its artifacts. Cambridge New Art History and Criticism will be a series of diverse studies that exemplify these new approaches. The series provides a forum for work on a range of individual artists, genres, periods, themes, styles and movements.

General Editor: Norman Bryson, Harvard University


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  • The Rhetoric of Power in the Bayeux Tapestry

    Lewis, Suzanne
    Published: September 2011


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  • Architecture in the Age of Stalin

    Culture Two

    Paperny, Vladimir
    Hill, John
    Barris, Roann
    Published: June 2011


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  • Visualizing Boccaccio

    Studies on Illustrations of the Decameron, from Giotto to Pasolini

    Ricketts, Jill M.
    Published: March 2011


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  • Bakhtin and the Visual Arts

    Haynes, Deborah J.
    Published: June 2008


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  • The Enigmatic Body

    Essays on the Arts

    Schefer, Jean-Louis
    Smith, Paul
    Published: November 1995



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  • Postmodernism and the En-Gendering of Marcel Duchamp

    Jones, Amelia
    Published: October 1995



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  • The Rhetoric of Purity

    Essentialist Theory and the Advent of Abstract Painting

    Cheetham, Mark A.
    Published: November 1994



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Found 7 Results
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