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The Royal Court Theatre and the Modern Stage

The Royal Court Theatre and the Modern Stage

£33.99

Part of Cambridge Studies in Modern Theatre

Max Stafford-Clark
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  • Date Published: November 1999
  • availability: Available
  • format: Paperback
  • isbn: 9780521479622

£ 33.99
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About the Authors
  • The Royal Court Theatre is one of the primary forums in the development of post-war drama. Under the title of the English Stage Company the theatre's house actors and dramatists commissioned and produced some of the most influential plays in modern theatre history, including the works of Brenton, Churchill, Bond and Osborne. The story of the Royal Court is also the history of the contemporary stage. In this absorbing account of the theatre's history from 1956 to 1998, Philip Roberts draws on previously unpublished archives in both public and private collections and a series of interviews with people prominent in the Court's life. The book also includes a Foreword by the former Director of the Royal Court, Max Stafford-Clark. The result is an intimate account of the working of the foremost house of modern drama and its relationships to the world of the theatre in Britain and abroad.

    • Includes previously unpublished archival material including private papers, diaries, etc. Also includes interviews with key Royal Court practitioners
    • Foreword by Max Stafford-Clark
    • Documentary of one of the most important and influential theatres working today
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    Reviews & endorsements

    'Philip Roberts … produces an essential documentary account …' The Times Literary Supplement

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    Product details

    • Date Published: November 1999
    • format: Paperback
    • isbn: 9780521479622
    • length: 314 pages
    • dimensions: 229 x 152 x 18 mm
    • weight: 0.46kg
    • availability: Available
  • Table of Contents

    Foreword Max Stafford-Clark
    Acknowledgements
    List of abbreviations
    Biographical notes
    Preface
    Introduction: abortive schemes, 1951–4
    1. Coincidences, 1954–6
    2. The struggle for control, 1956–60
    3. Conflict and competition, 1960–5
    4. A socialist theatre, 1965–9
    5. A humanist theatre, 1969–75
    6. Changing places, 1975–9
    7. Theatre in a cold climate, 1980–6
    8. Holding on, 1987–93
    Afterword
    Notes
    Bibliography
    Index.

  • Author

    Philip Roberts, University of Leeds

    Contributors

    Max Stafford-Clark

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