Author's Pen and Actor's Voice
Author's Pen and Actor's Voice
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In this seminal work, Robert Weimann redefines the relationship between writing and performance, or 'playing', in Shakespeare's theatre. Through close reading and careful analysis Weimann offers a reconsideration and redefinition of Elizabethan performance and production practices. The study reviews the most recent methodologies of textual scholarship, the new history of the Elizabethan theatre, performance theory, and film and video interpretation, and offers a new approach to understanding Shakespeare. Weimann examines a range of plays including Hamlet, Troilus and Cressida, Henry V, A Midsummer Night's Dream and Macbeth, among others, as well as other contemporary works. A major part of the study explores the duality between playing and writing: the imaginary world-in-the-play and the visible, audible playing-in-the-world of the playhouse, and Weimann focuses especially on the gap between these two, between the so-called 'pen' and 'voice'.
- Weimann a very big name in the field - will have student market
- Redefines Elizabethan performance practice
- Reassesses Shakespeare's works and revises history of the Elizabethan theatre
Reviews & endorsements
'Robert Weimann's study is indispensable for an understanding of the complex play of authority and appropriation in the Elizabethan theatre. Any serious consideration of the relation between text and performance, any analysis of the struggle for the control of theatrical interpretation, any sustained reflection on the crossing of the threshold from reality to the play-world and back again would do well to begin here with this brilliant book.' Stephen Greenblatt
'In this book Weimann again charts new ground, by reading Shakespeare's searching interrogation of the two modes of production in which he worked: writing and acting. He challenges us to reimagine Shakespearean drama as an art that is inclusive as well as contestatory.' W. B. Worthen
'Robert Weimann has written an extraordinary book - bold and original in its conception, sophisticated and surprising in its execution. It is scrupulous in its research and rigorous in its argument, energetic in its prose and agile in its readings. Weimann leads us once again to rethink much of what we thought we knew about Elizabethan plays.' David Scott Kastan
'… impressively detailed… The breadth of Robert Weiman's research and the depth of his thought are evident on every page.' New Theatre Quarterly
Product details
July 2000Hardback
9780521781305
316 pages
237 × 157 × 22 mm
0.545kg
Available
Table of Contents
- Preface
- Introduction: Conjunctures and concepts
- 1. Performance and authority in Hamlet (1603)
- 2. A new agenda for authority
- 3. Pen and voice: versions of doubleness
- 4. Playing with a difference
- 5. Histories in Elizabethan performance
- 6. Hamlet and the purposes of playing
- 7. Space (in)dividable: Locus and Platea revisited
- 8. Shakespeare's endings: commodious thresholds
- Afterword: thresholds forever after
- Notes
- Index.
