New Theatre Quarterly 62
New Theatre Quarterly 62
Simon Trussler
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New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. It shows that theatre history has a contemporary relevance, that theatre studies need a methodology, and that theatre criticism needs a language. The journal publishes news, analysis and debate within the field of theatre studies. Articles in volume 62 include: Staging and Storytelling, Theatre and Film: Richard III at Stratford; The Theatrical Biosphere and Ecologies of Performance; The Afro-Caribbean Identity and the English Stage; A Riposte to David Mamet: Heresy and Common Sense in True and False; Form as Weapon: the Political Function of Song in Urban Zimbabwean Theatre; 'Aphrodite Speaks': on the recent Performance Art of Carolee Schneemann; Theatre and Urban Space: the Case of Birmingham Rep; Across Two Eras: Slovak Theatre from Communism to Independence; Whatever Happened to Gay Theatre?
Product details
August 2000Paperback
9780521789028
94 pages
245 × 175 × 8 mm
0.213kg
20 b/w illus.
Unavailable - out of print March 2007
Table of Contents
- 1. Staging and storytelling, theatre and film: Richard III at Stratford Russell Jackson
- 2. The theatrical biosphere and ecologies of performance Baz Kershaw
- 3. The Afro-Caribbean identity and the English stage Barnaby King
- 4. A riposte to David Mamet: heresy and common sense in True and False Bella Merlin
- 5. Form as weapon: the political function of song in urban Zimbabwean theatre Martin Rohmer
- 6. 'Aphrodite speaks': on the recent performance art of Carolee Schneemann Carolee Schneemann
- 7. Theatre and urban space: the case of Birmingham Rep Claire Cochrane
- 8. Across two eras: Slovak theatre from communism to independence Dagmar Institorisova and Daniela Bacova
- 9. Whatever happended to gay theatre? Brian Roberts.
