New Theatre Quarterly 74
Volume 19
Part 2
Part of New Theatre Quarterly
- Editors:
- Simon Trussler, Rose Bruford College, London
- Clive Barker, Rose Bruford College, London
- Date Published: September 2003
- availability: Unavailable - out of print
- format: Paperback
- isbn: 9780521535892
Paperback
Looking for an inspection copy?
This title is not currently available for inspection. However, if you are interested in the title for your course we can consider offering an inspection copy. To register your interest please contact asiamktg@cambridge.org providing details of the course you are teaching.
-
New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. Articles in volume 74 include: Joan Littlewood's Key to Creativity: 'Go on Stage to Fail'; Grandfathers and Orphans: the Family Saga of European Theatre; Decoding Myths in the Nepalese Festival of Indra Jatra; Theatre in Education in Britain: Current Practice and Future Potential; From Object to Subject: the Israeli Theatre of the Battered Women; 'The Spirits Wouldn't Let Me Be Anything Else': Shamanic Dimensions in Theatre Practice Today; The Contaminated Audience: Researching Amateur Theatre in Wales before 1939.
Customer reviews
Not yet reviewed
Be the first to review
Review was not posted due to profanity
×Product details
- Date Published: September 2003
- format: Paperback
- isbn: 9780521535892
- length: 104 pages
- dimensions: 246 x 174 x 6 mm
- weight: 0.238kg
- contains: 10 b/w illus.
- availability: Unavailable - out of print
Table of Contents
Joan Littlewood's Key to Creativity: 'Go on Stage to Fail'
Grandfathers and Orphans: the Family Saga of European Theatre
Decoding Myths in the Nepalese Festival of Indra Jatra
Theatre in Education in Britain: Current Practice and Future Potential
From Object to Subject: the Israeli Theatre of the Battered Women
'The Spirits Wouldn't Let Me Be Anything Else': Shamanic Dimensions in Theatre Practice Today
The Contaminated Audience: Researching Amateur Theatre in Wales before 1939.
Sorry, this resource is locked
Please register or sign in to request access. If you are having problems accessing these resources please email lecturers@cambridge.org
Register Sign in» Proceed
You are now leaving the Cambridge University Press website. Your eBook purchase and download will be completed by our partner www.ebooks.com. Please see the permission section of the www.ebooks.com catalogue page for details of the print & copy limits on our eBooks.
Continue ×Are you sure you want to delete your account?
This cannot be undone.
Thank you for your feedback which will help us improve our service.
If you requested a response, we will make sure to get back to you shortly.
×