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Vermeer

Vermeer

Vermeer

Reception and Interpretation
Christiane Hertel, Bryn Mawr College, Pennsylvania
April 1999
Unavailable - out of print February 2014
Paperback
9780521657310
Out of Print
Paperback

    In this study, Christiane Hertel interprets the suppositions underlying Vermeer's canonization in the nineteenth century and also addresses the critical problem of locating his paintings in history. The specific concepts guiding critics were developed in the context of a reappraisal of Dutch painting in the nineteenth century, particularly in Germany and France. Based on current as well as historical discussions of a theory of aesthetic reception, her book makes a contribution to the evolving self-definition of the discipline of art history.

    • Beautifully produced book on a very popular artist
    • Written from the perspective of his reception in the nineteenth century
    • Locates Vermeer's paintings in history

    Product details

    April 1999
    Paperback
    9780521657310
    304 pages
    254 × 202 × 16 mm
    0.86kg
    54 b/w illus. 8 colour illus.
    Unavailable - out of print February 2014

    Table of Contents

    • Introduction: reception and interpretation
    • Part I. Idyll: The German Reception of Dutch Art and Vermeer's Paintings of Social Life: Introduction
    • 1. Hegel's legacy to German scholarship on seventeenth-century Dutch painting
    • 2. Vermeer's paintings of social life as 'disturbed idylls'
    • 3. Temporality and difference: 'The Chinese Hat'
    • Part II. Fiction: The French Reception of Vermeer and the Modernity of Vermeer's Cityscape: Introduction
    • 4. French travel literature of the nineteenth-century
    • 5. Art criticism 1859–1913: the 'Oriental' Vermeer
    • 6. The modern Vermeer: Marcel Proust's Remembrance of Things Past
    • 7. Seriality and originality: Vermeer's View of Delft, his 'Identical World' and Dutch painting in Proust's Remembrance of Things Past
    • 8. 'Fernbild'
    • Part III. Allegory: The Question of Authority in Vermeer's The Art of Painting and Allegory of Faith: Introduction: 'The Rat and the Snake'
    • 9. Theories and concepts of allegory
    • 10. Vermeer's The Art of Painting
    • 11. Veritas Filia Temporis
    • 12. Vermeer's Allegory of Faith
    • Epilogue
    • Notes
    • References
    • Index.
      Author
    • Christiane Hertel , Bryn Mawr College, Pennsylvania