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Abstract Expressionism and the Modern Experience

Abstract Expressionism and the Modern Experience

Out of Print

  • Date Published: June 1993
  • availability: Unavailable - out of print November 2004
  • format: Paperback
  • isbn: 9780521448260

Out of Print
Paperback

Unavailable - out of print November 2004
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  • A major revisionist study of the art and artists who participated in what is now regarded as the first American style of international consequence. Based on examinations of new archival material and many unknown paintings, this study relates Abstract Expressionism to the actual historical circumstances, as well as intellectual and cultural milieu, of America from the 1930s to the 1950s. Stephen Polcari reverses the traditional perspective of Abstract Expressionism as an abstract art inspired by issues of the postwar period. Examining its roots in the art of the 1930s and 1940s, he contends that Abstract Expressionism emerges as a public art that actively engaged in the social, economic, and political crises of the 1930s, and, more significantly, the experience of World War II. Polcari provides an account of the contemporary artistic, intellectual and cultural history to establish a macro-history of human beings under the pressures of war, fear, torment, and hope. Within this context, he convincingly presents Abstract Expressionism as a mode of modern, metaphysical 'history' painting that uses the forms and devices of modern art to come to terms with the brutality of contemporary history.

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    Product details

    • Date Published: June 1993
    • format: Paperback
    • isbn: 9780521448260
    • length: 432 pages
    • dimensions: 279 x 216 x 24 mm
    • weight: 1.4kg
    • contains: 290 b/w illus. 32 colour illus.
    • availability: Unavailable - out of print November 2004
  • Table of Contents

    List of illustrations
    Acknowledgments
    Introduction
    Part I. The History and Culture of Abstract Expressionism:
    1. The psychology of crisis: historical roots
    2. Propaedeutics: intellectual roots
    Part II. The Artists:
    3. Clyfford Still: of plenitude and power
    4. Mark Rothko: 'In My Beginning is My End'
    5. Adolph Gottlieb: the allegorical epic
    6. Barnett Newman: new beginnings
    7. William Baziotes: tremors of history
    8. Jackson Pollock: ancient energies
    9. Willem de Kooning: a fever of matter
    10. Robert Motherwell: the school of Paris meets New York
    11. The expansiveness of abstract expressionism Conclusion
    12. Vernacular abstraction: the domestication of abstract expressionism in the 1950s
    Epilogue.

  • Author

    Stephen Polcari

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