New Theatre Quarterly 80
New Theatre Quarterly 80
Clive Barker
Out of Print
New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. Articles in volume 80 include: Peter Barnes: the Playwright who Laughed at Death; A Tear in the Fabric: the James Bulger Murder and New Theatre Writing in the 'Nineties; Jacques Copeau, Etienne Decroux, and the 'Flower of Noh'; Their Exits and Their Entrances: Getting a Handle on Doors; Lev Dodin's 'Musical Dramatic Art' and the World of Opera; Towards a Theory of Cruel Britannia: Coolness, Cruelty, and the 'Nineties; Palimpsest or Potential Space? Finding a Vocabulary for Site-Specific Performance; NTQ Reports and Announcements; NTQ Book Reviews.
Product details
April 2005Paperback
9780521603294
102 pages
245 × 173 × 5 mm
0.222kg
8 b/w illus.
Unavailable - out of print April 2013
Table of Contents
- Peter Barnes: the Playwright who Laughed at Death Alan Rickman, Charles Marowitz and Elaine Turner
- A Tear in the Fabric: the James Bulger Murder and New Theatre Writing in the 'Nineties Mark Ravenhill
- Jacques Copeau, Etienne Decroux, and the 'Flower of Noh' Thomas Leabhart
- Their Exits and Their Entrances: Getting a Handle on Doors Arnold Aronson
- Lev Dodin's 'Musical Dramatic Art' and the World of Opera Maria Shevtsova
- Towards a Theory of Cruel Britannia: Coolness, Cruelty, and the 'Nineties Ken Urban
- Palimpsest or Potential Space? Finding a Vocabulary for Site-Specific Performance Cathy Turner
- NTQ Reports and Announcements
- NTQ Book Reviews.
