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The Cinema of Hong Kong

The Cinema of Hong Kong

The Cinema of Hong Kong

History, Arts, Identity
Poshek Fu, University of Illinois, Urbana-Champaign
David Desser, University of Illinois, Urbana-Champaign
May 2002
Available
Paperback
9780521776028
£28.00
GBP
Paperback
GBP
Hardback

    The Cinema of Hong Kong examines one of the most popular, dynamic, and important cinema traditions in the history of film. Providing an overview of major directors, genres, and stars, from its origins to the present, this volume examines Hong Kong cinema in historical, transnational, cultural and political contexts. Individual chapters focus on Hong Kong cinema before and during World War II, the cinema of the turbulent 1960s, its rise to world prominence in the 1970s, its reception in the United States, and the revival of Cantonese cinema, among topics. Including contributions from a diverse roster of scholars, archivists, and film programmers, the book provides a wealth of new information and new conceptual framework, enabling a greater appreciation of the variety, range and depth of Hong Kong film.

    • The most comprehensive chronology of Hong Kong film history and the most comprehensive English-language bibliography on Hong Kong film
    • US and Hong Kong based scholars, including some of the best-known film scholars and critics in their respective countries
    • An in-depth look at Hong Kong cinema's reception in the US in the 1970s

    Product details

    May 2002
    Paperback
    9780521776028
    348 pages
    228 × 153 × 22 mm
    0.57kg
    36 b/w illus.
    Available

    Table of Contents

    • List of contributors
    • Acknowledgements Poshek Fu and David Desser
    • Introduction Poshek Fu and David Desser
    • Chronology of Hong Kong cinema David Desser and Poshek Fu
    • Part I. History:
    • 1. The Kung Fu craze: Hong Kong cinema's first American reception David Desser
    • 2. The American connection in early Hong Kong cinema Law Kar
    • 3. The 1960s: modernity, youth culture, and Hong Kong Cantonese cinema Poshek Fu
    • 4. The 1970s: movement and transition Stephen Teo
    • Part II. Arts:
    • 5. Richness through imperfection: King Hu and the glimpse David Bordwell
    • 6. Space, place, and spectacle: the crisis cinema of John Woo Tony Williams
    • 7. Besides fists and blood: Michael Hui and Cantonese comedy Jenny Lau
    • 8. The film work of Ann Hui Patricia Erens
    • Part III. Identity:
    • 9. Between Nationalism and Colonialism: mainland émigrés, marginal culture, Hong Kong cinema 1937–1941 Poshek Fu
    • 10. Urban cinema and cultural identity of Hong Kong Leung Ping-Kwan
    • 11. Rewriting history: Hong Kong nostalgia cinema and its social practice Natalia Chan Sui Hung
    • 12. Filming diaspora and identity: Hong Kong and 1997 Sheldon Lu
    • 13. Buying American, consuming Hong Kong: cultural commerce, fantasies of identity, and the cinema Gina Marchetti
    • 14. Hong Kong electric shadows: a selected bibliography of studies in English H. C. Li
    • Index.
      Contributors
    • Poshek Fu, David Desser, Law Kar, Stephen Teo, David Bordwell, Tony Williams, Jenny Lau, Patricia Erens, Leung Ping-Kwan, Natalia Chan Sui Hung, Sheldon Lu, Gina Marchetti, H. C. Li

    • Editors
    • Poshek Fu , University of Illinois, Urbana-Champaign
    • David Desser , University of Illinois, Urbana-Champaign