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The Works of John Ruskin

The Works of John Ruskin

The Works of John Ruskin

Volume 4: Modern Painters II
John Ruskin
Edward Tyas Cook
Alexander Wedderburn
February 2010
4. Modern Painters II
Available
Paperback
9781108008525
£40.00
GBP
Paperback

    The influence of John Ruskin (1819–1900), both on his own time and on artistic and social developments in the twentieth century, cannot be over-stated. He changed Victorian perceptions of art, and was the main influence behind 'Gothic revival' architecture. As a social critic, he argued for the improvement of the condition of the poor, and against the increasing mechanisation of work in factories, which he believed was dull and soul-destroying. The thirty-nine volumes of the Library Edition of his works, published between 1903 and 1912, are themselves a remarkable achievement, in which his books and essays - almost all highly illustrated - are given a biographical and critical context in extended introductory essays and in the 'Minor Ruskiniana' - extracts from letters, articles and reminiscences both by and about Ruskin. This fourth volume contains volume 2 of Modern Painters.

    Product details

    February 2010
    Paperback
    9781108008525
    492 pages
    230 × 155 × 35 mm
    0.93kg
    14 b/w illus.
    Available

    Table of Contents

    • Introduction to Vol. 4
    • Bibliographical note
    • Preface to the re-arranged edition (1883)
    • Synopsis of contents
    • Part I. Modern Painters Vol. II (Containing the Text of All the Editions)
    • Section 1. Of the Theoretic Faculty:
    • 1. Of the rank and relations of the theoretic faculty
    • 2. Of the theoretic faculty as concerned with pleasures of sense
    • 3. Of accuracy and inaccuracy in impressions of sense
    • 4. Of false opinions held concerning beauty
    • 5. Of typical beauty
    • 6. Of unity
    • 7. Of repose
    • 8. Of symmetry
    • 9. Of purity
    • 10. Of moderation
    • 11. General inferences respecting typical beauty
    • 12. Of vital beauty
    • 13. Of generic vital beauty
    • 14. Of vital beauty in man
    • 15. General conclusions respecting the theoretic faculty
    • Section 2. Of the Imaginative Faculty: Author's introductory note (1883)
    • 1. Of the three forms of imagination
    • 2. Of imagination associative
    • 3. Of imagination penetrative
    • 4. Of imagination contemplative
    • 5. Of the superhuman ideal
    • Part II: Addenda (1848)
    • Epilogue (1883)
    • Appendix.
      Author
    • John Ruskin
    • Editors
    • Edward Tyas Cook
    • Alexander Wedderburn