Art and Risk in Ancient Yoruba
Ife History, Power, and Identity, c. 1300
- Author: Suzanne Preston Blier, Harvard University, Massachusetts
- Date Published: November 2017
- availability: Available
- format: Paperback
- isbn: 9781108431040
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In this book, Suzanne Preston Blier examines the intersection of art, risk and creativity in early African arts from the Yoruba center of Ife and the striking ways that ancient Ife artworks inform society, politics, history and religion. Yoruba art offers a unique lens into one of Africa's most important and least understood early civilizations, one whose historic arts have long been of interest to local residents and Westerners alike because of their tour-de-force visual power and technical complexity. Among the complementary subjects explored are questions of art making, art viewing and aesthetics in the famed ancient Nigerian city-state, as well as the attendant risks and danger assumed by artists, patrons and viewers alike in certain forms of subject matter and modes of portrayal, including unique genres of body marking, portraiture, animal symbolism and regalia. This volume celebrates art, history and the shared passion and skill with which the remarkable artists of early Ife sought to define their past for generations of viewers.
Read more- Considers how statecraft is framed through sculptural commissions in early Africa
- Looks at why ancient artists were motivated by factors of risk to create works that have yet to be surpassed anywhere technically
- Examines the primacy of historic and modern regalia in the reading of ancient society
Awards
- Winner, 2016 PROSE Award for Art History and Criticism
Reviews & endorsements
'First encountered by foreign observers a century ago, the arts of ancient Ife have since astonished and baffled scholars and connoisseurs alike. Blier's research, Shakespearean in scope, at last connects these sublime sculptures to a tumultuous past and a vital present.' Donald J. Cosentino, University of California, Los Angeles
See more reviews'Blier deploys an understated rhetoric in this well-researched, historically grounded, thought-provoking analysis of Ife art, reverberating far beyond the field of African art history. … her fresh arguments are … precisely what had to be achieved by new critical scholarship on such a well-established corpus.' Ikem Stanley Okoye, University of Delaware
'As much a history of ancient Yoruba art as an investigation into the ways in which the creation, exhibition, and preservation of art are seriously risky ventures, Suzanne Preston Blier's magisterial new book brings medieval African art alive and reminds us that art and its meanings have been and will remain a subject of heated contention. This is the definitive analysis of the arts and civilization in the long and splendid history of the Yoruba culture.' Henry Louis Gates, Jr, Harvard University, Massachusetts
'In the beginning of each of the chapters that are grouped under two parts, Blier's deep understanding of the subject, particularly as displayed in some of the Yoruba proverbs as well as similitudes from revered western artists and thinkers, is not in doubt.' Tajudeen Sowole, Nigerian Guardian
'… a text that will quickly become the foundational work on Ife art and a model for art history as a multidisciplinary enterprise.' Eric Gable, African Studies Review
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×Product details
- Date Published: November 2017
- format: Paperback
- isbn: 9781108431040
- length: 598 pages
- dimensions: 255 x 180 x 35 mm
- weight: 1.16kg
- contains: 159 b/w illus. 52 colour illus. 5 maps
- availability: Available
Table of Contents
Introduction: art, risk, and creativity
Part I. Art, Risk, and Identity:
1. Art making: artists, subjects, technologies, and media
2. Experiencing art: sight, site, and perspectives of viewing
3. If looks could kill: aesthetics and political expression
4. Embedding identity: marking the Ife body
Part II. Politics, Representation, and Regalia:
5. A gallery of portrait heads: political art
6. Animal avatars: art, identity, and the natural world
7. Crowning glory: the art and politics of headgear
8. Battling with symbols: scepters, staffs, and seats
Conclusions.
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