Other available formats:
Looking for an inspection copy?
This title is not currently available for inspection. However, if you are interested in the title for your course we can consider offering an inspection copy. To register your interest please contact email@example.com providing details of the course you are teaching.
Telling a new story of modern Egypt, Mohammad Salama uses textual and cinematic sources to construct a clear and accessible narrative of the dynamics of Islam and culture in the first half of the twentieth century. The conflict between tradition and secular values in modern Egypt is shown in a stimulating and challenging new light as Salama bridges analysis of nationalism and its connection to Islamism, and outlines the effects of secular education versus traditional Islamic teaching on varied elements of Egyptian society. These include cultural production, politics, economic, identity, and gender relations. All of this helps to discern the harbingers that led to Egypt's social transition from the monarchy to the republic and opens the possibility of Islam as an inspiring and inspirational force. This illuminating, provocative and informative study will be of use to anyone interested in the period, whether general readers, students, or researchers.Read more
- Offers a fresh non-historicist account of thinking and writing about Islam and the culture of modern Egypt in the first half of the twentieth century
- Defiantly confronts holistic dictates of historical positivism and offers instead local interventions on debates around Islam, modernity, secularism, and the production of knowledge
- Shows how an incipient nationalism born in Egypt at the outset of the last century was co-opted by local currents, imperialist powers, anti-colonial resistance, as well as Islamist and secular ideologies
Reviews & endorsements
'This is a scholarly achievement of the highest caliber. Salama goes to great lengths to offer a compelling (re)reading of Egypt's cultural history through the lens of literary theory in a project intent on deciphering the codes connecting Islam, culture, and modernity. He boldly identifies vital intersections between the formative tenets of modernity and conventions of Islamic thought … Salama's book is bound to provoke vital debate that will enrich knowledge and elevate consciousness of a moment of history in Egypt's culture which current generations are in dire need of revisiting and contemplating, as Salama does, armed with tools of contemporary literary theory. It shows us that we must not be content with reading our history using only the tools of the past. Modernity does not have a definitive endpoint and therefore readings and re-readings can only yield positive epistemologies and fresh understandings of both Islam and modernity.' Gaber Asfour, Cairo University and Former Minister of Culture, EgyptSee more reviews
'Professor Mohammad Salama raises the perennial question of identity in modern times, in this case Egyptian identity … [he] has written an outstanding book not just for literary scholars and historians in Arabic studies but for all those reflecting on first world and third world culture.' Peter Gran, Temple University, Pennsylvania
'This is a critically self-assured, excitingly competent, and beautifully written book. It is nothing less than a most formative treatment of a precisely delineated, historical slice of literary - but also broadly cultural - time that made Modern Egypt … This book may very well become the recommended - if not obligatory - reading for the present Egyptian generation: old and young.' Jaroslav Stetkevych, University of Chicago
'This is a groundbreaking book. Salama's goal is to address 'the relationship between Islam, culture and history' (p. 216) in twentieth-century Egypt, and he does an outstanding job of presenting relevant examples to his readers, from the first novel (Zaynab) to the films of Youssef Chahine. He personalizes and makes engaging his journey along the way, but never loses sight of important theoretical insights by both Arab and Western critics, and how they can illuminate the course of events he treats. No student of modern Arabic literature and culture can afford to be unacquainted with this work.' Terri DeYoung, University of Washington
'Islam and the Culture of Modern Egypt is another insightful discussion of a field that has been inviting heated and also rigorous debates. In his effort to tackle issues of culture, modernity, and Islam, Salama offers a significant contribution to the intellectual history of Egypt.' Muhsin al-Musawi, Columbia University
'Islam and the Culture of Modern Egypt is a tour de force treating the reader to a unique behind the scenes glimpse into the heart of Egyptian history and politics in the last century. In a highly original, lucid, and comparatively sophisticated diction, Mohammad Salama proves that despite Islam's contested and celebrated reiterations in Egypt's philosophical, literary, and cinematic production, it continues to shape our understanding of a precarious national identity during colonial, Islamist, Nasserist, Pan-Arabism, and revolutionary times. A vital contribution to the fields of Arab cultural and Islamic studies.' Hanadi Al-Samman, University of Virginia
Not yet reviewed
Be the first to review
Review was not posted due to profanity×
- Date Published: November 2018
- format: Hardback
- isbn: 9781108417181
- length: 234 pages
- dimensions: 235 x 157 x 15 mm
- weight: 0.5kg
- contains: 6 b/w illus.
- availability: In stock
Table of Contents
A note on transliteration and translation
Introduction: prelude, considerations, and definitions
1. History matters
2. Nahḍa-t Miṣr: Zaynab and the cultural Renaissance of modern Egypt
3. Blindness and insight: challenging the sacred/secular divide in Ṭāhā Ḥusayn's The Days
4. An Egyptian Sophocles: Qurʾānic inspiration in Tawfīq al-Ḥakīm's People of the Cave
5. Writing the mad text: freedom, modernity and God in Naguib Mahfouz's 'The Whisper of Madness'
6. Islamism writes back: Alī Aḥmad Bākāthīr's Red Revolutionary and the dismantling of the secular
7. Realism and utopian irony in Yūsuf Idrīs's Faraḥāt's Republic
8. Islam and secular nationalism in a film age: unveiling Youssef Chahine's Gamīla al-Gazā'iriyya
Appendix 1: 'The Whisper of Madness'
Appendix 2: an interview with Youssef Chahine
Appendix 3: feature films produced in Egypt from 1927–62
Sorry, this resource is locked