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Censorship of the American Theatre in the Twentieth Century

Censorship of the American Theatre in the Twentieth Century

Censorship of the American Theatre in the Twentieth Century

John H. Houchin , Boston College, Massachusetts
April 2009
Available
Paperback
9780521108355

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    Arguing that theatrical censorship coincides with significant challenges to religious, political and cultural traditions, John Houchin explores its impact on twentieth-century American theatre. Along with the well-known example of the House Un-American Activities Committee in the 1950s, other almost equally influential events affected the course of the American stage during the century. After a summary of censorship in eighteenth- and nineteenth-century America, Houchin analyzes key political and theatrical events between 1900 and 2000.

    • No book yet published examines this topic in such detail
    • Links the evolution of theatre to social, political, religious and moral developments
    • An accessible study, which avoids the use of too much critical jargon

    Reviews & endorsements

    "Houchin has written the most comprehensive book currently available on censorship in 20th-century American theater.... Essential." Choice

    "Although Houchin's emphasis is more on the history of censorship and less on an argument about it, he does a splendid job defining the forces behind that conservatism and observing how those forces adapt and take different form over time." American Literature, D. Quentin Miller, Suffolk University

    See more reviews

    Product details

    August 2003
    Hardback
    9780521818193
    344 pages
    229 × 152 × 21 mm
    0.63kg
    Available

    Table of Contents

    • Introduction
    • 1. Overture: theatrical censorship from the puritans to Anthony Comstock
    • 2. Bad girls, tough guys and the changing of the guard
    • 3. Flappers and fanatics
    • 4. Have you now or have you ever …
    • 5. Bye, bye American pie
    • 6. The past is prologue.
      Author
    • John H. Houchin , Boston College, Massachusetts

      John Houchin is Associate Professor of Theatre at Boston College, Massachusetts. He is the author of The Critical Response to Eugene O'Neill (1993). His work has also been published in The Drama Review, The New England Theatre Journal, The Journal of American Theatre and Drama, Theatre History Studies and the Eugene O'Neill Review.