
Understanding Cinema
A Psychological Theory of Moving Imagery
$120.00 (C)
- Author: Per Persson
- Date Published: July 2003
- availability: Available
- format: Hardback
- isbn: 9780521813280
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120.00
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Hardback
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Understanding Cinema analyzes the moving imagery of film and television from a psychological perspective. Per Persson asserts that spectators interpret, feel or make use of knowledge, assumptions, expectations and prejudices when viewing film. Persson explains how close-ups, editing conventions, character psychology and other cinematic techniques work, and how and why they affect the spectator. Utilizing examples from early and contemporary cinema, the book also analyzes the design of cinema conventions and their stylistic transformations through the evolution of film.
Read more- Groundbreaking attempt to integrate cinema studies and psychology
- Sensitive to both psychological and cultural framework in its investigation of film reception
- Integrates psychology and film history research (early cinema) in novel ways
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×Product details
- Date Published: July 2003
- format: Hardback
- isbn: 9780521813280
- length: 296 pages
- dimensions: 229 x 152 x 21 mm
- weight: 0.61kg
- contains: 44 b/w illus. 6 tables
- availability: Available
Table of Contents
1. Understanding and dispositions
2. Understanding POV editing
3. Variable framing and personal space
4. Character psychology and mental attribution
5. The case for a psychological theory of cinema.
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