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Russian Critics on the Cinema of Glasnost

Russian Critics on the Cinema of Glasnost

Russian Critics on the Cinema of Glasnost

Editors:
Michael Brashinsky
Andrew Horton
Mikhail Yampolsky, Yuri Bogomolov, Alexander Timofeevsky, Lev Karakhan, Marina Drozdova, Sergei Dobrotvorsky, Tatyana Khloplyankina, Igor Aleinikov, Lev Anninsky, Alexander Kiselev, Maya Turovskaya, Tatyana Moskvina, Victor Bozhovich, Maya Turovskaya, Mikhail Yampolsky, Pyotr Shepotinnik, Sergei Lavrentiev
Published:
December 2008
Availability:
Available
Format:
Paperback
ISBN:
9780521087674

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    This collection brings together twenty-three essays by some of Russia's most astute commentators on film and culture, written during the 1980s and published here in English for the first time. Included are reviews of films such as Little Vera and Taxi Blues, which were critically hailed in the West. Their comments illuminate important aspects of Russian filmmaking during this decade and capture a sense of a society in flux during the waning years of communism, as well as conveying the larger context within which Glasnost cinema and culture developed.

    • An inside view of a society and system in flux as reflected in its film
    • A lively and at times heated dialogue offers insight into the successes and shortcomings of Glasnost in general

    Reviews & endorsements

    "Brashinsky and Horton have done it again...the work consists of 23 essays, which are sometimes witty, sometimes trenchant, and always replete with the requisite amount of Eastern European irony...teachers, students, and film buffs will find much of interest here." J. M. Curtis, Choice

    "...not only presents the views of Soviet critics on the glasnost movies, it also casts light on film criticism as a type of active and assertive social behavior....a useful tool." Dina Iordanova, Slavic and East European Journal

    See more reviews

    Product details

    September 1994
    Hardback
    9780521444750
    176 pages
    236 × 157 × 19 mm
    0.385kg
    10 b/w illus.
    Available

    Table of Contents

    • Part I: Films in a Shifting Landscape:
    • 1. Cinema without cinema Mikhail Yampolsky
    • 2. Cinema for every day Yuri Bogomolov
    • 3. The last romantics Alexander Timofeevsky
    • 4. Jobless prophets Lev Karakhan
    • 5. Midseasonal anarchists Marina Drozdova
    • 6. The most avant garde of all parallel ones Sergei Dobrotvorsky
    • Part II. Glasnost's Top Ten:
    • 7. Repentence: on the road that leads to the truth Tatyana Khloplyankina
    • 8. Between the circus and the zoo Igor Aleinikov
    • 9. Is it easy to be young
    • is it easy to be grown up? Lev Anninsky
    • 10. Deafening voids Alexander Kiselev
    • 11. A forgotten tune for the flute, Scherzo - suite - nocturne Alexander Timofeevsky
    • 12. The cold summer of '53 Mikhail Trofimenkov
    • 13. Birds of passage Mikhail Trofimenkov
    • 14. Assa
    • The tenderest shroud Alexander Timofeevsky
    • 15. Commissar Maya Turovskaya
    • 16. Little Vera: forward, singing Tatyana Moskvina
    • 17. Days of eclipse: out of bounds Victor Bozhovich
    • 18. The days of eclipse Maya Turovskaya
    • 19. The world as a mirror for the other world Mikhail Yampolsky
    • 20. A billion years before the end of cinema Tatyana Moskvina
    • 21. The needle: a dandy of the postpunk era Marine Drozdova
    • 22. Taxi blues: forgiveness Pyotr Shepotinnik
    • 23. Taxi fares, blues fans and film viewers Sergei Lavrentiev
    • Conclusion
    • Notes on the Contributors
    • Directors' Bio-filmography
    • Filmography
    • Index.
      Contributors
    • Mikhail Yampolsky, Yuri Bogomolov, Alexander Timofeevsky, Lev Karakhan, Marina Drozdova, Sergei Dobrotvorsky, Tatyana Khloplyankina, Igor Aleinikov, Lev Anninsky, Alexander Kiselev, Maya Turovskaya, Tatyana Moskvina, Victor Bozhovich, Maya Turovskaya, Mikhail Yampolsky, Pyotr Shepotinnik, Sergei Lavrentiev

    • Editors
    • Michael Brashinsky
    • Andrew Horton