Anti-Mimesis from Plato to Hitchcock
$41.99 (C)
Part of Literature, Culture, Theory
- Author: Tom Cohen, State University of New York, Albany
- Date Published: September 1994
- availability: Available
- format: Paperback
- isbn: 9780521465847
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The material elements of writing have long been undervalued; but analysis of these elements--sound, signature, letters--can transform our understanding of major texts. Tom Cohen argues in this book that in an era of representational criticism the role of close reading has been overlooked. Through astonishing new readings of writers such as Plato, Bakhtin, Poe, Whitman, and Conrad, Professor Cohen exposes the limitations of new historicism and neo-pragmatism, and demonstrates how the "materiality of language" challenges representational models of meaning imposed by the canon.
Read more- Challenging and revealing readings of work of major writers
- Refocuses attention away from representational criticism and cultural studies onto close reading/'materiality'
Reviews & endorsements
"...the quixotic and often breathtaking combination of erudition and creativity that characterized de Man's work appears throughout Anti-Mimesis, lending Cohen's work a kind of paradigmatic authority." MLN
See more reviews"...an excellent book, well worth reading and rereading--in posthumanist or other ways." Cesare Casarino, American Literature
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×Product details
- Date Published: September 1994
- format: Paperback
- isbn: 9780521465847
- length: 284 pages
- dimensions: 216 x 140 x 16 mm
- weight: 0.36kg
- availability: Available
Table of Contents
Introduction: the legs of sense
Part I. Dialogue and Inscription:
1. Othello, Bakhtin and the death(s) of dialogue
2. P.s.: Plato's scene of reading in the Protagoras
Part II. Parables of Exteriority - Materality in 'Classic' American Texts:
3. Too legit to quit: the dubious genealogies of pragmatism
4. Poe's Foot d'Or: ruinous rhyme and Nietzschean recurrence (sound)
5. Only the dead know Brooklyn ferry (voice)
6. The letters of the law: 'Bartleby' as hypogrammatic romance (letters)
Part III. Pre-Posterous Modernisms:
7. Conrad's fault (signature)
8. Miss Emily, c'est moi: the defacement of modernism in Faulkner (inscription and social form)
9. Hitchcock and the death of (Mr.) Memory (technology of the visible)
Coda: post-humanist reading.
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