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The potential for the study of opera and its cultural ramifications today is vast indeed. Cambridge Studies in Opera is pleased to offer a forum for this…
The aim of Music in Context is to illuminate specific musical works, repertoires or practices in historical, critical, socio-economic or other contexts;…
The Cambridge History of Music is a new group of reference works concerned with significant strands of musical scholarship. The individual volumes are…
Cambridge Companions to Music provide clear and accessible information on composers, instruments or musical topics, written with the student, the performer…
Composers in Context focuses on those aspects of a composer's life and times that form the context for his or her creative work. Volumes are structured…
These collections of specially commissioned essays present the latest musicological and theoretical research on individual high-profile composers. Written…
This series - formerly Music in the Twentieth Century - offers a wide perspective on music and musical life since the end of the nineteenth century. Books…
This series explores the conceptual framework that shapes the ways in which we understand music and its history and will elaborate structures of explanation,…
January 25th
Cambridge University Press is delighted to announce the appointment of Alejandro L. Madrid as co-editor of Twentieth-Century Music, joining co-editor Pauline Fairclough from January 2019. Since 2013, Alejandro has been professor of musicology and ethnomus…
January 9th
‘Have you ever been in a car crash? Unfortunately, unlike the car crash, time will not slow down for us. If anything, we’re accelerating toward disaster’[1] It was the question of whether or not an erect penis was seen on stage that mark…
October 3rd
After much hard work and years of lawsuits and other complaints, the United States Congress seems destined finally to update music’s copyright law. The Music Modernization Act passed unanimously in the Senate on September 18 and, having won consent …
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