American Drama
In this book, Susan Harris Smith looks at the many often conflicting cultural and academic reasons for the neglect and dismissal of American drama as a legitimate literary form. Covering a wide range of topics such as theatrical performance, the rise of nationalist feeling, the creation of academic disciplines, and the development of sociology, Smith's study is a contentious and revisionist historical inquiry into the troubled cultural and canonical status of American drama, both as a literary genre and as a mirror of American society.
- Focuses critical attention on a neglected genre
- Provides a revisionist perspective on American theatrical history
- Examines the cultural history of American drama
Product details
November 2006Paperback
9780521032421
260 pages
228 × 152 × 17 mm
0.398kg
3 b/w illus. 1 map
Available
Table of Contents
- Acknowledgments
- 1. Introduction: the problem of American drama
- 2. Generic hegemony: the exclusion of American drama
- 3. No corner in her own house: what is American about American drama?
- 4. Did she jump or was she pushed? American drama in the university curriculum
- 5. Caught in the close embrace: sociology and realism
- 6. Conclusion: beyond hegemony and canonicity
- References
- Index.