Unlocking potential with the best learning and research solutions

Look Inside From the Material to the Mystical in Late Medieval Piety

From the Material to the Mystical in Late Medieval Piety
The Vernacular Transmission of Gertrude of Helfta's Visions

Author: Racha Kirakosian, Albert-Ludwigs-Universität Freiburg, Germany

Date Published: December 2021
availability: Available
format: Hardback
isbn: 9781108841238

Rate & review

Hardback

Add to wishlist

Other available formats:
eBook

Looking for an inspection copy?

This title is not currently available for inspection. However, if you are interested in the title for your course we can consider offering an inspection copy. To register your interest please contact asiamktg@cambridge.org providing details of the course you are teaching.

Description

Contents

Resources

Courses

About the Authors

The German mystic Gertrude the Great of Helfta (c.1256–1301) is a globally venerated saint who is still central to the Sacred Heart Devotion. Her visions were first recorded in Latin, and they inspired generations of readers in processes of creative rewriting. The vernacular copies of these redactions challenge the long-standing idea that translations do not bear the same literary or historical weight as the originals upon which they are based. In this study, Racha Kirakosian argues that manuscript transmission reveals how redactors serve as cultural agents. Examining the late medieval vernacular copies of Gertrude's visions, she demonstrates how redactors recast textual materials, reflected changes in piety, and generated new forms of devotional practices. She also shows how these texts served as a bridge between material culture, in the form of textiles and book illumination, and mysticism. Kirakosian's multi-faceted study is an important contribution to current debates on medieval manuscript culture, authorship, and translation as objects of study in their own right.
- Provides examples of textiles which have influenced devotional culture
- Discusses collective writing over long periods of time and in a manuscript culture
- Makes the point that the transmission history of texts encompasses redactions which are as valuable as the text sources upon which they are modelled
Read more
Reviews & endorsements
'In exploring the Latin and vernacular production and reception of Gertrud von Helfta's Legatus divinae pietatis, Racha Kirakosian is redefining late medieval authorship and the value of each redaction within the landscape of late medieval piety. Her book offers innovative and always exciting discoveries as she unpacks the vital transmission of Gertrud's Legatus combining the scribal nature of late medieval piety with the textile culture of religious communities. Groundbreaking research, brilliantly written, a scholarly masterpiece!' Hans-Jocher Schiewer, University of Freiburg
'Like the textiles Gertrude's writings and their translations so beautifully evoke, Racha Kirakosian's book weaves together philological investigations, interpretive analyses, and unwavering attention to human communities to create a colorful, richly textured view of later medieval monastic life. Though rigorously centered on texts - their complex process of creation, reception, and transmission - this book has much to offer historians of art and material culture, female monasticism and reform, and the medieval religious imagination more broadly.' Jacqueline E. Jung, Professor of History of Art, Yale University
'This book draws on newly discovered evidence for the collaborative production of the Latin visions of Gertrude of Helfta (d. 1301) and proposes a new approach to reading the late fourteenth-century German translation, der botte der götlichen miltekeit. A complete analysis of the manuscripts of the botte, understood as examples of dynamic textuality, is combined with studies of text production, redaction, reading and copying, and an innovative discussion of the interplay between material culture and the presentation of textiles in the two versions of Gertrude's visions.' Nigel F. Palmer, Emeritus Professor of German Medieval and Linguistic Studies, St Edmund Hall, University of Oxford
'… highly recommended for medieval scholars in the fields of history, German, and theology, including advanced graduate students of medieval studies.' Sarah Glenn DeMaris, The German Quarterly
See more reviews
Customer reviews

Not yet reviewed
Be the first to review

Log in to review

Review was not posted due to profanity
×

, create a review

(If you're not , sign out)

Please enter the right captcha value

Please enter a star rating.

Your review must be a minimum of 12 words.

How do you rate this item?

Reviews must contain at least 12 words about the product.

×

Product details
- Date Published: December 2021
- format: Hardback
- isbn: 9781108841238
- length: 350 pages
- dimensions: 258 x 182 x 25 mm
- weight: 0.96kg
- availability: Available
Table of Contents
1. The Helfta scriptorium
2. Redactions within a dynamic textuality
3. Manuscript transmission history
4. The book's self-reflectivity
5. The scriptorial heart
6. Imaginary textiles
Final remarks
Bibliography
Appendix
Index.
Look Inside
Author
Racha Kirakosian, Albert-Ludwigs-Universität Freiburg, Germany
Racha Kirakosian is Professor of Medieval German at the Albert-Ludwigs-University Freiburg. She previously taught at Harvard University and the University of Oxford. A scholar of historical linguistics, medieval spirituality and church history, she is the author of Die Vita der Christina von Hane: Untersuchung und Edition (2017).