The Self-Portraits of Francisco Goya
- Author: John J. Ciofalo, University of Iowa
- Date Published: January 2001
- availability: Unavailable - out of print October 2001
- format: Hardback
- isbn: 9780521771368
Hardback
Looking for an inspection copy?
This title is not currently available on inspection
-
With his numerous self-portraits, Francisco Goya was alone among visual artists of the Romantic period in responding to the genre of autobiography which became popular in the late eighteenth century. Across a range of media and styles, Goya tested, expanded and eventually obliterated the conventional boundaries of the genre, discovering its infinite expressive possibilities. Goya used the self-portrait to comment on royalty, literature, society, religion, sex, and death; as well as his own art, genius, and self. In this study John J. Ciofalo examines a broad sampling of Goya's oeuvre through the lens of self-portraiture. In doing so, Ciofalo offers new interpretations of some of Goya's most famous works, including Los Caprichos, Family of Carlos IV, The Disasters of War, and the 'black' paintings. Interdisciplinary in scope, this book provides fresh and illuminating perspectives on a notoriously enigmatic artist.
Read more- Style is lyrical, literary, and very accessible, striving to be as absorbing as its subject
- Focuses on well-known works, enabling the reader to see Goya in a new light
- Highly interdisciplinary in scope, encompassing art, medicine, madness, literature, philosophy, history, and social and political science
Customer reviews
Not yet reviewed
Be the first to review
Review was not posted due to profanity
×Product details
- Date Published: January 2001
- format: Hardback
- isbn: 9780521771368
- length: 254 pages
- dimensions: 264 x 186 x 23 mm
- weight: 0.902kg
- contains: 70 b/w illus. 8 colour illus.
- availability: Unavailable - out of print October 2001
Table of Contents
1. Ascent of genius in the Court and Academy
2. Quixotic dreams of reason
3. The artist in the vicinity of death
4. The art of sex and violence - the sex and violence of art
5. Blackened myths, mirrors, and memories.
Sorry, this resource is locked
Please register or sign in to request access. If you are having problems accessing these resources please email lecturers@cambridge.org
Register Sign in» Proceed
You are now leaving the Cambridge University Press website. Your eBook purchase and download will be completed by our partner www.ebooks.com. Please see the permission section of the www.ebooks.com catalogue page for details of the print & copy limits on our eBooks.
Continue ×Are you sure you want to delete your account?
This cannot be undone.
Thank you for your feedback which will help us improve our service.
If you requested a response, we will make sure to get back to you shortly.
×