Teaching Art
Academies and Schools from Vasari to Albers
- Author: Carl Goldstein, University of North Carolina, Greensboro
- Date Published: March 1998
- availability: Unavailable - out of print June 2002
- format: Paperback
- isbn: 9780521559881
Paperback
Other available formats:
Hardback
Looking for an inspection copy?
This title is not currently available on inspection
-
Teaching Art is the first book to examine the history of art training from the Renaissance to the present. Addressing the question whether art can be taught, Carl Goldstein describes how the secrets of such masters as the Carracci, Rembrandt, and David were passed on from generation to generation. He also analyses the conceptual framework for teaching in the great academies, such as those in Paris and London. This book treats the academic tradition from the point of view of the artist and thus practice, the making of art, is the focus throughout. Also considered in this unique and innovative study is the training of women, who were excluded from traditional academies and treated as inferiors in the modern schools. Goldstein concludes with an overview of current methods for the teaching of art at the university level and their impact on contemporary art.
Read more- Major topic in Western art history by the specialist in the area
- Deals with the training of women artists, who were excluded from the academy
- Explores the contemporary system of artist training
- This book is the result of twenty-five years of research and serves as a comprehensive study
- Accessible, well written, well illustrated text
Customer reviews
Not yet reviewed
Be the first to review
Review was not posted due to profanity
×Product details
- Date Published: March 1998
- format: Paperback
- isbn: 9780521559881
- length: 368 pages
- dimensions: 254 x 204 x 21 mm
- weight: 1.282kg
- contains: 167 b/w illus.
- availability: Unavailable - out of print June 2002
Table of Contents
Introduction
1. The problem of the first academy
2. A tradition in the making
3. The triumph of the academy, leading to the reaction of the avant-garde
4. Doctrine
Part I. Art History:
5. Doctrine
Part II. Theory and Practice:
6. The copy
7. The antique
8. Life-drawing
9. Art and science
10. Style
11. Originality
12. The revolt of the crafts
13. Teaching modernism
Epilogue.
Sorry, this resource is locked
Please register or sign in to request access. If you are having problems accessing these resources please email lecturers@cambridge.org
Register Sign in» Proceed
You are now leaving the Cambridge University Press website. Your eBook purchase and download will be completed by our partner www.ebooks.com. Please see the permission section of the www.ebooks.com catalogue page for details of the print & copy limits on our eBooks.
Continue ×Are you sure you want to delete your account?
This cannot be undone.
Thank you for your feedback which will help us improve our service.
If you requested a response, we will make sure to get back to you shortly.
×