The Dramatist and the Received Idea
- Author: Sanders
- Date Published: May 1980
- availability: Available
- format: Paperback
- isbn: 9780521298001
Paperback
Looking for an inspection copy?
This title is not currently available on inspection
-
Dr Sanders' book grew out of uneasiness over commonly accepted ways of talking about Elizabethan literature. Phrases like 'world picture', 'received ideas' are so easily used that we bypass important questions: A picture of whose word? Ideas received by whom? and in what way? The heart of Dr Sanders' book is a critical account of seven plays by Marlowe and Shakespeare (The Massacre at Paris, The Jew of Malta, Edward II, Dr Faustus, Richard II, Richard III and Macbeth). In his examination, Dr Sanders is at pains to analyse the nature of the intellectual and cultural environment in which the plays were written, to define the ways in which this environment influenced Marlowe and Shakespeare and thus to come to a full understanding of the manner in which a work of art can be simultaneously 'of an age' and 'for all time'.
Reviews & endorsements
Review of the hardback: 'This long book achieves real consonance. In the discussion of the history-plays, and of Marlowe especially, it finally closes one chapter and opens another; the excellent studies of Doctor Faustus and of Macbeth must be read by all those who find criticism useful at all. This is an ipressive book, an example of the best that is nowadays done in its kind.' Modern Language Quarterly
See more reviewsReview of the hardback: 'Mr Sanders writes intelligently, and his aim, to reconcile historical and purely critical approaches to the drama, is splendid.' Review of English Studies
Customer reviews
Not yet reviewed
Be the first to review
Review was not posted due to profanity
×Product details
- Date Published: May 1980
- format: Paperback
- isbn: 9780521298001
- length: 400 pages
- dimensions: 216 x 140 x 23 mm
- weight: 0.51kg
- availability: Available
Table of Contents
A note on editions
Preface
1. Literature as history: with some questions about 'historical imagination'
2. Dramatist as jingoist: The Massacre at Paris
3. Dramatist as realist: the Jew of Malta
4. Machiavelli and the crisis of Renaissance political consciousness
5. Providence and policy in Richard III
6. Providence and history in Elizabethan thought
7. History without morality: Edward II
8. Shakespearean history: critique of 'Elizabethan policy'
9. Shakespeare's political agnosticism: Richard II
10. Supernature and demonism in Elizabethan thought
11. The new wine and the old bottles: Doctor Faustus
12. Marlowe and the Calvinist doctrine of reprobation
13. 'An unknown fear': The Tragedie of Macbeth
14. Macbeth and the theology of evil
15. Artist and ethos
Appendices
Notes
Index.
Sorry, this resource is locked
Please register or sign in to request access. If you are having problems accessing these resources please email lecturers@cambridge.org
Register Sign in» Proceed
You are now leaving the Cambridge University Press website. Your eBook purchase and download will be completed by our partner www.ebooks.com. Please see the permission section of the www.ebooks.com catalogue page for details of the print & copy limits on our eBooks.
Continue ×Are you sure you want to delete your account?
This cannot be undone.
Thank you for your feedback which will help us improve our service.
If you requested a response, we will make sure to get back to you shortly.
×