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Shakespeare Survey

Volume 67. Shakespeare's Collaborative Work

Part of Shakespeare Survey

Gary Taylor, Gabriel Egan, Will Sharpe, Trevor Cook, Barry Langston, William Weber, Dennis McCarthy, June Schlueter, Brian Vickers, Francis Connor, James P. Bednarz, James Purkis, Brean Hammond, Isabel Karremann, Roderick McKeown, Ellen MacKay, Arthur Kinney, Stephan Laqué, L. Monique Pittman, Sujata Iyengar, Tina Krontiris, Julia Griffin, Stephen Spiess, Rui Carvalho Homem, B. J. Sokol, William C. Carroll, Simon Smith, Leslie Thomson, Carol Chillington Rutter, James Shaw, Charlotte Scott, Russell Jackson, Sonia Massai
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  • Date Published: April 2021
  • availability: Available
  • format: Paperback
  • isbn: 9781107417168

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About the Authors
  • Shakespeare Survey is a yearbook of Shakespeare studies and productions. Since 1948, the Survey has published the best international scholarship in English and many of its essays have become classics of Shakespeare criticism. Each volume is devoted to a theme, or play, or group of plays; each also contains a section of reviews of that year's textual and critical studies and of the year's major British performances. The theme for Volume 67 is 'Shakespeare's Collaborative Work'. The complete set of Survey volumes is also available online at http://www.cambridge.org/online/shakespearesurvey. This fully searchable resource enables users to browse by author, essay and volume, search by play, theme and topic, and save and bookmark their results.

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    Product details

    • Date Published: April 2021
    • format: Paperback
    • isbn: 9781107417168
    • length: 526 pages
    • dimensions: 246 x 188 x 26 mm
    • weight: 0.99kg
    • contains: 43 b/w illus.
    • availability: Available
  • Table of Contents

    1. Why did Shakespeare collaborate? Gary Taylor
    2. What is not collaborative about early modern drama in performance and print? Gabriel Egan
    3. Framing Shakespeare's collaborative authorship Will Sharpe
    4. Collaboration and proprietary authorship: Shakespeare, et al. Trevor Cook
    5. Topical Shakespeare Barry Langston
    6. Shakespeare after all?: the authorship of Titus Andronicus 4.1 reconsidered William Weber
    7. A Shakespeare/North collaboration: Titus Andronicus and Titus and Vespasian Dennis McCarthy and June Schlueter
    8. The two authors of Edward III Brian Vickers
    9. Shakespeare, poetic collaboration, and The Passionate Pilgrim Francis Connor
    10. Contextualizing 'The Phoenix and Turtle': Shakespeare, Edward Blount, and the poetical essays group of Love's Martyr James P. Bednarz
    11. Shakespeare's singularity and Sir Thomas More James Purkis
    12. Double Falsehood: the forgery hypothesis, the 'Charles Dickson' enigma and a 'stern' rejoinder Brean Hammond
    13. Nostalgic spectacle and the politics of memory in Henry VIII Isabel Karremann
    14. Royal entries and the form of pageantry in All Is True Roderick McKeown
    15. Acting historical with Shakespeare, or, William-Henry Ireland's Oaken Chest Ellen MacKay
    16. Re-cognizing Shakespearean tragedy Arthur Kinney
    17. Shakespeare's literature of exhaustion Stephan Laqué
    18. Big-shouldered Shakespeare: three Shrews at Chicago Shakespeare Theater L. Monique Pittman
    19. Why Ganymede faints and the Duke of York weeps: passion plays in Shakespeare Sujata Iyengar
    20. The National Theatre of Greece's The Merchant of Venice (1945) and the silencing of the Holocaust Tina Krontiris
    21. Cinnas of memory Julia Griffin
    22. The measure of sexual memory Stephen Spiess
    23. Othello across borders: on an interlocal and intermedial exercise Rui Carvalho Homem
    24. John Berryman's emendation of King Lear 4.1.10 and Shakespeare's scientific knowledge B. J. Sokol
    25. Spectacle, representation, and lineage in Macbeth 4.1 William C. Carroll
    26. 'Pleasing strains': the dramaturgical role of music in The Winter's Tale Simon Smith
    27. Confinement and freedom in The Tempest Leslie Thomson
    28. Shakespeare performances in England 2013 Carol Chillington Rutter
    29. Professional Shakespeare productions in the British Isles, January–December 2012 James Shaw
    The year's contribution to Shakespeare studies:
    1. Critical studies Charlotte Scott
    2. Shakespeare in performance Russell Jackson
    3. Editions and textual studies Sonia Massai.

  • Editor

    Peter Holland, University of Notre Dame, Indiana
    Peter Holland is McMeel Family Professor in Shakespeare Studies and Department Chair, Department of Film, Television and Theater at the University of Notre Dame.

    Contributors

    Gary Taylor, Gabriel Egan, Will Sharpe, Trevor Cook, Barry Langston, William Weber, Dennis McCarthy, June Schlueter, Brian Vickers, Francis Connor, James P. Bednarz, James Purkis, Brean Hammond, Isabel Karremann, Roderick McKeown, Ellen MacKay, Arthur Kinney, Stephan Laqué, L. Monique Pittman, Sujata Iyengar, Tina Krontiris, Julia Griffin, Stephen Spiess, Rui Carvalho Homem, B. J. Sokol, William C. Carroll, Simon Smith, Leslie Thomson, Carol Chillington Rutter, James Shaw, Charlotte Scott, Russell Jackson, Sonia Massai

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