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Look Inside The Grotesque in Western Art and Culture

The Grotesque in Western Art and Culture
The Image at Play

$103.00 (C)

  • Date Published: July 2012
  • availability: In stock
  • format: Hardback
  • isbn: 9781107011250

$ 103.00 (C)
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About the Authors
  • This book establishes a fresh and expansive view of the grotesque in Western art and culture, from 1500 to the present day. Following the non-linear evolution of the grotesque, Frances S. Connelly analyzes key works, situating them within their immediate social and cultural contexts, as well as their place in the historical tradition. By taking a long historical view, the book reveals the grotesque to be a complex and continuous tradition comprised of several distinct strands: the ornamental, the carnivalesque and caricatural, the traumatic, and the profound. The book articulates a model for understanding the grotesque as a rupture of cultural boundaries that compromises and contradicts accepted realities. Connelly demonstrates that the grotesque is more than a style, genre, or subject; it is a cultural phenomenon engaging the central concerns of the humanistic debate today. Hybrid, ambivalent, and changeful, the grotesque is a shaping force in the modern era.

    • This is the first study to explore the rich strands of imagery that compromise the grotesque tradition
    • Provides a timely and much-needed connection between the growing prominence of the grotesque in contemporary art and theory and its past history in Western art
    • Extensive and lively discussion of how grotesque images 'work'
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    Reviews & endorsements

    "This short book on the grotesque offers an interesting contribution to the thematic reconfiguration of more conventional art history."
    --Choice

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    Product details

    • Date Published: July 2012
    • format: Hardback
    • isbn: 9781107011250
    • length: 199 pages
    • dimensions: 261 x 185 x 15 mm
    • weight: 0.57kg
    • contains: 62 b/w illus.
    • availability: In stock
  • Table of Contents

    1. Introduction: entering the Spielraum
    2. Improvisation I: grottesche
    3. Improvisation II: arabesques
    4. Subversion: the carnivalesque body
    5. Trauma: the failure of representation
    6. Revelation: profound play.

  • Author

    Frances S. Connelly, University of Missouri, Kansas City
    Frances S. Connelly is Professor of Art History at the University of Missouri, Kansas City. She is the author of The Sleep of Reason: Primitivism in Modern European Art and Aesthetics and the editor of Modern Art and the Grotesque, and has published numerous articles and book chapters on topics pertaining to the intersection of art and anthropology.

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