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The Cambridge Companion to Berg

The Cambridge Companion to Berg

$32.99 (G)

Part of Cambridge Companions to Music

Christopher Hailey, Andrew Barker, Raymond Geuss, Anthony Pople, Kathryn Bailey, Derrick Puffett, Douglas Jarman, Patricia Hall, Neil Boynton, Judy Lochhead, Arnold Whittall
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  • Date Published: April 1997
  • availability: Available
  • format: Paperback
  • isbn: 9780521564892

$ 32.99 (G)
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About the Authors
  • Alban Berg's achievement is based on an extraordinarily small musical output, but it includes towering masterpieces such as the operas Wozzeck and Lulu, and his last work, the Violin Concerto. These and all Berg's other substantial works are discussed in this wide-ranging Companion, which contains essays written from a variety of historical and critical perspectives, outlining the place of the music in the cultural history of its time and within the broader interplay of twentieth-century fashions, aesthetics and ideas.

    • Covers all Berg's major works, especially the operas Lulu and Wozzeck
    • Provides fascinating insights into the cultural and musical life of early-twentieth-century Vienna
    • Contains a revealing chapter on Berg and T. W. Adorno, his composition pupil
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    Reviews & endorsements

    "In addition to being a readable and informative general study, The Cambridge Companion to Berg provides evidence that a new spirit now exists in the study of Berg and his music." Bryan R. Simms, Notes

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    Product details

    • Date Published: April 1997
    • format: Paperback
    • isbn: 9780521564892
    • length: 324 pages
    • dimensions: 244 x 170 x 20 mm
    • weight: 0.5kg
    • contains: 2 b/w illus. 80 music examples
    • availability: Available
  • Table of Contents

    Chronology
    Introduction
    Part I. Culture and Environment:
    1. Defining home: Berg's life on the periphery Christopher Hailey
    2. Battles of the mind: Berg and the cultural politics of 'Vienna 1900' Andrew Barker
    3. Berg and Adorno Raymond Geuss
    Part II. From Song to Opera:
    4. Early works: tonality and beyond Anthony Pople
    5. Berg's aphoristic pieces Kathryn Bailey
    6. Berg, Mahler and the Three Orchestral Pieces, Op.6 Derrick Puffett
    7. The musical language of Wozzeck Anthony Pople
    Part III. After Wozzeck:
    8. Secret programmes Douglas Jarman
    9. Compositional process in Wozzeck and Lulu: a glimpse of Berg's atonal method Patricia Hall
    10. Compositional technique 1923–6: the Chamber Concerto and the Lyric Suite Neil Boynton
    11. In the orbit of Lulu: the late works Anthony Pople
    12. Lulu's feminine performance Judy Lochhead
    Part IV. Postscript: Berg and the twentieth century Arnold Whittall.

  • Editor

    Anthony Pople, University of Nottingham

    Contributors

    Christopher Hailey, Andrew Barker, Raymond Geuss, Anthony Pople, Kathryn Bailey, Derrick Puffett, Douglas Jarman, Patricia Hall, Neil Boynton, Judy Lochhead, Arnold Whittall

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