Post-Imperial Brecht
Politics and Performance, East and South
$58.99 (C)
Part of Cambridge Studies in Modern Theatre
- Author: Loren Kruger, University of Chicago
- Date Published: May 2007
- availability: Available
- format: Paperback
- isbn: 9780521036573
$
58.99
(C)
Paperback
Other available formats:
Hardback
Looking for an examination copy?
If you are interested in the title for your course we can consider offering an examination copy. To register your interest please contact collegesales@cambridge.org providing details of the course you are teaching.
-
Challenging prevailing views of Brecht's theater and politics, Loren Kruger focuses much of her analysis on regions where Brecht has had special resonance, including East Germany and South Africa. She also analyzes political interpretations of Brecht in light of other key dramatists, including Heiner MÜller and Athol Fugard, as well as Brechtian influence on writers and philosophers such as Adorno, Benjamin, and Barthes.
Read more- Provides translations of key Brechtian terms and Brecht's critical revision of Adorno
- An alternative post-imperial orientation of theatre and cultural history to highlight the Eastern and Southern poles of the usual East/West (Cold War), North/South (post-colonial) oppositions
- Examines Brecht in South Africa and Athol Fugard in Germany
Awards
- Winner of the Aldo and Jeanne Scaglione Prize for Comparative Literary Study awarded by the Modern Language Association.
Reviews & endorsements
"Of particular worth in Kruger's work is that her assertions, with regard to performance in general, are all thoroughly grounded...Krueger's analysis of Brecht's and Fugard's dramatic works highlights their syncretic and dialectical nature...It should be read by all who are interested in Brecht's theater and theater arts and history, by arts administrators, actors, and directors, as well as by academics."
Paula Hanssen, German Studies ReviewSee more reviews"...an important contribution to Brecht scholarship, and to the scholrship of progressive political theater in the twentieth and twenty-first centuries. It uncovers worlds that are frequently ignored or glossed over in the United States and English- language scholarship, and it provides clear account of key terms and developments in Brecht's theories that are not easily available elsewhere..."
--Stephen Brockmann, Carnegie Mellon University, Comparative Drama
Customer reviews
Not yet reviewed
Be the first to review
Review was not posted due to profanity
×Product details
- Date Published: May 2007
- format: Paperback
- isbn: 9780521036573
- length: 416 pages
- dimensions: 228 x 153 x 19 mm
- weight: 0.628kg
- contains: 20 b/w illus.
- availability: Available
Table of Contents
List of illustrations
Acknowledgements
List of abbreviations
Introduction
1. The political history of theatre and theory: Brecht and his contemporaries
2. Realism, socialism and modernism in the production play
3. Broadcasting (a)socialism: Brecht, Müller and Radio Fatzer
4. Spectres and speculation: Brechtian futures on the global market
5. The dis-illusion of apartheid: Brecht and South Africa
6. 'Realistic Engagement' and the limits of solidarity: Athol Fugard in (East) Germany
7. Truth, reconciliation and the ends of political performance
Coda
Index.
Related Books
Sorry, this resource is locked
Please register or sign in to request access. If you are having problems accessing these resources please email lecturers@cambridge.org
Register Sign in» Proceed
You are now leaving the Cambridge University Press website. Your eBook purchase and download will be completed by our partner www.ebooks.com. Please see the permission section of the www.ebooks.com catalogue page for details of the print & copy limits on our eBooks.
Continue ×Are you sure you want to delete your account?
This cannot be undone.
Thank you for your feedback which will help us improve our service.
If you requested a response, we will make sure to get back to you shortly.
×