A History of the Harlem Renaissance
A History of the Harlem Renaissance
The Harlem Renaissance was the most influential single movement in African American literary history. The movement laid the groundwork for subsequent African American literature, and had an enormous impact on later black literature world-wide. In its attention to a wide range of genres and forms – from the roman à clef and the bildungsroman, to dance and book illustrations – this book seeks to encapsulate and analyze the eclecticism of Harlem Renaissance cultural expression. It aims to re-frame conventional ideas of the New Negro movement by presenting new readings of well-studied authors, such as Zora Neale Hurston and Langston Hughes, alongside analysis of topics, authors, and artists that deserve fuller treatment. An authoritative collection on the major writers and issues of the period, A History of the Harlem Renaissance takes stock of nearly a hundred years of scholarship and considers what the future augurs for the study of 'the New Negro'.
- Provides readers with one of the most comprehensive edited collections on the Harlem Renaissance, with new readings of well-known texts and authors alongside analysis of lesser known topics, authors, and artists
- Examines the eclecticism and variety of Harlem Renaissance expression in literature, visual culture, popular culture, music, dance, and politics
- Goes beyond well-known genres to explore genre fiction, children's literature, the roman à clef, the bildungsroman, biography, and the short story
Reviews & endorsements
‘Highly recommended.’ C. A. Bily, Choice
‘this is not your grandfather's Harlem Renaissance … At every turn and in every way ... A History of the Harlem Renaissance invites and inspires readers to reconceive and reimagine both the nature and the extent of Black modernist cultural production.’ Tim Ryan, Style
Product details
August 2025Paperback
9781108737449
452 pages
229 × 152 mm
Not yet published - available from July 2025
Table of Contents
- Introduction: revising a renaissance Rachel Farebrother and Miriam Thaggert
- Part I. Re-reading the New Negro:
- 1. Cultural nationalism and cosmopolitanism in the Harlem renaissance Daniel G. Williams
- 2. Making the slave anew: poetry, history, and the archive in New Negro renaissance poetry Clare Corbould
- 3. The New Negro among White Modernists Kathleen Pfeiffer
- 4. The Bildungsroman in the Harlem renaissance Mark Whalan
- 5. The visual image in New Negro renaissance print culture Caroline Goeser
- Part II. Experimenting with the New Negro:
- 6. Gwendolyn Brooks: riot after the New Negro Renaissance Sonya Posmentier
- 7. Romans à clef of the Harlem renaissance Sinéad Moynihan
- 8. Modernist biography and the question of manhood: Eslanda Goode Robeson's Paul Robeson, Negro Fionnghuala Sweeney
- 9. Modernism and women poets of the Harlem renaissance Maureen Honey
- 10. Children's Literature of the Harlem Renaissance Katharine Capshaw
- Part III. Re-mapping the New Negro:
- 11. London, New York, and the Black Bolshevik renaissance: radical black internationalism during the New Negro renaissance James Smethurst
- 12. Island relations, continental visions, and graphic networks Jak Peake
- 13. 'Symbols from within': charting the nation's regions in James Weldon Johnson's God's trombones Noelle Morrissette
- 14. Rudolph Fisher: renaissance man and Harlem's interpreter Jonathan Munby
- Part IV. Performing the New Negro:
- 15. Zora Neale Hurston's early plays Mariel Rodney
- 16. Zora Neale Hurston, film, and ethnography Hannah Durkin
- 17. The pulse of Harlem: African-American music and the New Negro revival Andrew Warnes
- 18. The figure of the child dancer in Harlem renaissance literature and visual culture Rachel Farebrother
- 19. Jazz and the Harlem renaissance Wendy Martin
- 20. Alain Locke and the value of the Harlem: from racial axiology to the axiology of race Shane Vogel
- Afterword Deborah E. McDowell.
