New Theatre Quarterly 64
Volume 16
Part 4
Out of Print
Part of New Theatre Quarterly
- Editors:
- Clive Barker
- Simon Trussler
- Date Published: November 2000
- availability: Unavailable - out of print December 2001
- format: Paperback
- isbn: 9780521789042
Out of Print
Paperback
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New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. It shows that theatre history has a contemporary relevance, that theatre studies need a methodology, and that theatre criticism needs a language. The journal publishes news, analysis and debate within the field of theatre studies. Articles in volume 64 include: The Artwork Judges Them: the Theatre Critic in a Changing Landscape, Characterization in Stand-up Comedy: from Ted Ray to Billy Connolly, via Bertolt Brecht, Ways of Understanding the Culture: Re-examining the Performance Paradigm, Cheshire Cats in the Theatre: the Translator and the English Fringe Experience, Voices for Reform in South-East Asian Theatre, The Precariousness of Political Theatre.
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×Product details
- Date Published: November 2000
- format: Paperback
- isbn: 9780521789042
- length: 96 pages
- dimensions: 248 x 175 x 8 mm
- weight: 0.213kg
- contains: 15 b/w illus.
- availability: Unavailable - out of print December 2001
Table of Contents
The artwork judges them: the theatre critic in a changing landscape Josette Féral
Characterization in stand-up comedy: from Ted Ray to Billy Connolly, via Bertolt Brecht Oliver Double
Ways of understanding the culture: re-examining the performance paradigm Ian Watson
Cheshire cats in the theatre: the translator and the English fringe experience Patrick Miles
The scrutiny of the savage eye: autopsy and the dramatic spotlight Elizabeth Klaver
Voices for reform in South-East Asian theatre John Russell Brown
The Arts Council touring franchise and English political theatre after 1986 Ian Brown, Robert Brannen and Douglas Brown
The precariousness of political theatre Derek Paget
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