Book contents
- The Cambridge Companion to American Gothic
- The Cambridge Companion to American Gothic
- The Cambridge Companion to American Gothic
- Copyright page
- Dedication
- Contents
- Contributors
- Figures
- Acknowledgments
- Introduction
- Part I Periods
- 1 Early American Gothic (Puritan and New Republic)
- 2 Romanticism and the American Gothic
- 3 American Gothic Realism and Naturalism
- 4 Modernist American Gothic
- 5 Contemporary American Gothic
- Part II Identities and Locations
- Part III Genre and Media
- Index
- Cambridge Companions to …
- References
2 - Romanticism and the American Gothic
from Part I - Periods
Published online by Cambridge University Press: 20 November 2017
Edited by
Book contents
- The Cambridge Companion to American Gothic
- The Cambridge Companion to American Gothic
- The Cambridge Companion to American Gothic
- Copyright page
- Dedication
- Contents
- Contributors
- Figures
- Acknowledgments
- Introduction
- Part I Periods
- 1 Early American Gothic (Puritan and New Republic)
- 2 Romanticism and the American Gothic
- 3 American Gothic Realism and Naturalism
- 4 Modernist American Gothic
- 5 Contemporary American Gothic
- Part II Identities and Locations
- Part III Genre and Media
- Index
- Cambridge Companions to …
- References
Summary
A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
- Type
- Chapter
- Information
- The Cambridge Companion to American Gothic , pp. 31 - 43Publisher: Cambridge University PressPrint publication year: 2017
References
Works Cited
Bell, Michael. Hawthorne and the Historical Romance of New England. Princeton: Princeton University Press, 1971.Google Scholar
Bendixen, Alfred. “The Emergence and Development of the American Short Story.” A Companion to the American Short Story. Eds. Bendixen, Alfred and Nagel, James. Oxford: Wiley-Blackwell, 2010. 3–19.Google Scholar
Bendixen, Alfred. “The Emergence of Romantic Traditions.” The Cambridge History of American Poetry. Eds. Bendixen, Alfred and Burt, Stephen. New York: Cambridge University Press, 2015. 177–91.Google Scholar
Bendixen, Alfred. “Introduction.” The Amber Gods and Other Stories by Spofford, Harriet Prescott. Ed. Bendixen, Alfred. New Brunswick, NJ: Rutgers University Press, 1989. ix–xxxiv.Google Scholar
Bendixen, Alfred. “Towards History and Beyond: Hawthorne and the American Short Story.” A Companion to the American Short Story. Eds. Bendixen, Alfred and Nagel, James. Oxford: Wiley-Blackwell, 2010. 50–67.Google Scholar
Bergland, Renee L. The National Uncanny: Indian Ghosts and American Subjects. Hanover: University Press of New England, 2000.Google Scholar
Elbert, Monika M. and Marshall, Bridget M., “Haunted Hawthorne, Hawthorne’s Hauntings.” The Nathaniel Hawthorne Review 38.2 (Fall 2012).Google Scholar
Fiedler, Leslie A. Love and Death in the American Novel. 2nd edn. New York: Stein and Day, 1966.Google Scholar
Fisher, Benjamin F. “Poe and the American Short Story.” A Companion to the American Short Story. Eds. Bendixen, Alfred and Nagel, James. Oxford: Wiley-Blackwell, 2010. 20–34.Google Scholar
Goddu, Teresa A. Gothic America: Narrative, History, and Nation. New York: Columbia University Press, 1987.Google Scholar
Hedges, William L. Washington Irving: An American Study. Baltimore: Johns Hopkins University Press, 1965.CrossRefGoogle Scholar
Irving, Washington. “The Legend of Sleepy Hollow.” History, Tales, and Sketches. New York: Library of America, 1983. 1058–88.Google Scholar
Irving, Washington. “Rip Van Winkle.” History, Tales, and Sketches. New York: Library of America, 1983. 767–85.Google Scholar
Martin, Robert K. and Savoy, Eric, eds. American Gothic: New Interventions in a National Narrative. Iowa City: University of Iowa Press, 1998.CrossRefGoogle Scholar
Mogen, David, Sanders, Scott P., and Karpinski, Joanne B., eds. Frontier Gothic: Terror and Wonder at the Frontier in American Literature. Rutherford, NJ: Fairleigh Dickinson University Press, 1993.Google Scholar
Morrison, Toni. Playing in the Dark: Whiteness and the Literary Imagination. Cambridge, MA: Harvard University Press, 1992.Google Scholar
Poe, Edgar Allan. “The Black Cat.” Poetry and Tales. New York: The Library of America, 1984. 597–606.Google Scholar
Poe, Edgar Allan. “The Fall of the House of Usher.” Poetry and Tales. New York: The Library of America, 1984. 317–36.Google Scholar
Poe, Edgar Allan. “The Philosophy of Composition.” Essays and Reviews. New York: The Library of America, 1984. 13–25.Google Scholar
Poe, Edgar Allan. “Preface to Tales of the Grotesque and Arabesque.” Poetry and Tales New York: The Library of America, 1984. 129–30.Google Scholar
Salmonson, Jessica Amanda, ed. The Supernatural Tales of Fitz-James O’Brien. 2 vols. Garden City, New York: Doubleday, 1988.Google Scholar
Savoy, Eric. “The Face of the Tenant: A Theory of American Gothic,” American Gothic: New Interventions in a National Narrative. Eds. Martin, Robert K. and Savoy, Eric. Iowa City: University of Iowa Press, 1998. 3–19.CrossRefGoogle Scholar
Savoy, Eric. “The Rise of the American Gothic.” The Cambridge Companion to the Gothic. Ed. Hogle, Jerrold E.. New York: Cambridge University Press, 2002. 167–88.Google Scholar
Silverman, Kenneth. Edgar A. Poe: Mournful and Never-ending Remembrance. New York: HarperCollins, 1991.Google Scholar
Spofford, Harriet Prescott. The Amber Gods and other Stories. Ed. Bendixen, Alfred. New Brunswick, NJ: Rutgers University Press, 1989.Google Scholar
Thompson, G. R. Poe’s Fiction: Romantic Irony in the Gothic Tales. Madison: University of Wisconsin Press, 1973.Google Scholar
Weinstock, Jeffrey Andrew. Scare Tactics: Supernatural Fiction by American Women. New York: Fordham University Press, 2008.CrossRefGoogle Scholar
- 2
- Cited by