Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Introduction
- 1 Space into Place
- 2 Maps and Map Literacy
- 3 Geographical Myths
- 4 Climate
- 5 City
- 6 Country
- 7 Court
- 8 Crossings and Communications
- 9 Globe/Theatrum Mundi
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
2 - Maps and Map Literacy
from Part I - Mapping Shakespeare’s World
Published online by Cambridge University Press: 17 August 2019
By
Edited by
Edited in association with
Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Introduction
- 1 Space into Place
- 2 Maps and Map Literacy
- 3 Geographical Myths
- 4 Climate
- 5 City
- 6 Country
- 7 Court
- 8 Crossings and Communications
- 9 Globe/Theatrum Mundi
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
Summary
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Keywords
Agas, RalphatlasBartlett, RichardBehaim, MartinBlundeville, ThomascartographyCecil, William, Lord BurghleyCunningham, WilliamDonne, JohnDrayton, MichaelEdward VIElizabeth IElyot, Sir ThomasFitzhebert, JohngeographygeometryGheeraerts, MarcusglobesGlobe (playhouse)Gower, GeorgeHenry VIIIHerrick, RobertHolbein, HansJames IKratzer, NicholasLee, RichardMappa Mundimap readingmapsmap sellingMarlowe, ChristopherMercator, GerardusMiddleton, ThomasNorden, JohnOrtelius, AbrahamPatten, WilliamPlatter, ThomasPortolansRastell, JohnRecord, RobertRoberts, LewesRogers, JohnRuttersSaxton, ChristopherSpeed, JohnVolpe, VincenzoWaghenaer, Lucas JanszoonWorsop, EdwardWright, Edward
- Type
- Chapter
- Information
- The Cambridge Guide to the Worlds of Shakespeare , pp. 18 - 24Publisher: Cambridge University PressPrint publication year: 2016
References
Sources cited
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Further reading
Barber, Peter. “Mapmaking in England, ca. 1470–1650.” The History of Cartography. Vol. 3: Cartography in the European Renaissance, Part II. Ed. Woodward, David. Chicago: U of Chicago P, 2007. 1589–1669.Google Scholar
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Buisseret, David, ed. Monarchs and Maps: The Emergence of Cartography as a Tool of Government in Early Modern Europe. Chicago: U of Chicago P, 1992.Google Scholar
Helgerson, Richard. Forms of Nationhood: The Elizabethan Writing of England. Chicago: U of Chicago P, 1994.Google Scholar
Hollis, Gavin. “‘Give me the map there’: King Lear and Cartographic Literacy in Early Modern England.” The Portolan 68 (spring 2007): 8–25.Google Scholar
Howard, Jean E. “Shakespeare, Geography, and the Work of Genre on the Early Modern Stage.” Modern Language Quarterly 64.3 (2003): 299–322.Google Scholar
Klein, Bernhard. Maps and the Writing of Space in Early Modern England and Ireland. New York: Palgrave, 2001.CrossRefGoogle Scholar
McRae, Andrew. God Speed the Plough: The Representation of Agrarian England, 1500–1660. Cambridge: Cambridge University Press, 1996.Google Scholar
Sanford, Rhonda Lemke. Maps and Memory in Early Modern England: A Sense of Place. New York: Palgrave, 2002.Google Scholar
Sullivan, Garrett A. The Drama of Landscape: Land, Property, and Social Relations on the Early Modern Stage. Stanford: Stanford UP, 1998.Google Scholar