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3 - The “confessing animal” on stage: authenticity, asceticism, and the constant “inconstancie” of Elizabethan character

Published online by Cambridge University Press:  12 November 2009

Ivan Gaskell
Affiliation:
Harvard University Art Museums, Massachusetts
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Summary

For persons persuaded by the rhetoric of sixteenth-century religious reformers, authenticity was a complex matter of access to the reality of divinity. George Levin's paper on empiricist “habits of mind” seems a strange place to start elaborating on that observation, for such “habits” look to be worlds apart from what I study, the sixteenth-century Calvinist adaptations of patristic and medieval ascetic spirituality. Yet Levin maintains that he has identified empiricism's near-ascetic techniques. “To know nature,” he claims, “one must make it alien … and deny one's own desire.” If he is correct about “the programmatically self-alienating” character of “the positivist model of knowledge” and about the empiricist assumptions it extends and refines, then perhaps asceticism, Calvinism, empiricism, and positivism someday will file companionably through sweeping histories of the human imagination. If he is correct, that is, and if the historians of that someday are still reupholstering old ideas and long-standing “habits of mind.” I cannot pronounce authoritatively on the first condition and am only slightly tempted to guess about the second. Not so George Levin, who crosses cavalierly from self-alienation to self-annihilation, sure that “the religious/moral implications of that tradition of self-annihilation continue to thrive in the practice of science and the language of the social sciences.”

“That tradition” interests me as it does a small army of others who are fascinated by the alienation and alleged self-annihilation on the Elizabethan stage.

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Publisher: Cambridge University Press
Print publication year: 1999

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