Skip to main content Accessibility help
×
  • Cited by 10
Publisher:
Cambridge University Press
Online publication date:
March 2017
Print publication year:
2017
Online ISBN:
9781139924870

Book description

For most of the 1590s, the Admiral's Men were the main competitors of Shakespeare's company in the London theatres. Not only did they stage old plays by dramatists such as Christopher Marlowe and Thomas Kyd: their playwrights invented the genres of humours comedy (with An Humorous Day's Mirth) and city comedy (with Englishmen for My Money), while other new plays such as A Knack to Know an Honest Man and The Downfall of Robert, Earl of Huntingdon were important influences on Shakespeare. This is the first book to read the Admiral's repertory against Shakespeare's plays of the 1590s, showing both how Shakespeare drew on their innovations and how his plays influenced Admiral's dramatists in turn. Shedding new light on well-known plays and offering detailed analysis of less familiar ones, it offers a fresh perspective on the dramatic culture of the 1590s.

Reviews

'Tom Rutter’s book on the Admiral’s Men and their repertoire does an admirable job of detailing the complementary relationships between London stage companies of the time.'

Paul Innes Source: Modern Language Review

'… a carefully deliberated set of studies, undogmatic, alert to fine detail and, therefore, quietly enriching.'

John Jowett Source: Cahiers Élisabéthains

'… offers a valuable contribution both to theatre history and to dramatic criticism …'

Tracey Hill Source: Renaissance Studies

'By suggesting that Shakespeare was continually responding to theatrical development, Tom Rutter provides a layered and nuanced idea of what a Shakespearean 'source' - or equally a Shakespearean influence - might in fact be, and expands the field as a result …'

Tiffany Stern Source: The Times Literary Supplement

'Rutter displays deep knowledge of the plays he discusses and of the scholarship that precedes him. His book, lucid and economical in style, introduces new perspectives on the plays and lays out numerous intertextual connections. The book will have a long shelf life as required reading for students and scholars of Renaissance drama …'

Donna B. Hamilton Source: Early Theatre

Refine List

Actions for selected content:

Select all | Deselect all
  • View selected items
  • Export citations
  • Download PDF (zip)
  • Save to Kindle
  • Save to Dropbox
  • Save to Google Drive

Save Search

You can save your searches here and later view and run them again in "My saved searches".

Please provide a title, maximum of 40 characters.
×

Contents

Bibliography

Works Published before 1700

Where available, entries include Short-Title Catalogue number (STC) as given in A. W. Pollard and G. R. Redgrave, A Short-Title Catalogue of Books Printed in England, Scotland, & Ireland, and of English Books Printed Abroad 1475-1640, 2nd edn, rev. W. A. Jackson, F. S. Ferguson and Katharine F. Pantzer, 2 vols. (London: Bibliographical Society, 1986).

Anon, The Famous Historye of the Life and Death of Captaine Thomas Stukeley (London, 1605; STC: 23405)
Anon, The Famous History of Fryer Bacon (London, 1629; STC: 1184)
Anon, A Most Pleasant Comedie of Mucedorus (London, 1610; STC: 18232)
Anon, A New and Mery Enterlude, Called the Triall of Treasure (London, 1567; STC: 24271)
Anon, The Second Tome of Homilees (London, 1571; STC: 13669)
B., M., The Triall of True Friendship or Perfit Mirror, Wherby to Discerne a Trustie Friend from a Flattering Parasite (London, 1596; STC: 1053)
Bale, John, The Actes of Englysh Votaryes (Antwerp, 1546 (false imprint); STC: 1270)
Bale, John, A Brefe Chronycle Concernynge the Examinacyon and Death of the Blessed Martyr of Christ Syr Iohan Oldecastell the Lorde Cobham ([Antwerp], 1544; STC: 1276)
Bale, John, A Comedy Concernynge Thre Lawes, of Nature Moses, & Christ, Corrupted by the Sodomytes (Wesel, 1538; STC: 1287)
Chapman, George, The Blinde Begger of Alexandria (London, 1598; STC: 4965)
Dent, Arthur, The Plaine Mans Path-way to Heauen (London, 1601; STC: 6626.5)
Drayton, Michael, Matilda. The Faire and Chaste Daughter of the Lord Robert Fitzwater (London, 1594; STC: 7205)
Ferne, John, The Blazon of Gentrie (London, 1586; STC: 10825)
Foxe, John, Actes and Monuments (London, 1563; STC: 11222)
Fuller, Thomas, The History of the Worthies of England (London, 1662)
Fulwell, Ulpian, An Enterlude Intituled Like Wil to Like Quod the Deuel to the Colier (London, 1568; STC: 11473)
Greene, Robert, Greenes Farewell to Folly (London, 1591; STC 12241)
Haughton, William, English-men for My Money: or, A Pleasant Comedy, Called, A Woman Will Haue Her Will (London, 1616; STC: 12931)
Heywood, Thomas, The First and Second Partes of King Edward the Fourth (London, 1599; STC: 13341)
Holinshed, Raphael, et al., The First and Second Volumes of Chronicles (London, 1587; STC: 13569)
Holinshed, Raphael, The Third Volume of Chronicles (London, 1587; STC: 13569)
Ingeland, Robert, A Pretie and Mery New Enterlude: Called the Disobedient Child (London, 1570; STC: 14085)
Lodge, Thomas, Rosalynde. Euphues Golden Legacie: Found after His Death in His Cell at Silexedra (London, 1590; STC: 16664)
Marlowe, Christopher, Tamburlaine the Great (London, 1590; STC: 17425)
Marlowe, Christopher, and Nashe, Thomas, The Tragedie of Dido Queene of Carthage (London, 1594; STC: 17441).
Meres, Francis, Palladis Tamia: Wits Treasury (London, 1598; STC: 17834)
Middleton, Thomas, and Dekker, Thomas, The Roaring Girle (London, 1611; STC: 17908)
More, Thomas, A Dyaloge of Syr Thomas More Knyghte … Wheryn be Treatyd Dyuers Maters, as of the Veneracyon & Worshyp of Ymagys & Relyques, Prayng to Sayntis, & Goynge on Pylgrymage (London, 1530; STC: 18085)
Munday, Anthony, et al., The First Part of the True and Honorable Historie, of the Life of Sir John Old-castle, the Good Lord Cobham (London, 1600; STC: 18795)
Nashe, Thomas, Pierce Penilesse His Supplication to the Diuell (London, 1592; STC: 18371)
Oates, Titus, Εικων Βασιλικη Τριτη; or, The Picture of the Late King James Further Drawn to the Life (London, 1697)
Oates, Titus, Εικων Βασιλικη Τεταρτη; or, The Picture of the Late King James Further Drawn to the Life (London, 1697)
Peele, George, A Farewell. Entituled to the Famous and Fortunate Generalls of Our English Forces (London, 1589; STC: 19537)
Perkins, William, A Discourse of the Damned Art of Witchcraft (Cambridge, 1610; STC: 19698)
Perkins, William, A Golden Chaine: or, The Description of Theologie Containing the Order of the Causes of Saluation and Damnation, According to Gods Word (Cambridge, 1600; STC: 19646)
Scot, Reginald, The Discouerie of Witchcraft (London, 1584; STC: 21864)
Shakespeare, William, The History of Henrie the Fovrth (London, 1598; STC: 22280)
Shakespeare, William, A Most Pleasaunt and Excellent Conceited Comedie, of Syr Iohn Falstaffe, and the Merrie Wiues of Windsor (London, 1602; STC: 22299)
Stephens, John, Essayes and Characters: Ironicall, and Instrvctive (London, 1615; STC: 23250)
Stow, John, The Annales of England (London, 1592; STC: 23334)
Tatham, John, The Fancies Theater (London, 1640; STC: 23704)
Turner, William, The Rescuynge of the Romishe Fox ([Bonn], 1545; STC: 24355)

Works Published after 1700

Adams, Joseph Quincy Jr., ‘Captaine Thomas Stukeley’, Journal of English and Germanic Philology, 15 (1916), 107–29
Ardolino, Frank R., ‘Robert Greene’s Use of the Lambert Simnell Imposture in Friar Bacon and Friar Bungay’, American Notes and Queries, 20 (1981), 37–9
Armitage, David, Condren, Conal and Fitzmaurice, Andrew, eds., Shakespeare and Early Modern Political Thought (Cambridge: Cambridge University Press, 2009)
Arrell, Douglas H., ‘John a Kent, the Wise Man of Westchester’, Early Theatre, 17.1 (2014), 7592
Ashton, J. W., ‘“Rymes of … Randolf, Erl of Chestre”’, ELH, 5 (1938), 195206
Assarsson-Rizzi, Kerstin, ‘Friar Bacon and Friar Bungay’: A Structural and Thematic Analysis of Robert Greene’s Play, Lund Studies in English, 44 (Lund: C. W. K. Gleepup, 1972)
Baldwin, T. W., The Organization and Personnel of the Shakespearean Company (Princeton: Princeton University Press, 1927)
Barber, C. L., Shakespeare’s Festive Comedy: A Study of Dramatic Form and its Relation to Social Custom (Princeton: Princeton University Press, 1959)
Barker, Roberta, ‘Tragical-Comical-Historical Hotspur’, Shakespeare Quarterly, 54 (2003), 288307
Barroll, J. Leeds, Politics, Plague, and Shakespeare’s Theatre: The Stuart Years (Ithaca: Cornell University Press, 1991)
Barroll, J. Leeds, ‘Shakespeare and the Second Blackfriars Theatre’, Shakespeare Studies, 33 (2005), 156–70
Barroll, J. Leeds, Leggatt, Alexander, Hosley, Richard and Kernan, Alvin, The Revels History of Drama in English, vol. III: 1576–1613 (London: Methuen, 1975)
Bartels, Emily C., and Smith, Emma, eds., Christopher Marlowe in Context (Cambridge: Cambridge University Press, 2013)
Bayer, Mark, Theatre, Community, and Civic Engagement in Jacobean London (Iowa City: University of Iowa Press, 2011)
Beaumont, Francis, The Knight of the Burning Pestle, ed. by Hattaway, Michael (London: Ernest Benn, 1969)
Beckerman, Bernard, Shakespeare at the Globe 1599–1609 (New York: Macmillan, 1962)
Belsey, Catherine, ‘Love in Venice’, Shakespeare Survey, 44 (1992), 4153
Bentley, G. E., The Profession of Dramatist in Shakespeare’s Time 1590–1642 (Princeton: Princeton University Press, 1971)
Berek, Peter, ‘Tamburlaine’s Weak Sons: Imitation as Interpretation Before 1593’, Renaissance Drama, 13 (1982)
Berry, Edward, ‘Laughing at “Others”’, in The Cambridge Companion to Shakespearean Comedy, ed. by Leggatt, Alexander (Cambridge: Cambridge University Press, 2002), pp. 123–38
Betteridge, Thomas, and Walker, Greg, eds., The Oxford Handbook to Tudor Drama (Oxford: Oxford University Press, 2012)
Bevington, David M., From ‘Mankind’ to Marlowe: Growth of Structure in the Popular Drama of Tudor England (Cambridge, MA.: Harvard University Press, 1962)
Bevington, David M., Tudor Drama and Politics: A Critical Approach to Topical Meaning (Cambridge, MA.: Harvard University Press, 1968)
Black, Joseph L., ed., The Martin Marprelate Tracts: A Modernized and Annotated Edition (Cambridge: Cambridge University Press, 2008)
Bly, Mary, ‘Bawdy Puns and Lustful Virgins: The Legacy of Juliet’s Desire in Comedies of the Early 1600s’, Shakespeare Survey, 49 (1996), 97100
Bly, Mary, Queer Virgins and Virgin Queans on the Early Modern Stage (Oxford: Oxford University Press, 2000)
Bradbrook, Muriel, The Growth and Structure of Elizabethan Comedy (London: Chatto and Windus, 1955)
Bradbrook, Muriel, Themes and Conventions of Elizabethan Tragedy, 2nd edn (Cambridge: Cambridge University Press, 1980)
Briggs, K. M., The Anatomy of Puck: An Examination of Fairy Beliefs among Shakespeare’s Contemporaries and Successors (London: Routledge and Kegan Paul, 1959)
Brody, Alan, The English Mummers and Their Plays (London: Routledge and Kegan Paul, n. d.)
Brown, Pamela Allen, Better a Shrew than a Sheep: Women, Drama, and the Culture of Jest in Early Modern England (Ithaca: Cornell University Press, 2003)
Brown, John Russell, and Harris, Bernard, eds., Early Shakespeare, Stratford-upon-Avon Studies, 3 (London: Edward Arnold, 1961)
Bruster, Douglas, Drama and the Market in the Age of Shakespeare (Cambridge: Cambridge University Press, 1992)
Bullough, Geoffrey, ed., Narrative and Dramatic Sources of Shakespeare, vol. I: Early Comedies, Poems, ‘Romeo and Juliet’ (London: Routledge and Kegan Paul; New York: Columbia University Press, 1957)
Burton, Dolores M., Shakespeare’s Grammatical Style: A Computer-Assisted Analysis of ‘Richard II’ and ‘Antony and Cleopatra’ (Austin: University of Texas Press, 1973)
Butler, Chris, ‘Religion, Cognition and Author-Function: Dyer, Southwell, Lodge and As You Like It’, unpublished PhD thesis, Sheffield Hallam University, 2013
Calvo, Clara, ‘Thomas Kyd and the Elizabethan Blockbuster: The Spanish Tragedy’, in Hoenselaars, Ton, ed., Shakespeare and Contemporary Dramatists (Cambridge: Cambridge University Press, 2012), pp. 1933
Campbell, Gordon, Bible: The Story of the King James Version (Oxford: Oxford University Press, 2010)
Candido, Joseph, ‘Captain Thomas Stukeley: The Man, the Theatrical Record, and the Origins of Tudor “Biographical” Drama’, Anglia, 105 (1987), 5068
Canny, Nicholas, ‘O’Neill, Hugh, Second Earl of Tyrone (c.1550–1616)’, Oxford Dictionary of National Biography (Oxford: Oxford University Press, 2004); online edn, Jan 2008, www.oxforddnb.com/view/article/20775 (accessed 23 August 2015)
Carley, James P., ‘Bourchier, John, Second Baron Berners (c.1467–1533)’, Oxford Dictionary of National Biography (Oxford: Oxford University Press, 2004); online edn, www.oxforddnb.com/view/article/2990 (accessed 30 July 2015)
Cartelli, Thomas, ‘Marlowe and Shakespeare Revisited’, in Bartels, Emily C. and Smith, Emma, eds., Christopher Marlowe in Context (Cambridge: Cambridge University Press, 2013), pp. 285–95
Cathcart, Charles, ‘Romeo at the Rose in 1598’, Early Theatre, 13 (2010), 149–62
Cerasano, S. P., ‘Alleyn, Edward (1566–1626)’, Oxford Dictionary of National Biography (Oxford: Oxford University Press, 2004); online edn, January 2008, www.oxforddnb.com/view/article/398 (accessed 29 July 2015)
Cerasano, S. P., ‘Edward Alleyn, the New Model Actor, and the Rise of the Celebrity in the 1590s’, Medieval and Renaissance Drama in England, 18 (2005), 4758
Chamberlain, John, The Letters of John Chamberlain, ed. by McClure, Norman Egbert, 2 vols. (Philadelphia: American Philosophical Society, 1939)
Chambers, E. K., The Elizabethan Stage, 4 vols. (Oxford: Clarendon Press, 1923)
Champion, Larry S., ‘“Havoc in the Commonwealth”: Perspective, Political Ideology, and Dramatic Strategy in Sir John Oldcastle and the English Chronicle Plays’, Medieval and Renaissance Drama in England, 5 (1991), 165–79
Chapman, George, An Humorous Day’s Mirth, ed. by Edelman, Charles (Manchester: Manchester University Press, 2010)
Chapman, George, The Plays of George Chapman: The Comedies: A Critical Edition, ed. by Holaday, Allan (Urbana: University of Illinois Press, 1970)
Charney, Maurice, ‘The Voice of Marlowe’s Tamburlaine in Early Shakespeare’, Comparative Drama, 31 (1997), 213–23
Cicero, Marcus Tullius, De senectute, De amicitia, De divinatione, tr. by Falconer, William Armistead (London: Heinemann; New York: Putnam’s Sons, 1923)
Clare, Janet, ‘Art Made Tongue-Tied by Authority’: Elizabethan and Jacobean Dramatic Censorship (Manchester: Manchester University Press, 1990)
Clare, Janet, Shakespeare’s Stage Traffic: Imitation, Borrowing and Competition in Renaissance Theatre (Cambridge: Cambridge University Press, 2014)
Clayton, Tom, Brock, Susan and Forés, Vicente, eds., Shakespeare and the Mediterranean: The Selected Proceedings of the International Shakespeare Association World Congress, Valencia, 2001 (Newark: University of Delaware Press, 2004)
Coghill, Nevill, Shakespeare’s Professional Skills (Cambridge: Cambridge University Press, 1964)
Collins, Arthur, ed., Letters and Memorials of State, 2 vols. (London, 1746)
Collinson, Patrick, The Elizabethan Puritan Movement (London: Jonathan Cape, 1967)
Cook, Ann Jennalie, The Privileged Playgoers of Shakespeare’s London, 1576–1642 (Princeton: Princeton University Press, 1981)
Corbin, Peter, and Sedge, Douglas, eds., The Oldcastle Controversy: ‘Sir John Oldcastle, Part I’ and ‘The Famous Victories of Henry V’ (Manchester: Manchester University Press; New York: St. Martin’s Press, 1991)
Cox, John D., The Devil and the Sacred in English Drama, 1350–1642 (Cambridge: Cambridge University Press, 2000)
Cox, John D., and Kastan, David Scott, eds., A New History of Early English Drama (New York: Columbia University Press, 1997)
Dean, Paul, Friar Bacon and Friar Bungay and John of Bordeaux: A Dramatic Diptych’, English Language Notes, 28 (1980–81), 262–6
Deats, Sara Munson, ‘Mars or Gorgon? Tamburlaine and Henry V’, Marlowe Studies: An Annual, 1 (2011), 99124
Deats, Sara Munson, and Logan, Robert A., eds., Marlowe’s Empery: Expanding His Critical Contexts (Cranbury, NJ: Associated University Presses, 2002)
Dessen, Alan C., ‘The “Estates” Morality Play’, Studies in Philology, 62 (1965), 121–36
De Vocht, H., ed., A Knack to Know an Honest Man (Oxford: Malone Society, 1910)
Dimmock, Matthew, New Turkes: Dramatizing Islam and the Ottomans in Early Modern England (Aldershot: Ashgate, 2005)
Dorval, Patricia, and Maguin, Jean-Marie, eds., Shakespeare et ses Contemporains (Paris: Société Français Shakespeare, 2002)
Dowd, Michelle M., and Korda, Natasha, eds., Working Subjects in Early Modern English Drama (Farnham: Ashgate, 2011)
Dusinberre, Juliet, ‘Topical Forest: Kemp and Mar-text in Arden’, in Thompson, Ann and McMullen, Gordon, eds., In Arden: Editing Shakespeare: Essays in Honour of Richard Proudfoot (London: Arden Shakespeare, 2003), pp. 239–51
Dutton, Richard, Mastering the Revels: The Regulation and Censorship of English Renaissance Drama (Basingstoke: Macmillan, 1991)
Dutton, Richard, ‘“Methinks the Truth Should Live from Age to Age”: The Dating and Contexts of Henry V ’, Huntington Library Quarterly, 68 (2005), 173203
Dutton, Richard, ed., The Oxford Handbook of Early Modern Theatre (Oxford: Oxford University Press, 2009)
Dutton, Richard, Findlay, Alison and Wilson, Richard, eds., Theatre and Religion: Lancastrian Shakespeare (Manchester: Manchester University Press, 2003)
Dutton, Richard, and Howard, Jean E., eds., A Companion to Shakespeare’s Works, vol. III: The Comedies (Malden: Blackwell, 2003)
Edelman, Charles, ed., The Stukeley Plays (Manchester: Manchester University Press, 2005)
Edwards, Richard, The Works of Richard Edwards: Politics, Poetry and Performance in Sixteenth-Century England, ed. by King, Ros (Manchester: Manchester University Press, 2001)
Empson, William, Faustus and the Censor: The English Faust-book and Marlowe’s ‘Doctor Faustus’, ed. by Jones, John Henry (Oxford: Blackwell, 1987)
Empson, William, Some Versions of Pastoral: A Study of the Pastoral Form in Literature (London: Chatto and Windus, 1935; repr. Harmondsworth: Peregrine, 1966)
Enos, Carol, ‘Catholic Exiles in Flanders and As You Like It; or, What if You Don’t Like It at All?’, in Dutton, Richard, Findlay, Alison and Wilson, Richard, eds., Theatre and Religion: Lancastrian Shakespeare (Manchester: Manchester University Press, 2003), pp. 130–42
Erickson, Peter, ‘The Order of the Garter, the Cult of Elizabeth, and Class-Gender Tension in The Merry Wives of Windsor’, in Howard, Jean E. and O’Connor, Marion F., eds., Shakespeare Reproduced: The Text in History and Ideology (New York: Macmillan, 1987), pp. 116–40
Ettin, Andrew V., ‘Magic into Art: The Magician’s Renunciation of Magic in English Renaissance Drama’, Texas Studies in Literature and Language, 19 (1977), 268–93
Fehrenbach, R. J., ‘A Pre-1592 English Faust Book and the Date of Marlowe’s Doctor Faustus’, The Library, 2 (2001), 327–35
Fitzpatrick, Tim, Playwright, Space and Place in Early Modern Performance: Shakespeare and Company (Farnham: Ashgate, 2011)
Fleay, Frederick Gard, A Chronicle History of the London Stage 1559–1642 (London: Reeves & Turner, 1890)
Fleck, Andrew, ‘The Origins of Englishmen for My Money’s “Lover in the Basket” Episode in Doesborch’s Lyfe of Virgilius’, Notes and Queries, 57 (2010), 357–9
Forrest, John, The History of Morris Dancing 1458–1750 (Cambridge: James Clark, 1990)
Franssen, Paul, ‘George Chapman’s Learned Drama’, in Hoenselaars, Ton, ed., Shakespeare and Contemporary Dramatists (Cambridge: Cambridge University Press, 2012),pp. 134–48
Freedman, Barbara, ‘Shakespearean Chronology, Ideological Complicity, and Floating Texts: Something is Rotten in Windsor’, Shakespeare Quarterly, 45 (1994), 190210
Freeman, Arthur, ‘Two Notes on A Knack to Know a Knave’, Notes and Queries, 207 (1962), 326–7
Frye, Northrop, A Natural Perspective: The Development of Shakespearean Comedy and Romance (New York: Columbia University Press, 1965)
Garber, Marjorie, ‘Marlovian Vision/Shakespearean Revision’, Research Opportunities in Renaissance Drama, 22 (1979), 39
Gibbons, Brian, Jacobean City Comedy, 2nd edn (London: Methuen, 1980)
Gibson, James M., ‘Shakespeare and the Cobham Controversy: The Oldcastle/Falstaff and Brooke/Broome Revision’, Medieval and Renaissance Drama in England, 25 (2012), 94132
Grady, Hugh, Shakespeare, Machiavelli, and Montaigne: Power and Subjectivity from ‘Richard II’ to ‘Hamlet’ (Oxford: Oxford University Press, 2002)
Grav, Peter F., Shakespeare and the Economic Imperative: ‘What’s Aught but as’tis Valued?’ (New York: Routledge, 2008)
Green, William, Shakespeare’s Merry Wives of Windsor (Princeton: Princeton University Press, 1962)
Greenblatt, Stephen J., ‘Marlowe, Marx, and Anti-Semitism’, Critical Inquiry, 5 (1978), 291307
Greene, Robert, Friar Bacon and Friar Bungay, ed. by Lavin, J. A. (London: Ernest Benn, 1969)
Greene, Robert, Friar Bacon and Friar Bungay, ed. by Seltzer, Daniel (London: Edward Arnold, 1964)
Griffin, Benjamin, ‘Marring and Mending: Treacherous Likeness in Two Renaissance Controversies’, Huntington Library Quarterly, 60 (1997), 363–80
Griffith, Eva, A Jacobean Company and its Playhouse: The Queen’s Servants at the Red Bull Theatre (c. 1605–1619) (Cambridge: Cambridge University Press, 2013)
Guenther, Genevieve, ‘Why Devils Came When Faustus Called for Them’, Modern Philology, 109 (2011), 4670
Gurr, Andrew, ‘Henry Carey’s Peculiar Letter’, Shakespeare Quarterly, 56 (2005), 5175
Gurr, Andrew, ‘Intertextuality at Windsor’, Shakespeare Quarterly, 38 (1987), 189200
Gurr, Andrew, Playgoing in Shakespeare’s London, 2nd edn (Cambridge: Cambridge University Press, 1996)
Gurr, Andrew, The Shakespeare Company, 1594–1642 (Cambridge: Cambridge University Press, 2004)
Gurr, Andrew, Shakespeare’s Opposites: The Admiral’s Company 1594–1625 (Cambridge: Cambridge University Press, 2009)
Gurr, Andrew, The Shakespearian Playing Companies (Oxford: Clarendon Press, 1996)
Gurr, Andrew, ‘Three Reluctant Patrons and Early Shakespeare’, Shakespeare Quarterly, 44 (1993), 159–74
Gurr, Andrew, ‘Venues on the Verges: London’s Theater Government between 1594 and 1614’, Shakespeare Quarterly, 61 (2010), 468–89
Gurr, Andrew, ‘Who Strutted and Bellowed?’, Shakespeare Survey, 16 (1963), 95102
Hackett, Helen, ‘Introduction’, in Shakespeare, William, A Midsummer Night’s Dream, ed. by Wells, Stanley (London: Penguin, 2005), pp. xxilxxxvii
Hackett, Helen, ‘A Midsummer Night’s Dream’, in Dutton, Richard and Howard, Jean E., eds., A Companion to Shakespeare’s Works, vol. III: The Comedies (Malden: Blackwell, 2003), pp. 338–57
Hamilton, Donna B., Anthony Munday and the Catholics, 1580–1633 (Aldershot: Ashgate, 2005)
Hamilton, Donna B., and Strier, Richard, eds., Religion, Literature, and Politics in Post-Reformation England, 1540–1688 (Cambridge: Cambridge University Press, 1996)
Hammer, Paul E. J., ‘Devereux, Robert, Second Earl of Essex (1565–1601)’, Oxford Dictionary of National Biography (Oxford: Oxford University Press, 2004); online edn, Oct 2008 www.oxforddnb.com/view/article/7565 (accessed 23 August 2015)
Hanabusa, Chiaki, ed., The Famous Victories of Henry the Fifth (Oxford: Malone Society, 2007)
Harbage, Alfred, Shakespeare and the Rival Traditions (New York: Macmillan, 1952)
Hattaway, Michael, Elizabethan Popular Theatre: Plays in Performance (London: Routledge and Kegan Paul, 1982)
Hawkes, Terence, ed., Alternative Shakespeares Vol. II (London: Routledge, 1996)
Haynes, Jonathan, The Social Relations of Jonson’s Theater (Cambridge: Cambridge University Press, 1992)
Helgerson, Richard, Adulterous Alliances: Home, State, and History in Early Modern European Drama and Painting (Chicago: University of Chicago Press, 2000)
Helgerson, Richard, Forms of Nationhood: The Elizabethan Writing of England (Chicago: University of Chicago Press, 1992)
Henslowe, Philip, Henslowe’s Diary, ed. by Foakes, R. A. [and Rickert, R. T.], 2nd edn (Cambridge: Cambridge University Press, 2002)
Henslowe, Philip, Henslowe’s Diary, ed. by Greg, W. W., 2 vols. (London: A. H. Bullen, 1904–8)
Heywood, Thomas, ‘Oenone and Paris’ by T. H.: Reprinted from the Unique Copy in the Folger Shakespeare Library, ed. by Adams, Joseph Quincy (Washington DC: Folger Shakespeare Library, 1943)
Heywood, Thomas, A Woman Killed With Kindness, ed. by Scobie, Brian (London: A. & C. Black, 1985)
Highley, Christopher, ‘Shakespeare, Spenser, and the Crisis in Ireland’, Cambridge Studies in Renaissance Literature and Culture, 23 (Cambridge: Cambridge University Press, 1997)
Hodgdon, Barbara, The End Crowns All: Closure and Contradiction in Shakespeare’s History (Princeton: Princeton University Press, 1991)
Hoenselaars, A. J., Images of Englishmen and Foreigners in the Drama of Shakespeare and His Contemporaries: A Study of Stage Characters and National Identity in English Renaissance Drama (Rutherford, NJ: Fairleigh Dickinson University Press; London: Associated University Presses, 1992)
Hoenselaars, A. J., ed., Shakespeare and Contemporary Dramatists (Cambridge: Cambridge University Press, 2012)
Holbrook, Peter, ‘Shakespeare, Class, and the Comedies’, in Dutton, Richard and Howard, Jean E., eds., A Companion to Shakespeare’s Works, vol. III: The Comedies (Malden, MA: Blackwell, 2003), pp. 6789
Holderness, Graham, Shakespeare’s History (Dublin: Gill and Macmillan; New York: St. Martin’s Press, 1985)
Holderness, Graham, Shakespeare: The Histories (London: Macmillan, 2000)
Holmes, Peter, ‘Stucley, Thomas (c.1520–1578)’, Oxford Dictionary of National Biography (Oxford: Oxford University Press, 2004); online edn www.oxforddnb.com/view/article/26741 (accessed 23 August 2015)
Holt, J. C., Robin Hood, rev. edn (London: Thames & Hudson, 1989)
Honigmann, E. A. J., ‘John a Kent and Marprelate’, Yearbook of English Studies, 13 (1983), 288–93
Honigmann, E. A. J., ‘Shakespeare’s “Lost Source-Plays”’, Modern Language Review, 49 (1954), 293307
Honigmann, E. A. J., ed., Shakespeare and His Contemporaries: Essays in Comparison (Manchester: Manchester University Press, 1986)
Hotson, Leslie, Shakespeare Versus Shallow (London: Nonesuch Press, 1931), pp. 111–22
Howard, Jean E., ‘Gender on the Periphery’, in Clayton, Tom, Brock, Susan and Forés, Vincente, eds., Shakespeare and the Mediterranean: The Selected Proceedings of the International Shakespeare Association World Congress, Valencia, 2001 (Newark: University of Delaware Press, 2004), pp. 344–62
Howard, Jean E, Theater of a City: The Places of London Comedy, 1598–1642 (Philadelphia: University of Pennsylvania Press, 2007)
Howard, Jean E, and O’Connor, Marion F., eds., Shakespeare Reproduced: The Text in History and Ideology (New York: Macmillan, 1987)
Howard, Jean E, and Rackin, Phyllis, Engendering a Nation: A Feminist Account of Shakespeare’s English Histories (London: Routledge, 1997)
Howard, Jean E, and Shershow, Scott Cutler, eds., Marxist Shakespeares (London: Routledge, 2001),
Hunter, George K., ‘Bourgeois Comedy: Shakespeare and Dekker’ in Honigmann, E. A. J., ed., Shakespeare and His Contemporaries: Essays in Comparison (Manchester: Manchester University Press, 1986), pp. 115
Hunter, George K., English Drama 1586–1642: The Age of Shakespeare, Oxford History of English Literature, vol. VI (Oxford: Clarendon Press, 1997)
Hunter, George K., ‘Henry IV and the Elizabethan Two-Part Play’, Review of English Studies, n.s., 5 (1954), 236–48
Hunter, George K., John Lyly: The Humanist as Courtier (London: Routledge and Kegan Paul, 1962)
Hutson, Lorna, The Usurer’s Daughter: Male Friendship and Fictions of Women in Seventeenth-Century England (London: Routledge, 1994)
Hyland, Peter, Disguise on the Early Modern English Stage (Farnham: Ashgate, 2011)
Ioppolo, Grace, Dramatists and Their Manuscripts in the Age of Shakespeare, Jonson, Middleton and Heywood: Authorship, Authority and the Playhouse (Abingdon: Routledge, 2006)
Jackson, MacDonald P., ‘Deciphering a Date and Determining a Date: Anthony Munday’s John a Kent and John a Cumber and the Original Version of Sir Thomas More’, Early Modern Literary Studies, 15.3 (2011); https://extra.shu.ac.uk/emls/15-3/jackdate.htm.
Jensen, Phebe, Religion and Festivity in Shakespeare’s Festive World (Cambridge: Cambridge University Press, 2008)
Johnston, Alexandra F., ‘The Robin Hood of the Records’, in Potter, Lois, ed., Playing Robin Hood: The Legend as Performance in Five Centuries (Newark: University of Delaware Press; London: Associated University Presses, 1998), pp. 2744
Johnston, Dafydd, ‘Siôn Cent [John Kent] ( fl. 1400–1430)’, Oxford Dictionary of National Biography (Oxford: Oxford University Press, 2004); online edn www.oxforddnb.com/view/article/15419 (accessed 30 July 2015)
Jones, Emrys, Scenic Form in Shakespeare (Oxford: Clarendon Press, 1971)
Jones, John Henry, ed., The English Faust Book: A Critical Edition Based on the Text of 1592 (Cambridge: Cambridge University Press, 1994)
Jowitt, Claire, Voyage Drama and Gender Politics 1589–1642: Real and Imagined Worlds (Manchester: Manchester University Press, 2003)
Kastan, David Scott, ‘“The King Hath Many Marching in His Coats,” or, What Did You Do in the War, Daddy?’, in Kamps, Ivo, ed., Shakespeare, Left and Right (New York: Routledge, 1991), pp. 241–58
Kenny, Robert W., Elizabeth’s Admiral: The Political Career of Charles Howard Earl of Nottingham 1536–1624 (Baltimore: Johns Hopkins Press, 1970)
Kermode, Lloyd Edward, ‘After Shylock: The “Judaiser” in England’, Renaissance and Reformation, 20.4 (1996), 526
Kermode, Lloyd Edward, ed., Three Renaissance Usury Plays (Manchester: Manchester University Press, 2009)
Kermode, Lloyd Edward, Scott-Warren, Jason and van Elk, Martine, eds., Tudor Drama Before Shakespeare, 1485–1590: New Directions for Research, Criticism, and Pedagogy (Basingstoke: Palgrave Macmillan, 2004)
Kingsley-Smith, Jane, Shakespeare’s Drama of Exile (Basingstoke: Palgrave Macmillan, 2003)
Kinney, Arthur F., ‘Textual Signs in The Merry Wives of Windsor’, Yearbook of English Studies, 23 (1993), 206–34
Knight, Stephen, ed., Robin Hood: An Anthology of Scholarship and Criticism (Cambridge: D. S. Brewer, 1999)
Knutson, Roslyn L., ‘Marlowe Reruns: Repertorial Commerce and Marlowe’s Plays in Revival’, in Deats, Sara Munson and Logan, Robert A., eds., Marlowe’s Empery: Expanding His Critical Contexts (Cranbury, NJ: Associated University Presses, 2002), pp. 2542
Knutson, Roslyn, ‘Play Identifications: The Wise Man of West Chester and John a Kent and John a Cumber; Longshanks and Edward I ’, Huntington Library Quarterly, 47 (1984), 111
Knutson, Roslyn, Playing Companies and Commerce in Shakespeare’s Time (Cambridge: Cambridge University Press, 2001)
Knutson, Roslyn, The Repertory of Shakespeare’s Company 1594–1613 (Fayetteville: University of Arkansas Press, 1991)
Knutson, Roslyn, ‘The Start of Something Big’, in Ostovich, Helen, Syme, Holger Schott and Griffin, Andrew, eds., Locating the Queen’s Men, 1583–1603: Material Practices and Conditions of Playing (Aldershot: Ashgate, 2009), pp. 99108
Knutson, Roslyn, ‘Strength Training for Tamburlaine’s Weak Sons Through Repertorial Commerce’, unpublished paper, Modern Language Association annual convention (2011)
Knutson, Roslyn, ‘What’s So Special about 1594?’, Shakespeare Quarterly, 61 (2010), 449–67
Kocher, Paul H., ‘The English Faust Book and the Date of Marlowe’s Faustus’, Modern Language Notes, 55 (1940), 95101
Korda, Natasha, ‘“Judicious Oeillades”: Supervising Marital Property in The Merry Wives of Windsor’, in Howard, Jean E. and Shershow, Scott Cutler, eds., Marxist Shakespeares (London: Routledge, 2001), pp. 82103
Kyd, Thomas, The Spanish Tragedy, ed. by Mulryne, J. R., 2nd edn (London: A & C Black; New York: Norton, 1989)
Lamb, Mary Ellen, The Popular Culture of Shakespeare, Spenser, and Jonson (London: Routledge, 2006)
Lamb, Mary Ellen, ‘Taken by the Fairies: Fairy Practices and the Production of Popular Culture in A Midsummer Night’s Dream’, Shakespeare Quarterly, 51 (2000), 277312
Laroque, François, Shakespeare’s Festive World: Elizabethan Seasonal Entertainment and the Professional Stage (Cambridge: Cambridge University Press, 1991)
Leather, Ella Mary, The Folk-lore of Herefordshire Collected from Oral and Printed Sources (Hereford: Jakeman and Carver; London: Sidgwick & Jackson, 1912; repr. Hereford: Lapridge Publications, 1992)
Leggatt, Alexander, Citizen Comedy in the Age of Shakespeare (Toronto: University of Toronto Press, 1973)
Leggatt, Alexander, An Introduction to English Renaissance Comedy (Manchester: Manchester University Press, 1999)
Leinwand, Theodore B., ‘Shakespeare and the Middling Sort’, Shakespeare Quarterly, 44 (1993), 184303
Levinson, Judith C., ed., The Famous History of Captain Thomas Stukeley (Oxford: Malone Society, 1975)
Lewalski, Barbara K., ‘Biblical Allusion and Allegory in The Merchant of Venice’, Shakespeare Quarterly, 13 (1962), 327–43
Logan, Robert A., Shakespeare’s Marlowe: The Influence of Christopher Marlowe on Shakespeare’s Artistry (Farnham: Ashgate, 2007)
Lopez, Jeremy, Theatrical Convention and Audience Response in Early Modern Drama (Cambridge: Cambridge University Press, 2003)
Lunney, Ruth, Marlowe and the Popular Tradition: Innovation in the English Drama before 1595 (Manchester: Manchester University Press, 2002)
MacFaul, Tom, Male Friendship in Shakespeare and his Contemporaries (Cambridge: Cambridge University Press, 2007)
MacLure, Millar, ed., Marlowe: The Critical Heritage 1588–1896 (London: Routledge and Kegan Paul, 1979)
Maguire, Laurie, Shakespeare’s Names (Oxford: Oxford University Press, 2007)
Manley, Lawrence, and MacLean, Sally-Beth, Lord Strange’s Men and Their Plays (New Haven: Yale University Press, 2014)
Marcus, Leah S., ‘Levelling Shakespeare: Local Customs and Local Texts’, Shakespeare Quarterly, 42 (1991), 168–78
Marino, James, Owning William Shakespeare: The King’s Men and Their Intellectual Property (Philadelphia: University of Pennsylvania Press, 2011)
Marlowe, Christopher, The Complete Poems and Translations, ed. by Orgel, Stephen, 2nd edn (London: Penguin, 2007)
Marlowe, Christopher, ‘Dido Queen of Carthage’ and ‘The Massacre at Paris’, ed. by Oliver, H. J. (London: Methuen, 1968)
Marlowe, Christopher, Doctor Faustus 1604–1616: Parallel Texts, ed. by Greg, W. W. (Oxford: Clarendon Press, 1950)
Marlowe, Christopher, Doctor Faustus: A- and B-texts (1604, 1616), ed. by Bevington, David and Rasmussen, Eric (Manchester: Manchester University Press, 1993)
Marlowe, Christopher, The Jew of Malta, ed. by Bawcutt, N. W. (Manchester: Manchester University Press, 1978)
Marlowe, Christopher, Tamburlaine the Great, ed. by Cunningham, J. S. (Manchester: Manchester University Press, 1981)
Marotti, Arthur F., ‘Shakespeare and Catholicism’, in Dutton, Richard, Findlay, Alison and Wilson, Richard, eds., Theatre and Religion: Lancastrian Shakespeare (Manchester: Manchester University Press, 2003), pp. 218–41
Marx, Stephen, Shakespeare and the Bible (Oxford: Oxford University Press, 2000)
Matthews, David, and McMullan, Gordon, eds., Reading the Medieval in Early Modern England (Cambridge: Cambridge University Press, 2007)
McCallum, James Dow, ‘Greene’s Friar Bacon and Friar Bungay,’ Modern Language Notes, 35 (1920), 212–17
McDermott, James, ‘Howard, Charles, Second Baron Howard of Effingham and First Earl of Nottingham (1536–1624)’, in Oxford Dictionary of National Biography (Oxford: Oxford University Press, 2004); online edn, January 2008 www.oxforddnb.com/view/article/13885
Mcintosh, Shona, ‘Recent Studies in George Chapman (1975–2009)’, English Literary Renaissance, 41 (2011), 219–44
McMillin, Scott, and MacLean, Sally-Beth, The Queen’s Men and Their Plays (Cambridge: Cambridge University Press, 1998)
McNeir, Waldo F., ‘Reconstructing the Conclusion of John of Bordeaux’, PMLA, 66 (1951), 540–3
McNeir, Waldo F., ‘Robert Greene and John of Bordeaux’, PMLA 64 (1949), 781801
McPherson, David C., Shakespeare, Jonson, and the Myth of Venice (Newark: University of Delaware Press; London: Associated University Presses, 1990)
Menzer, Paul, ‘Shades of Marlowe’, Marlowe Studies: An Annual, 1 (2011), 181–92
Middleton, Thomas, The Collected Works, ed. by Taylor, Gary and Lavagnino, John (Oxford: Clarendon Press, 2007)
Milward, Peter, The Catholicism of Shakespeare’s Plays, Renaissance Monographs, 23 (Tokyo: Renaissance Institute, 1997)
Munday, Anthony, The Death of Robert, Earl of Huntingdon, ed. by Meagher, John C. (Oxford: Malone Society, 1967)
Munday, Anthony, The Downfall of Robert, Earl of Huntingdon, ed. by Meagher, John C. (Oxford: Malone Society, 1965)
Munday, Anthony, John a Kent and John a Cumber, ed. by Byrne, Muriel St.Clare (Oxford: Malone Society, 1923)
Munro, Lucy, Children of the Queen’s Revels: A Jacobean Theatre Repertory (Cambridge: Cambridge University Press, 2005)
Munro, Lucy, ‘Early Modern Drama and the Repertory Approach’, Research Opportunities in Renaissance Drama, 42 (2003), 133
O’Neill, Stephen, Staging Ireland: Representations in Shakespeare and Renaissance Drama (Dublin: Four Courts Press, 2007)
Orgel, Stephen, ‘Shylock’s Tribe’, in Clayton, Tom, Brock, Susan and Forés, Vicente, eds., Shakespeare and the Mediterranean: The Selected Proceedings of the International Shakespeare Association World Congress, Valencia, 2001 (Newark: University of Delaware Press, 2004), pp. 3853
Orlin, Lena Cowen, ‘Shakespearean Comedy and Material Life’, in Dutton, Richard and Howard, Jean E., eds., A Companion to Shakespeare’s Works, vol. III: The Comedies (Malden, MA: Blackwell, 2003), pp. 159–81
Ostovich, Helen, Syme, Holger Schott and Griffin, Andrew, eds., Locating the Queen’s Men, 1583–1603: Material Practices and Conditions of Playing (Aldershot: Ashgate, 2009)
Palmer, D. J., ‘Casting off the Old Man: History and St. Paul in “Henry IV”’, Critical Quarterly, 12 (1970), 267–83
Patterson, Annabel, ‘Sir John Oldcastle as Symbol of Reformation Historiography’, in Hamilton, Donna B. and Strier, Richard, eds., Religion, Literature, and Politics in Post-Reformation England, 1540–1688 (Cambridge: Cambridge University Press, 1996), pp. 626
Peele, George, The Dramatic Works of George Peele, gen. ed. Prouty, Charles Tyler, 3 vols. (New Haven: Yale University Press, 1952–70)
Poole, Kristen, ‘Saints Alive! Falstaff, Martin Marprelate, and the Staging of Puritanism’, Shakespeare Quarterly, 46 (1995), 4775
Pope, Maurice, ‘My Kingdom for a Horse’, Notes and Queries, 41 (1994), 472–7
Porter, Henry, The Two Angry Women of Abington, ed. by Greg, W. W. (Oxford: Malone Society, 1912)
Potter, Lois, ed., Playing Robin Hood: The Legend as Performance in Five Centuries (Newark: University of Delaware Press; London: Associated University Presses, 1998)
Proudfoot, G. R., ed., A Knack to Know a Knave (Oxford: Malone Society, 1964)
Pugliatti, Paola, Shakespeare the Historian (Basingstoke: Macmillan, 1996)
Quarmby, Kevin A., The Disguised Ruler in Shakespeare and His Contemporaries (Farnham: Ashgate, 2012)
Rabkin, Norman, Shakespeare and the Common Understanding (New York: Free Press, 1967)
Rackin, Phyllis, Stages of History: Shakespeare’s English Chronicles (London: Routledge, 1990)
Records of Early English Drama: Patrons and Performances Web Site, University of Toronto http://link.library.utoronto.ca/reed (accessed 29 July 2015)
Renwick, William Lindsay, ed., John of Bordeaux; or, The Second Part of Friar Bacon (Oxford: Malone Society, 1936)
Ribner, Irving, The English History Play in the Age of Shakespeare (Princeton: Princeton University Press, 1957)
Richards, Jennifer, ‘Male Friendship and Counsel in Richard Edwards’ Damon and Pythias’, in Betteridge, Thomas and Walker, Greg, eds., The Oxford Handbook to Tudor Drama (Oxford: Oxford University Press, 2012), pp. 293308
Riggs, David, Shakespeare’s Heroical Histories: ‘Henry VI’ and its Literary Tradition (Cambridge, MS.: Harvard University Press, 1971)
Rossiter, A. P., Angel with Horns and Other Shakespearean Lectures, ed. by Storey, Graham (London: Longmans, 1961)
Rutter, Carol Chillington, Documents of the Rose Playhouse (Manchester: Manchester University Press, 1984)
Rutter, Tom, ‘Adult Playing Companies, 1603–1613’, in Dutton, Richard, ed., The Oxford Handbook of Early Modern Theatre (Oxford: Oxford University Press, 2009), pp. 7287
Rutter, Tom, ‘The Communities of George Chapman’s All Fools’, in Sell, Roger D., Johnson, Anthony W. and Wilcox, Helen, eds., Community-Making in Early Stuart Theatres: Stage and Audience (Abingdon: Routledge, 2017), pp. 218238
Rutter, Tom, ‘Englishmen for My Money: Work and Social Conflict?’, in Dowd, Michelle M. and Korda, Natasha, eds., Working Subjects in Early Modern English Drama (Farnham: Ashgate, 2011), pp. 8799
Rutter, Tom, ‘Introduction: The Repertory-Based Approach’, ‘Issues in Review: Dramatists, Playing Companies, and Repertories’, Early Theatre, 13.3 (2011), 121–32
Rutter, Tom, ‘Marlovian Echoes in the Admiral’s Men Repertory: Alcazar, Stukeley, Patient Grissil ’, Shakespeare Bulletin, 27 (2009), 2738
Rutter, Tom, ‘Merchants of Venice in A Knack to Know an Honest Man’, Medieval and Renaissance Drama in England, 19 (2006), 194209
Rutter, Tom, ‘Repertory Studies: An Overview’, Shakespeare, 4 (2008), 352–66
Rutter, Tom, Work and Play on the Shakespearean Stage (Cambridge: Cambridge University Press, 2008)
Salingar, Leo, Shakespeare and the Traditions of Comedy (Cambridge: Cambridge University Press, 1974)
Sanders, Norman, ‘The Comedy of Greene and Shakespeare’, in Brown, John Russell and Harris, Bernard, eds., Early Shakespeare, Stratford-upon-Avon Studies, 3 (London: Edward Arnold, 1961), pp. 3453
Schafer, Elizabeth, ‘William Haughton’s Englishmen for My Money: A Critical Note’, Review of English Studies, n.s., 41 (1990), 536–8
Schalkwyk, David, ‘The Impossible Gift of Love in The Merchant of Venice and the Sonnets’, Shakespeare, 7 (2011), 142–55
Schelling, Felix E., Elizabethan Playwrights: A Short History of the English Drama from Mediaeval Times to the Closing of the Theaters in 1642 (New York: Harper, 1925, repr. New York: Blom, 1965)
Schoone-Jongen, Terence G., Shakespeare’s Companies: William Shakespeare’s Early Career and the Acting Companies, 1577–1594 (Farnham: Ashgate, 2008)
Scott, Sarah, and Stapleton, Michael, eds., Christopher Marlowe the Craftsman: Lives, Stage, and Page (Aldershot: Ashgate, 2010)
Scoufos, Alice-Lyle, Shakespeare’s Typological Satire: A Study of the Falstaff-Oldcastle Problem (Athens, Ohio: Ohio University Press, 1979)
Scragg, Leah, ‘Shakespeare, Lyly and Ovid: The Influence of Gallathea on A Midsummer Night’s Dream’, Shakespeare Survey, 30 (1977), 125–34
Sell, Roger D., Johnson, Anthony W. and Wilcox, Helen, eds., Community-Making in Early Stuart Theatres: Stage and Audience (Abingdon: Routledge, 2017)
Shakespeare, William, As You Like It, ed. by Hattaway, Michael (Cambridge: Cambridge University Press, 2009)
Shakespeare, William, The First Part of King Henry IV, ed. by Weil, Herbert and Weil, Judith (Cambridge: Cambridge University Press, 1997)
Shakespeare, William, Henry IV Part One, ed. by Bevington, David (Oxford: Clarendon Press, 1987)
Shakespeare, William, King Henry IV Part 1, ed. by Kastan, David Scott (London: Arden Shakespeare, 2002)
Shakespeare, William, King Henry V, ed. by Gurr, Andrew, updated edn (Cambridge: Cambridge University Press, 2005)
Shakespeare, William, King Richard II, ed. by Gurr, Andrew, updated edn (Cambridge: Cambridge University Press, 2003)
Shakespeare, William, Love’s Labour’s Lost, ed. by Carroll, William C. (Cambridge: Cambridge University Press, 2009)
Shakespeare, William, The Merchant of Venice, ed. by Brown, John Russell (London: Methuen, 1955)
Shakespeare, William, The Merchant of Venice, ed. by Halio, Jay L. (Oxford: Clarendon Press, 1993)
Shakespeare, William, The Merchant of Venice, ed. by Mahood, M. M. (Cambridge: Cambridge University Press, 2003)
Shakespeare, William, The Merry Wives of Windsor, ed. by Craik, T. W. (Oxford: Clarendon Press, 1989)
Shakespeare, William, The Merry Wives of Windsor, ed. by Crane, David, updated edn (Cambridge: Cambridge University Press, 2010)
Shakespeare, William, The Merry Wives of Windsor, ed. by Hibbard, G. R. (Harmondsworth: Penguin, 1973)
Shakespeare, William, The Merry Wives of Windsor, ed. by Melchiori, Giorgio (London: Thomas Nelson and Sons, 2000)
Shakespeare, William, A Midsummer Night’s Dream, ed. by Brooks, Harold E. (London: Methuen, 1979)
Shakespeare, William, A Midsummer Night’s Dream, ed. by Foakes, R. A., updated edn (Cambridge: Cambridge University Press, 2003)
Shakespeare, William, A Midsummer Night’s Dream, ed. by Holland, Peter (Oxford: Clarendon Press, 1994)
Shakespeare, William, A Midsummer Night’s Dream, ed. by Wells, Stanley (London: Penguin, 2005)
Shakespeare, William, Romeo and Juliet, ed. by Evans, G. Blakemore (Cambridge: Cambridge University Press, 1984)
Shakespeare, William, The Second Part of King Henry IV, ed. by Melchiori, Giorgio (Cambridge: Cambridge University Press, 1989)
Shapiro, I. A., ‘The Significance of a Date’, Shakespeare Survey, 8 (1955), 100105
Shapiro, I. A., ‘Shakespeare and Mundy’, Shakespeare Survey, 14 (1961), 2533
Shapiro, James, Rival Playwrights: Marlowe, Jonson, Shakespeare (New York: Columbia University Press, 1991)
Sharpe, Robert Boies, The Real War of the Theaters: Shakespeare’s Fellows in Rivalry with the Admiral’s Men, 1594–1603: Repertories, Devices and Types (New York: Modern Language Association of America, 1935)
Shell, Alison, Shakespeare and Religion (London: Arden Shakespeare, 2010)
Simmons, J. L., ‘Masculine Negotiations in Shakespeare’s History Plays: Hal, Hotspur, and “the foolish Mortimer”’, Shakespeare Quarterly, 44 (1993), 440–63
Simpson, Richard, ed., The School of Shakespere, 2 vols (London: Chatto and Windus, 1878)
Sinfield, Alan, ‘How to Read The Merchant of Venice Without Being Heterosexist’, in Hawkes, Terence, ed., Alternative Shakespeares Vol. II (London: Routledge, 1996), pp. 122–39
Singman, Jeffrey L., ‘Munday’s Unruly Earl’, in Potter, Lois, ed., Playing Robin Hood: The Legend as Performance in Five Centuries (Newark: University of Delaware Press; London: Associated University Presses, 1998), pp. 6376
Skura, Meredith, ‘Anthony Munday’s “Gentrification” of Robin Hood’, English Literary Renaissance, 33 (2003), 155–80
Skura, Meredith, Shakespeare the Actor and the Purposes of Playing (Chicago: University of Chicago Press, 1993)
Skura, Meredith, ‘What Shakespeare Did to Marlowe in Private: Dido, Faustus, and Bottom’, in Scott, Sarah and Stapleton, Michael, eds., Christopher Marlowe the Craftsman: Lives, Stage, and Page (Aldershot: Ashgate, 2010), pp. 7990
Smith, Emma, “‘So Much English by the Mother’: Gender, Foreigners, and the Mother Tongue in William Haughton’s Englishmen for My Money’, Medieval and Renaissance Drama in England, 13 (2001), 165–81
Smout, Clare, ‘Actor, Poet, Playwright, Sharer … Rival? Shakespeare and Heywood, 1603–4’, Early Theatre, 13.2 (December 2010), 175–89
Stallybrass, Peter, ‘“Drunk with the Cup of Liberty”: Robin Hood, the Carnivalesque, and the Rhetoric of Violence in Early Modern England’, in Knight, Stephen, ed., Robin Hood: An Anthology of Scholarship and Criticism (Cambridge: D. S. Brewer, 1999), pp. 113–45
Stewart, Alan, Close Readers: Humanism and Sodomy in Early Modern England (Princeton: Princeton University Press, 1997)
Syme, Holger Schott, ‘The Meaning of Success: Stories of 1594 and Its Aftermath’, Shakespeare Quarterly, 61 (2010), 490525
Taylor, Gary, ‘The Fortunes of Oldcastle’, Shakespeare Survey, 38 (1985), 85100
Thompson, Ann, and McMullen, Gordon, eds., In Arden: Editing Shakespeare: Essays in Honour of Richard Proudfoot (London: Arden Shakespeare, 2003)
Thorndike, Ashley, ‘The Relation of As You Like It to Robin Hood Plays’, Journal of Germanic Philology, 4 (1902), 5969
Tillyard, E. M. W., Shakespeare’s History Plays (London: Chatto and Windus, 1944)
Towne, Frank, ‘“White Magic” in Friar Bacon and Friar Bungay?’, Modern Language Notes, 67 (1952), 913
Traister, Barbara Howard, Heavenly Necromancers: The Magician in English Renaissance Drama (Columbia: University of Missouri Press, 1984)
van Es, Bart, Shakespeare in Company (Oxford: Oxford University Press, 2013)
von Rosador, Kurt Tetzeli, ‘The Sacralizing Sign: Religion and Magic in Bale, Greene, and the Early Shakespeare’, Yearbook of English Studies, 23 (1993), 3045
Virgil (Publius Vergilius Maro), The Pastoral Poems, tr. Rieu, E. V. (Harmondsworth: Penguin, 1954)
Waith, Eugene M., The Herculean Hero in Marlowe, Chapman, Shakespeare and Dryden (New York: Columbia University Press, 1962)
Wall, Wendy, ‘The Merry Wives of Windsor: Unhusbanding Desires in Windsor’, in Dutton, Richard and Howard, Jean E., eds., A Companion to Shakespeare’s Works, vol. III: The Comedies (Malden: Blackwell, 2003), pp. 376–92
Wall, Wendy, Staging Domesticity: Household Work and English Identity in Early Modern Drama (Cambridge: Cambridge University Press, 2002)
Walsh, Brian, Shakespeare, the Queen’s Men, and the Elizabethan Performance of History (Cambridge: Cambridge University Press, 2009)
Wells, Robin Headlam, Shakespeare on Masculinity (Cambridge: Cambridge University Press, 2000)
Wertheim, Albert, ‘The Presentation of Sin in Friar Bacon and Friar Bungay’, Criticism, 16 (1974), 273–89
White, Paul Whitfield, ‘Holy Robin Hood! Carnival, Parish Guilds, and the Outlaw Tradition’, in Kermode, Lloyd Edward, Scott-Warren, Jason and van Elk, Martine, eds., Tudor Drama before Shakespeare, 1485–1590: New Directions for Research, Criticism, and Pedagogy (Basingstoke: Palgrave Macmillan, 2004), pp. 6789
White, Paul Whitfield, ‘Shakespeare and the Cobhams’, in White, Paul Whitfield and Westfall, Suzanne R., eds., Shakespeare and Theatrical Patronage in Early Modern England (Cambridge University Press, 2002), pp. 6489
White, Paul Whitfield, Theatre and Reformation: Protestantism, Patronage, and Playing in Tudor England (Cambridge: Cambridge University Press, 1993)
White, Paul Whitfield, and Westfall, Suzanne R., eds., Shakespeare and Theatrical Patronage in Early Modern England (Cambridge University Press, 2002)
Wickham, Glynne, Berry, Herbert and Ingram, William, eds., English Professional Theatre, 1530–1660 (Cambridge: Cambridge University Press, 2000)
Wiggins, Martin, ‘A Choice of Impossible Things: Dating the Revival of The Battle of Alcazar’, in Dorval, Patricia and Maguin, Jean-Marie, eds., Shakespeare et ses Contemporains (Paris: Société Français Shakespeare, 2002), pp. 185202
Wiggins, Martin, ‘Marlowe’s Chronology and Canon’, in Bartels, Emily C. and Smith, Emma, eds., Christopher Marlowe in Context (Cambridge: Cambridge University Press, 2013), pp. 714
Wiggins, Martin, Shakespeare and the Drama of His Time (Oxford: Oxford University Press, 2000).
Wiggins, Martin, ‘Things That Go Bump in the Text: Captain Thomas Stukeley’, Proceedings of the Bibliographical Society of America, 98 (2001), 520
Williams, Deanne, ‘Friar Bacon and Friar Bungay and the Rhetoric of Temporality’, in Matthews, David and McMullan, Gordon, eds., Reading the Medieval in Early Modern England (Cambridge: Cambridge University Press, 2007), pp. 3148
Wilson, Richard, Secret Shakespeare: Studies in Theatre, Religion and Resistance (Manchester: Manchester University Press, 2004)
Wilson, Richard, ‘“The Words of Mercury”: Shakespeare and Marlowe’ in Hoenselaars, Ton, ed., Shakespeare and Contemporary Dramatists (Cambridge: Cambridge University Press, 2012), pp. 3453
Withington, Phil, ‘Putting the City into Shakespeare’s City Comedy’, in Armitage, David, Condren, Conal and Fitzmaurice, Andrew, eds., Shakespeare and Early Modern Political Thought (Cambridge: Cambridge University Press, 2009), pp. 197216
Womersley, David, Divinity and State (Oxford: Oxford University Press, 2010)
Yates, Frances, Giordano Bruno and the Hermetic Tradition (London: Routledge and Kegan Paul, 1964)

Metrics

Altmetric attention score

Full text views

Total number of HTML views: 0
Total number of PDF views: 0 *
Loading metrics...

Book summary page views

Total views: 0 *
Loading metrics...

* Views captured on Cambridge Core between #date#. This data will be updated every 24 hours.

Usage data cannot currently be displayed.