Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-xbtfd Total loading time: 0 Render date: 2024-10-31T23:41:42.140Z Has data issue: false hasContentIssue false

Bibliography

Published online by Cambridge University Press:  02 March 2017

Tom Rutter
Affiliation:
University of Sheffield
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Shakespeare and the Admiral's Men
Reading across Repertories on the London Stage, 1594–1600
, pp. 202 - 220
Publisher: Cambridge University Press
Print publication year: 2017

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Primary Sources

Anon, The Famous Historye of the Life and Death of Captaine Thomas Stukeley (London, 1605; STC: 23405)Google Scholar
Anon, The Famous History of Fryer Bacon (London, 1629; STC: 1184)Google Scholar
Anon, A Most Pleasant Comedie of Mucedorus (London, 1610; STC: 18232)Google Scholar
Anon, A New and Mery Enterlude, Called the Triall of Treasure (London, 1567; STC: 24271)Google Scholar
Anon, The Second Tome of Homilees (London, 1571; STC: 13669)Google Scholar
B., M., The Triall of True Friendship or Perfit Mirror, Wherby to Discerne a Trustie Friend from a Flattering Parasite (London, 1596; STC: 1053)Google Scholar
Bale, John, The Actes of Englysh Votaryes (Antwerp, 1546 (false imprint); STC: 1270)Google Scholar
Bale, John, A Brefe Chronycle Concernynge the Examinacyon and Death of the Blessed Martyr of Christ Syr Iohan Oldecastell the Lorde Cobham ([Antwerp], 1544; STC: 1276)Google Scholar
Bale, John, A Comedy Concernynge Thre Lawes, of Nature Moses, & Christ, Corrupted by the Sodomytes (Wesel, 1538; STC: 1287)Google Scholar
Chapman, George, The Blinde Begger of Alexandria (London, 1598; STC: 4965)Google Scholar
Dent, Arthur, The Plaine Mans Path-way to Heauen (London, 1601; STC: 6626.5)Google Scholar
Drayton, Michael, Matilda. The Faire and Chaste Daughter of the Lord Robert Fitzwater (London, 1594; STC: 7205)Google Scholar
Ferne, John, The Blazon of Gentrie (London, 1586; STC: 10825)Google Scholar
Foxe, John, Actes and Monuments (London, 1563; STC: 11222)Google Scholar
Fuller, Thomas, The History of the Worthies of England (London, 1662)Google Scholar
Fulwell, Ulpian, An Enterlude Intituled Like Wil to Like Quod the Deuel to the Colier (London, 1568; STC: 11473)Google Scholar
Greene, Robert, Greenes Farewell to Folly (London, 1591; STC 12241)Google Scholar
Haughton, William, English-men for My Money: or, A Pleasant Comedy, Called, A Woman Will Haue Her Will (London, 1616; STC: 12931)Google Scholar
Heywood, Thomas, The First and Second Partes of King Edward the Fourth (London, 1599; STC: 13341)Google Scholar
Holinshed, Raphael, et al., The First and Second Volumes of Chronicles (London, 1587; STC: 13569)Google Scholar
Holinshed, Raphael, The Third Volume of Chronicles (London, 1587; STC: 13569)Google Scholar
Ingeland, Robert, A Pretie and Mery New Enterlude: Called the Disobedient Child (London, 1570; STC: 14085)Google Scholar
Lodge, Thomas, Rosalynde. Euphues Golden Legacie: Found after His Death in His Cell at Silexedra (London, 1590; STC: 16664)Google Scholar
Marlowe, Christopher, Tamburlaine the Great (London, 1590; STC: 17425)CrossRefGoogle Scholar
Marlowe, Christopher, and Nashe, Thomas, The Tragedie of Dido Queene of Carthage (London, 1594; STC: 17441).CrossRefGoogle Scholar
Meres, Francis, Palladis Tamia: Wits Treasury (London, 1598; STC: 17834)Google Scholar
Middleton, Thomas, and Dekker, Thomas, The Roaring Girle (London, 1611; STC: 17908)Google Scholar
More, Thomas, A Dyaloge of Syr Thomas More Knyghte … Wheryn be Treatyd Dyuers Maters, as of the Veneracyon & Worshyp of Ymagys & Relyques, Prayng to Sayntis, & Goynge on Pylgrymage (London, 1530; STC: 18085)Google Scholar
Munday, Anthony, et al., The First Part of the True and Honorable Historie, of the Life of Sir John Old-castle, the Good Lord Cobham (London, 1600; STC: 18795)Google Scholar
Nashe, Thomas, Pierce Penilesse His Supplication to the Diuell (London, 1592; STC: 18371)Google Scholar
Oates, Titus, Εικων Βασιλικη Τριτη; or, The Picture of the Late King James Further Drawn to the Life (London, 1697)Google Scholar
Oates, Titus, Εικων Βασιλικη Τεταρτη; or, The Picture of the Late King James Further Drawn to the Life (London, 1697)Google Scholar
Peele, George, A Farewell. Entituled to the Famous and Fortunate Generalls of Our English Forces (London, 1589; STC: 19537)Google Scholar
Perkins, William, A Discourse of the Damned Art of Witchcraft (Cambridge, 1610; STC: 19698)Google Scholar
Perkins, William, A Golden Chaine: or, The Description of Theologie Containing the Order of the Causes of Saluation and Damnation, According to Gods Word (Cambridge, 1600; STC: 19646)Google Scholar
Scot, Reginald, The Discouerie of Witchcraft (London, 1584; STC: 21864)Google Scholar
Shakespeare, William, The History of Henrie the Fovrth (London, 1598; STC: 22280)Google Scholar
Shakespeare, William, A Most Pleasaunt and Excellent Conceited Comedie, of Syr Iohn Falstaffe, and the Merrie Wiues of Windsor (London, 1602; STC: 22299)Google Scholar
Stephens, John, Essayes and Characters: Ironicall, and Instrvctive (London, 1615; STC: 23250)Google Scholar
Stow, John, The Annales of England (London, 1592; STC: 23334)Google Scholar
Tatham, John, The Fancies Theater (London, 1640; STC: 23704)Google Scholar
Turner, William, The Rescuynge of the Romishe Fox ([Bonn], 1545; STC: 24355)Google Scholar

Secondary Sources

Adams, Joseph Quincy Jr., ‘Captaine Thomas Stukeley’, Journal of English and Germanic Philology, 15 (1916), 107–29Google Scholar
Ardolino, Frank R., ‘Robert Greene’s Use of the Lambert Simnell Imposture in Friar Bacon and Friar Bungay’, American Notes and Queries, 20 (1981), 37–9Google Scholar
Armitage, David, Condren, Conal and Fitzmaurice, Andrew, eds., Shakespeare and Early Modern Political Thought (Cambridge: Cambridge University Press, 2009)CrossRefGoogle Scholar
Arrell, Douglas H., ‘John a Kent, the Wise Man of Westchester’, Early Theatre, 17.1 (2014), 7592CrossRefGoogle Scholar
Ashton, J. W., ‘“Rymes of … Randolf, Erl of Chestre”’, ELH, 5 (1938), 195206CrossRefGoogle Scholar
Assarsson-Rizzi, Kerstin, ‘Friar Bacon and Friar Bungay’: A Structural and Thematic Analysis of Robert Greene’s Play, Lund Studies in English, 44 (Lund: C. W. K. Gleepup, 1972)Google Scholar
Baldwin, T. W., The Organization and Personnel of the Shakespearean Company (Princeton: Princeton University Press, 1927)Google Scholar
Barber, C. L., Shakespeare’s Festive Comedy: A Study of Dramatic Form and its Relation to Social Custom (Princeton: Princeton University Press, 1959)Google Scholar
Barker, Roberta, ‘Tragical-Comical-Historical Hotspur’, Shakespeare Quarterly, 54 (2003), 288307CrossRefGoogle Scholar
Barroll, J. Leeds, Politics, Plague, and Shakespeare’s Theatre: The Stuart Years (Ithaca: Cornell University Press, 1991)Google Scholar
Barroll, J. Leeds, ‘Shakespeare and the Second Blackfriars Theatre’, Shakespeare Studies, 33 (2005), 156–70Google Scholar
Barroll, J. Leeds, Leggatt, Alexander, Hosley, Richard and Kernan, Alvin, The Revels History of Drama in English, vol. III: 1576–1613 (London: Methuen, 1975)Google Scholar
Bartels, Emily C., and Smith, Emma, eds., Christopher Marlowe in Context (Cambridge: Cambridge University Press, 2013)CrossRefGoogle Scholar
Bayer, Mark, Theatre, Community, and Civic Engagement in Jacobean London (Iowa City: University of Iowa Press, 2011)Google Scholar
Beaumont, Francis, The Knight of the Burning Pestle, ed. by Hattaway, Michael (London: Ernest Benn, 1969)Google Scholar
Beckerman, Bernard, Shakespeare at the Globe 1599–1609 (New York: Macmillan, 1962)Google Scholar
Belsey, Catherine, ‘Love in Venice’, Shakespeare Survey, 44 (1992), 4153Google Scholar
Bentley, G. E., The Profession of Dramatist in Shakespeare’s Time 1590–1642 (Princeton: Princeton University Press, 1971)Google Scholar
Berek, Peter, ‘Tamburlaine’s Weak Sons: Imitation as Interpretation Before 1593’, Renaissance Drama, 13 (1982)CrossRefGoogle Scholar
Berry, Edward, ‘Laughing at “Others”’, in The Cambridge Companion to Shakespearean Comedy, ed. by Leggatt, Alexander (Cambridge: Cambridge University Press, 2002), pp. 123–38Google Scholar
Betteridge, Thomas, and Walker, Greg, eds., The Oxford Handbook to Tudor Drama (Oxford: Oxford University Press, 2012)CrossRefGoogle Scholar
Bevington, David M., From ‘Mankind’ to Marlowe: Growth of Structure in the Popular Drama of Tudor England (Cambridge, MA.: Harvard University Press, 1962)CrossRefGoogle Scholar
Bevington, David M., Tudor Drama and Politics: A Critical Approach to Topical Meaning (Cambridge, MA.: Harvard University Press, 1968)CrossRefGoogle Scholar
Black, Joseph L., ed., The Martin Marprelate Tracts: A Modernized and Annotated Edition (Cambridge: Cambridge University Press, 2008)Google Scholar
Bly, Mary, ‘Bawdy Puns and Lustful Virgins: The Legacy of Juliet’s Desire in Comedies of the Early 1600s’, Shakespeare Survey, 49 (1996), 97100CrossRefGoogle Scholar
Bly, Mary, Queer Virgins and Virgin Queans on the Early Modern Stage (Oxford: Oxford University Press, 2000)CrossRefGoogle Scholar
Bradbrook, Muriel, The Growth and Structure of Elizabethan Comedy (London: Chatto and Windus, 1955)Google Scholar
Bradbrook, Muriel, Themes and Conventions of Elizabethan Tragedy, 2nd edn (Cambridge: Cambridge University Press, 1980)CrossRefGoogle Scholar
Briggs, K. M., The Anatomy of Puck: An Examination of Fairy Beliefs among Shakespeare’s Contemporaries and Successors (London: Routledge and Kegan Paul, 1959)Google Scholar
Brody, Alan, The English Mummers and Their Plays (London: Routledge and Kegan Paul, n. d.)Google Scholar
Brown, Pamela Allen, Better a Shrew than a Sheep: Women, Drama, and the Culture of Jest in Early Modern England (Ithaca: Cornell University Press, 2003)CrossRefGoogle Scholar
Brown, John Russell, and Harris, Bernard, eds., Early Shakespeare, Stratford-upon-Avon Studies, 3 (London: Edward Arnold, 1961)Google Scholar
Bruster, Douglas, Drama and the Market in the Age of Shakespeare (Cambridge: Cambridge University Press, 1992)CrossRefGoogle Scholar
Bullough, Geoffrey, ed., Narrative and Dramatic Sources of Shakespeare, vol. I: Early Comedies, Poems, ‘Romeo and Juliet’ (London: Routledge and Kegan Paul; New York: Columbia University Press, 1957)Google Scholar
Burton, Dolores M., Shakespeare’s Grammatical Style: A Computer-Assisted Analysis of ‘Richard II’ and ‘Antony and Cleopatra’ (Austin: University of Texas Press, 1973)Google Scholar
Butler, Chris, ‘Religion, Cognition and Author-Function: Dyer, Southwell, Lodge and As You Like It’, unpublished PhD thesis, Sheffield Hallam University, 2013Google Scholar
Calvo, Clara, ‘Thomas Kyd and the Elizabethan Blockbuster: The Spanish Tragedy’, in Hoenselaars, Ton, ed., Shakespeare and Contemporary Dramatists (Cambridge: Cambridge University Press, 2012), pp. 1933Google Scholar
Campbell, Gordon, Bible: The Story of the King James Version (Oxford: Oxford University Press, 2010)CrossRefGoogle Scholar
Candido, Joseph, ‘Captain Thomas Stukeley: The Man, the Theatrical Record, and the Origins of Tudor “Biographical” Drama’, Anglia, 105 (1987), 5068CrossRefGoogle Scholar
Canny, Nicholas, ‘O’Neill, Hugh, Second Earl of Tyrone (c.1550–1616)’, Oxford Dictionary of National Biography (Oxford: Oxford University Press, 2004); online edn, Jan 2008, www.oxforddnb.com/view/article/20775 (accessed 23 August 2015)Google Scholar
Carley, James P., ‘Bourchier, John, Second Baron Berners (c.1467–1533)’, Oxford Dictionary of National Biography (Oxford: Oxford University Press, 2004); online edn, www.oxforddnb.com/view/article/2990 (accessed 30 July 2015)Google Scholar
Cartelli, Thomas, ‘Marlowe and Shakespeare Revisited’, in Bartels, Emily C. and Smith, Emma, eds., Christopher Marlowe in Context (Cambridge: Cambridge University Press, 2013), pp. 285–95Google Scholar
Cathcart, Charles, ‘Romeo at the Rose in 1598’, Early Theatre, 13 (2010), 149–62CrossRefGoogle Scholar
Cerasano, S. P., ‘Alleyn, Edward (1566–1626)’, Oxford Dictionary of National Biography (Oxford: Oxford University Press, 2004); online edn, January 2008, www.oxforddnb.com/view/article/398 (accessed 29 July 2015)Google Scholar
Cerasano, S. P., ‘Edward Alleyn, the New Model Actor, and the Rise of the Celebrity in the 1590s’, Medieval and Renaissance Drama in England, 18 (2005), 4758Google Scholar
Chamberlain, John, The Letters of John Chamberlain, ed. by McClure, Norman Egbert, 2 vols. (Philadelphia: American Philosophical Society, 1939)Google Scholar
Chambers, E. K., The Elizabethan Stage, 4 vols. (Oxford: Clarendon Press, 1923)Google Scholar
Champion, Larry S., ‘“Havoc in the Commonwealth”: Perspective, Political Ideology, and Dramatic Strategy in Sir John Oldcastle and the English Chronicle Plays’, Medieval and Renaissance Drama in England, 5 (1991), 165–79Google Scholar
Chapman, George, An Humorous Day’s Mirth, ed. by Edelman, Charles (Manchester: Manchester University Press, 2010)Google Scholar
Chapman, George, The Plays of George Chapman: The Comedies: A Critical Edition, ed. by Holaday, Allan (Urbana: University of Illinois Press, 1970)Google Scholar
Charney, Maurice, ‘The Voice of Marlowe’s Tamburlaine in Early Shakespeare’, Comparative Drama, 31 (1997), 213–23CrossRefGoogle Scholar
Cicero, Marcus Tullius, De senectute, De amicitia, De divinatione, tr. by Falconer, William Armistead (London: Heinemann; New York: Putnam’s Sons, 1923)Google Scholar
Clare, Janet, ‘Art Made Tongue-Tied by Authority’: Elizabethan and Jacobean Dramatic Censorship (Manchester: Manchester University Press, 1990)Google Scholar
Clare, Janet, Shakespeare’s Stage Traffic: Imitation, Borrowing and Competition in Renaissance Theatre (Cambridge: Cambridge University Press, 2014)CrossRefGoogle Scholar
Clayton, Tom, Brock, Susan and Forés, Vicente, eds., Shakespeare and the Mediterranean: The Selected Proceedings of the International Shakespeare Association World Congress, Valencia, 2001 (Newark: University of Delaware Press, 2004)Google Scholar
Coghill, Nevill, Shakespeare’s Professional Skills (Cambridge: Cambridge University Press, 1964)Google Scholar
Collins, Arthur, ed., Letters and Memorials of State, 2 vols. (London, 1746)Google Scholar
Collinson, Patrick, The Elizabethan Puritan Movement (London: Jonathan Cape, 1967)Google Scholar
Cook, Ann Jennalie, The Privileged Playgoers of Shakespeare’s London, 1576–1642 (Princeton: Princeton University Press, 1981)Google Scholar
Corbin, Peter, and Sedge, Douglas, eds., The Oldcastle Controversy: ‘Sir John Oldcastle, Part I’ and ‘The Famous Victories of Henry V’ (Manchester: Manchester University Press; New York: St. Martin’s Press, 1991)Google Scholar
Cox, John D., The Devil and the Sacred in English Drama, 1350–1642 (Cambridge: Cambridge University Press, 2000)CrossRefGoogle Scholar
Cox, John D., and Kastan, David Scott, eds., A New History of Early English Drama (New York: Columbia University Press, 1997)Google Scholar
Dean, Paul, Friar Bacon and Friar Bungay and John of Bordeaux: A Dramatic Diptych’, English Language Notes, 28 (1980–81), 262–6Google Scholar
Deats, Sara Munson, ‘Mars or Gorgon? Tamburlaine and Henry V’, Marlowe Studies: An Annual, 1 (2011), 99124Google Scholar
Deats, Sara Munson, and Logan, Robert A., eds., Marlowe’s Empery: Expanding His Critical Contexts (Cranbury, NJ: Associated University Presses, 2002)Google Scholar
Dessen, Alan C., ‘The “Estates” Morality Play’, Studies in Philology, 62 (1965), 121–36Google Scholar
De Vocht, H., ed., A Knack to Know an Honest Man (Oxford: Malone Society, 1910)Google Scholar
Dimmock, Matthew, New Turkes: Dramatizing Islam and the Ottomans in Early Modern England (Aldershot: Ashgate, 2005)Google Scholar
Dorval, Patricia, and Maguin, Jean-Marie, eds., Shakespeare et ses Contemporains (Paris: Société Français Shakespeare, 2002)Google Scholar
Dowd, Michelle M., and Korda, Natasha, eds., Working Subjects in Early Modern English Drama (Farnham: Ashgate, 2011)Google Scholar
Dusinberre, Juliet, ‘Topical Forest: Kemp and Mar-text in Arden’, in Thompson, Ann and McMullen, Gordon, eds., In Arden: Editing Shakespeare: Essays in Honour of Richard Proudfoot (London: Arden Shakespeare, 2003), pp. 239–51Google Scholar
Dutton, Richard, Mastering the Revels: The Regulation and Censorship of English Renaissance Drama (Basingstoke: Macmillan, 1991)Google Scholar
Dutton, Richard, ‘“Methinks the Truth Should Live from Age to Age”: The Dating and Contexts of Henry V ’, Huntington Library Quarterly, 68 (2005), 173203CrossRefGoogle Scholar
Dutton, Richard, ed., The Oxford Handbook of Early Modern Theatre (Oxford: Oxford University Press, 2009)Google Scholar
Dutton, Richard, Findlay, Alison and Wilson, Richard, eds., Theatre and Religion: Lancastrian Shakespeare (Manchester: Manchester University Press, 2003)Google Scholar
Dutton, Richard, and Howard, Jean E., eds., A Companion to Shakespeare’s Works, vol. III: The Comedies (Malden: Blackwell, 2003)CrossRefGoogle Scholar
Edelman, Charles, ed., The Stukeley Plays (Manchester: Manchester University Press, 2005)Google Scholar
Edwards, Richard, The Works of Richard Edwards: Politics, Poetry and Performance in Sixteenth-Century England, ed. by King, Ros (Manchester: Manchester University Press, 2001)Google Scholar
Empson, William, Faustus and the Censor: The English Faust-book and Marlowe’s ‘Doctor Faustus’, ed. by Jones, John Henry (Oxford: Blackwell, 1987)Google Scholar
Empson, William, Some Versions of Pastoral: A Study of the Pastoral Form in Literature (London: Chatto and Windus, 1935; repr. Harmondsworth: Peregrine, 1966)Google Scholar
Enos, Carol, ‘Catholic Exiles in Flanders and As You Like It; or, What if You Don’t Like It at All?’, in Dutton, Richard, Findlay, Alison and Wilson, Richard, eds., Theatre and Religion: Lancastrian Shakespeare (Manchester: Manchester University Press, 2003), pp. 130–42Google Scholar
Erickson, Peter, ‘The Order of the Garter, the Cult of Elizabeth, and Class-Gender Tension in The Merry Wives of Windsor’, in Howard, Jean E. and O’Connor, Marion F., eds., Shakespeare Reproduced: The Text in History and Ideology (New York: Macmillan, 1987), pp. 116–40Google Scholar
Ettin, Andrew V., ‘Magic into Art: The Magician’s Renunciation of Magic in English Renaissance Drama’, Texas Studies in Literature and Language, 19 (1977), 268–93Google Scholar
Fehrenbach, R. J., ‘A Pre-1592 English Faust Book and the Date of Marlowe’s Doctor Faustus’, The Library, 2 (2001), 327–35CrossRefGoogle Scholar
Fitzpatrick, Tim, Playwright, Space and Place in Early Modern Performance: Shakespeare and Company (Farnham: Ashgate, 2011)Google Scholar
Fleay, Frederick Gard, A Chronicle History of the London Stage 1559–1642 (London: Reeves & Turner, 1890)Google Scholar
Fleck, Andrew, ‘The Origins of Englishmen for My Money’s “Lover in the Basket” Episode in Doesborch’s Lyfe of Virgilius’, Notes and Queries, 57 (2010), 357–9CrossRefGoogle Scholar
Forrest, John, The History of Morris Dancing 1458–1750 (Cambridge: James Clark, 1990)Google Scholar
Franssen, Paul, ‘George Chapman’s Learned Drama’, in Hoenselaars, Ton, ed., Shakespeare and Contemporary Dramatists (Cambridge: Cambridge University Press, 2012),pp. 134–48Google Scholar
Freedman, Barbara, ‘Shakespearean Chronology, Ideological Complicity, and Floating Texts: Something is Rotten in Windsor’, Shakespeare Quarterly, 45 (1994), 190210CrossRefGoogle Scholar
Freeman, Arthur, ‘Two Notes on A Knack to Know a Knave’, Notes and Queries, 207 (1962), 326–7Google Scholar
Frye, Northrop, A Natural Perspective: The Development of Shakespearean Comedy and Romance (New York: Columbia University Press, 1965)Google Scholar
Garber, Marjorie, ‘Marlovian Vision/Shakespearean Revision’, Research Opportunities in Renaissance Drama, 22 (1979), 39Google Scholar
Gibbons, Brian, Jacobean City Comedy, 2nd edn (London: Methuen, 1980)Google Scholar
Gibson, James M., ‘Shakespeare and the Cobham Controversy: The Oldcastle/Falstaff and Brooke/Broome Revision’, Medieval and Renaissance Drama in England, 25 (2012), 94132Google Scholar
Grady, Hugh, Shakespeare, Machiavelli, and Montaigne: Power and Subjectivity from ‘Richard II’ to ‘Hamlet’ (Oxford: Oxford University Press, 2002)CrossRefGoogle Scholar
Grav, Peter F., Shakespeare and the Economic Imperative: ‘What’s Aught but as’tis Valued?’ (New York: Routledge, 2008)CrossRefGoogle Scholar
Green, William, Shakespeare’s Merry Wives of Windsor (Princeton: Princeton University Press, 1962)Google Scholar
Greenblatt, Stephen J., ‘Marlowe, Marx, and Anti-Semitism’, Critical Inquiry, 5 (1978), 291307CrossRefGoogle Scholar
Greene, Robert, Friar Bacon and Friar Bungay, ed. by Lavin, J. A. (London: Ernest Benn, 1969)Google Scholar
Greene, Robert, Friar Bacon and Friar Bungay, ed. by Seltzer, Daniel (London: Edward Arnold, 1964)Google Scholar
Griffin, Benjamin, ‘Marring and Mending: Treacherous Likeness in Two Renaissance Controversies’, Huntington Library Quarterly, 60 (1997), 363–80CrossRefGoogle Scholar
Griffith, Eva, A Jacobean Company and its Playhouse: The Queen’s Servants at the Red Bull Theatre (c. 1605–1619) (Cambridge: Cambridge University Press, 2013)CrossRefGoogle Scholar
Guenther, Genevieve, ‘Why Devils Came When Faustus Called for Them’, Modern Philology, 109 (2011), 4670CrossRefGoogle Scholar
Gurr, Andrew, ‘Henry Carey’s Peculiar Letter’, Shakespeare Quarterly, 56 (2005), 5175CrossRefGoogle Scholar
Gurr, Andrew, ‘Intertextuality at Windsor’, Shakespeare Quarterly, 38 (1987), 189200CrossRefGoogle Scholar
Gurr, Andrew, Playgoing in Shakespeare’s London, 2nd edn (Cambridge: Cambridge University Press, 1996)Google Scholar
Gurr, Andrew, The Shakespeare Company, 1594–1642 (Cambridge: Cambridge University Press, 2004)Google Scholar
Gurr, Andrew, Shakespeare’s Opposites: The Admiral’s Company 1594–1625 (Cambridge: Cambridge University Press, 2009)Google Scholar
Gurr, Andrew, The Shakespearian Playing Companies (Oxford: Clarendon Press, 1996)CrossRefGoogle Scholar
Gurr, Andrew, ‘Three Reluctant Patrons and Early Shakespeare’, Shakespeare Quarterly, 44 (1993), 159–74CrossRefGoogle Scholar
Gurr, Andrew, ‘Venues on the Verges: London’s Theater Government between 1594 and 1614’, Shakespeare Quarterly, 61 (2010), 468–89CrossRefGoogle Scholar
Gurr, Andrew, ‘Who Strutted and Bellowed?’, Shakespeare Survey, 16 (1963), 95102Google Scholar
Hackett, Helen, ‘Introduction’, in Shakespeare, William, A Midsummer Night’s Dream, ed. by Wells, Stanley (London: Penguin, 2005), pp. xxilxxxviiGoogle Scholar
Hackett, Helen, ‘A Midsummer Night’s Dream’, in Dutton, Richard and Howard, Jean E., eds., A Companion to Shakespeare’s Works, vol. III: The Comedies (Malden: Blackwell, 2003), pp. 338–57Google Scholar
Hamilton, Donna B., Anthony Munday and the Catholics, 1580–1633 (Aldershot: Ashgate, 2005)Google Scholar
Hamilton, Donna B., and Strier, Richard, eds., Religion, Literature, and Politics in Post-Reformation England, 1540–1688 (Cambridge: Cambridge University Press, 1996)CrossRefGoogle Scholar
Hammer, Paul E. J., ‘Devereux, Robert, Second Earl of Essex (1565–1601)’, Oxford Dictionary of National Biography (Oxford: Oxford University Press, 2004); online edn, Oct 2008 www.oxforddnb.com/view/article/7565 (accessed 23 August 2015)Google Scholar
Hanabusa, Chiaki, ed., The Famous Victories of Henry the Fifth (Oxford: Malone Society, 2007)Google Scholar
Harbage, Alfred, Shakespeare and the Rival Traditions (New York: Macmillan, 1952)Google Scholar
Hattaway, Michael, Elizabethan Popular Theatre: Plays in Performance (London: Routledge and Kegan Paul, 1982)Google Scholar
Hawkes, Terence, ed., Alternative Shakespeares Vol. II (London: Routledge, 1996)Google Scholar
Haynes, Jonathan, The Social Relations of Jonson’s Theater (Cambridge: Cambridge University Press, 1992)Google Scholar
Helgerson, Richard, Adulterous Alliances: Home, State, and History in Early Modern European Drama and Painting (Chicago: University of Chicago Press, 2000)Google Scholar
Helgerson, Richard, Forms of Nationhood: The Elizabethan Writing of England (Chicago: University of Chicago Press, 1992)Google Scholar
Henslowe, Philip, Henslowe’s Diary, ed. by Foakes, R. A. [and Rickert, R. T.], 2nd edn (Cambridge: Cambridge University Press, 2002)Google Scholar
Henslowe, Philip, Henslowe’s Diary, ed. by Greg, W. W., 2 vols. (London: A. H. Bullen, 1904–8)Google Scholar
Heywood, Thomas, ‘Oenone and Paris’ by T. H.: Reprinted from the Unique Copy in the Folger Shakespeare Library, ed. by Adams, Joseph Quincy (Washington DC: Folger Shakespeare Library, 1943)Google Scholar
Heywood, Thomas, A Woman Killed With Kindness, ed. by Scobie, Brian (London: A. & C. Black, 1985)Google Scholar
Highley, Christopher, ‘Shakespeare, Spenser, and the Crisis in Ireland’, Cambridge Studies in Renaissance Literature and Culture, 23 (Cambridge: Cambridge University Press, 1997)CrossRefGoogle Scholar
Hodgdon, Barbara, The End Crowns All: Closure and Contradiction in Shakespeare’s History (Princeton: Princeton University Press, 1991)CrossRefGoogle Scholar
Hoenselaars, A. J., Images of Englishmen and Foreigners in the Drama of Shakespeare and His Contemporaries: A Study of Stage Characters and National Identity in English Renaissance Drama (Rutherford, NJ: Fairleigh Dickinson University Press; London: Associated University Presses, 1992)Google Scholar
Hoenselaars, A. J., ed., Shakespeare and Contemporary Dramatists (Cambridge: Cambridge University Press, 2012)Google Scholar
Holbrook, Peter, ‘Shakespeare, Class, and the Comedies’, in Dutton, Richard and Howard, Jean E., eds., A Companion to Shakespeare’s Works, vol. III: The Comedies (Malden, MA: Blackwell, 2003), pp. 6789Google Scholar
Holderness, Graham, Shakespeare’s History (Dublin: Gill and Macmillan; New York: St. Martin’s Press, 1985)Google Scholar
Holderness, Graham, Shakespeare: The Histories (London: Macmillan, 2000)Google Scholar
Holmes, Peter, ‘Stucley, Thomas (c.1520–1578)’, Oxford Dictionary of National Biography (Oxford: Oxford University Press, 2004); online edn www.oxforddnb.com/view/article/26741 (accessed 23 August 2015)Google Scholar
Holt, J. C., Robin Hood, rev. edn (London: Thames & Hudson, 1989)Google Scholar
Honigmann, E. A. J., ‘John a Kent and Marprelate’, Yearbook of English Studies, 13 (1983), 288–93CrossRefGoogle Scholar
Honigmann, E. A. J., ‘Shakespeare’s “Lost Source-Plays”’, Modern Language Review, 49 (1954), 293307CrossRefGoogle Scholar
Honigmann, E. A. J., ed., Shakespeare and His Contemporaries: Essays in Comparison (Manchester: Manchester University Press, 1986)Google Scholar
Hotson, Leslie, Shakespeare Versus Shallow (London: Nonesuch Press, 1931), pp. 111–22Google Scholar
Howard, Jean E., ‘Gender on the Periphery’, in Clayton, Tom, Brock, Susan and Forés, Vincente, eds., Shakespeare and the Mediterranean: The Selected Proceedings of the International Shakespeare Association World Congress, Valencia, 2001 (Newark: University of Delaware Press, 2004), pp. 344–62Google Scholar
Howard, Jean E, Theater of a City: The Places of London Comedy, 1598–1642 (Philadelphia: University of Pennsylvania Press, 2007)CrossRefGoogle Scholar
Howard, Jean E, and O’Connor, Marion F., eds., Shakespeare Reproduced: The Text in History and Ideology (New York: Macmillan, 1987)Google Scholar
Howard, Jean E, and Rackin, Phyllis, Engendering a Nation: A Feminist Account of Shakespeare’s English Histories (London: Routledge, 1997)Google Scholar
Howard, Jean E, and Shershow, Scott Cutler, eds., Marxist Shakespeares (London: Routledge, 2001),Google Scholar
Hunter, George K., ‘Bourgeois Comedy: Shakespeare and Dekker’ in Honigmann, E. A. J., ed., Shakespeare and His Contemporaries: Essays in Comparison (Manchester: Manchester University Press, 1986), pp. 115Google Scholar
Hunter, George K., English Drama 1586–1642: The Age of Shakespeare, Oxford History of English Literature, vol. VI (Oxford: Clarendon Press, 1997)CrossRefGoogle Scholar
Hunter, George K., ‘Henry IV and the Elizabethan Two-Part Play’, Review of English Studies, n.s., 5 (1954), 236–48Google Scholar
Hunter, George K., John Lyly: The Humanist as Courtier (London: Routledge and Kegan Paul, 1962)Google Scholar
Hutson, Lorna, The Usurer’s Daughter: Male Friendship and Fictions of Women in Seventeenth-Century England (London: Routledge, 1994)Google Scholar
Hyland, Peter, Disguise on the Early Modern English Stage (Farnham: Ashgate, 2011)Google Scholar
Ioppolo, Grace, Dramatists and Their Manuscripts in the Age of Shakespeare, Jonson, Middleton and Heywood: Authorship, Authority and the Playhouse (Abingdon: Routledge, 2006)Google Scholar
Jackson, MacDonald P., ‘Deciphering a Date and Determining a Date: Anthony Munday’s John a Kent and John a Cumber and the Original Version of Sir Thomas More’, Early Modern Literary Studies, 15.3 (2011); https://extra.shu.ac.uk/emls/15-3/jackdate.htm.Google Scholar
Jensen, Phebe, Religion and Festivity in Shakespeare’s Festive World (Cambridge: Cambridge University Press, 2008)Google Scholar
Johnston, Alexandra F., ‘The Robin Hood of the Records’, in Potter, Lois, ed., Playing Robin Hood: The Legend as Performance in Five Centuries (Newark: University of Delaware Press; London: Associated University Presses, 1998), pp. 2744Google Scholar
Johnston, Dafydd, ‘Siôn Cent [John Kent] ( fl. 1400–1430)’, Oxford Dictionary of National Biography (Oxford: Oxford University Press, 2004); online edn www.oxforddnb.com/view/article/15419 (accessed 30 July 2015)Google Scholar
Jones, Emrys, Scenic Form in Shakespeare (Oxford: Clarendon Press, 1971)Google Scholar
Jones, John Henry, ed., The English Faust Book: A Critical Edition Based on the Text of 1592 (Cambridge: Cambridge University Press, 1994)Google Scholar
Jowitt, Claire, Voyage Drama and Gender Politics 1589–1642: Real and Imagined Worlds (Manchester: Manchester University Press, 2003)Google Scholar
Kastan, David Scott, ‘“The King Hath Many Marching in His Coats,” or, What Did You Do in the War, Daddy?’, in Kamps, Ivo, ed., Shakespeare, Left and Right (New York: Routledge, 1991), pp. 241–58Google Scholar
Kenny, Robert W., Elizabeth’s Admiral: The Political Career of Charles Howard Earl of Nottingham 1536–1624 (Baltimore: Johns Hopkins Press, 1970)Google Scholar
Kermode, Lloyd Edward, ‘After Shylock: The “Judaiser” in England’, Renaissance and Reformation, 20.4 (1996), 526Google Scholar
Kermode, Lloyd Edward, ed., Three Renaissance Usury Plays (Manchester: Manchester University Press, 2009)Google Scholar
Kermode, Lloyd Edward, Scott-Warren, Jason and van Elk, Martine, eds., Tudor Drama Before Shakespeare, 1485–1590: New Directions for Research, Criticism, and Pedagogy (Basingstoke: Palgrave Macmillan, 2004)Google Scholar
Kingsley-Smith, Jane, Shakespeare’s Drama of Exile (Basingstoke: Palgrave Macmillan, 2003)CrossRefGoogle Scholar
Kinney, Arthur F., ‘Textual Signs in The Merry Wives of Windsor’, Yearbook of English Studies, 23 (1993), 206–34CrossRefGoogle Scholar
Knight, Stephen, ed., Robin Hood: An Anthology of Scholarship and Criticism (Cambridge: D. S. Brewer, 1999)Google Scholar
Knutson, Roslyn L., ‘Marlowe Reruns: Repertorial Commerce and Marlowe’s Plays in Revival’, in Deats, Sara Munson and Logan, Robert A., eds., Marlowe’s Empery: Expanding His Critical Contexts (Cranbury, NJ: Associated University Presses, 2002), pp. 2542Google Scholar
Knutson, Roslyn, ‘Play Identifications: The Wise Man of West Chester and John a Kent and John a Cumber; Longshanks and Edward I ’, Huntington Library Quarterly, 47 (1984), 111CrossRefGoogle Scholar
Knutson, Roslyn, Playing Companies and Commerce in Shakespeare’s Time (Cambridge: Cambridge University Press, 2001)CrossRefGoogle Scholar
Knutson, Roslyn, The Repertory of Shakespeare’s Company 1594–1613 (Fayetteville: University of Arkansas Press, 1991)Google Scholar
Knutson, Roslyn, ‘The Start of Something Big’, in Ostovich, Helen, Syme, Holger Schott and Griffin, Andrew, eds., Locating the Queen’s Men, 1583–1603: Material Practices and Conditions of Playing (Aldershot: Ashgate, 2009), pp. 99108Google Scholar
Knutson, Roslyn, ‘Strength Training for Tamburlaine’s Weak Sons Through Repertorial Commerce’, unpublished paper, Modern Language Association annual convention (2011)Google Scholar
Knutson, Roslyn, ‘What’s So Special about 1594?’, Shakespeare Quarterly, 61 (2010), 449–67CrossRefGoogle Scholar
Kocher, Paul H., ‘The English Faust Book and the Date of Marlowe’s Faustus’, Modern Language Notes, 55 (1940), 95101CrossRefGoogle Scholar
Korda, Natasha, ‘“Judicious Oeillades”: Supervising Marital Property in The Merry Wives of Windsor’, in Howard, Jean E. and Shershow, Scott Cutler, eds., Marxist Shakespeares (London: Routledge, 2001), pp. 82103Google Scholar
Kyd, Thomas, The Spanish Tragedy, ed. by Mulryne, J. R., 2nd edn (London: A & C Black; New York: Norton, 1989)Google Scholar
Lamb, Mary Ellen, The Popular Culture of Shakespeare, Spenser, and Jonson (London: Routledge, 2006)CrossRefGoogle Scholar
Lamb, Mary Ellen, ‘Taken by the Fairies: Fairy Practices and the Production of Popular Culture in A Midsummer Night’s Dream’, Shakespeare Quarterly, 51 (2000), 277312CrossRefGoogle Scholar
Laroque, François, Shakespeare’s Festive World: Elizabethan Seasonal Entertainment and the Professional Stage (Cambridge: Cambridge University Press, 1991)Google Scholar
Leather, Ella Mary, The Folk-lore of Herefordshire Collected from Oral and Printed Sources (Hereford: Jakeman and Carver; London: Sidgwick & Jackson, 1912; repr. Hereford: Lapridge Publications, 1992)Google Scholar
Leggatt, Alexander, Citizen Comedy in the Age of Shakespeare (Toronto: University of Toronto Press, 1973)Google Scholar
Leggatt, Alexander, An Introduction to English Renaissance Comedy (Manchester: Manchester University Press, 1999)Google Scholar
Leinwand, Theodore B., ‘Shakespeare and the Middling Sort’, Shakespeare Quarterly, 44 (1993), 184303CrossRefGoogle Scholar
Levinson, Judith C., ed., The Famous History of Captain Thomas Stukeley (Oxford: Malone Society, 1975)Google Scholar
Lewalski, Barbara K., ‘Biblical Allusion and Allegory in The Merchant of Venice’, Shakespeare Quarterly, 13 (1962), 327–43CrossRefGoogle Scholar
Logan, Robert A., Shakespeare’s Marlowe: The Influence of Christopher Marlowe on Shakespeare’s Artistry (Farnham: Ashgate, 2007)Google Scholar
Lopez, Jeremy, Theatrical Convention and Audience Response in Early Modern Drama (Cambridge: Cambridge University Press, 2003)Google Scholar
Lunney, Ruth, Marlowe and the Popular Tradition: Innovation in the English Drama before 1595 (Manchester: Manchester University Press, 2002)Google Scholar
MacFaul, Tom, Male Friendship in Shakespeare and his Contemporaries (Cambridge: Cambridge University Press, 2007)CrossRefGoogle Scholar
MacLure, Millar, ed., Marlowe: The Critical Heritage 1588–1896 (London: Routledge and Kegan Paul, 1979)Google Scholar
Maguire, Laurie, Shakespeare’s Names (Oxford: Oxford University Press, 2007)Google Scholar
Manley, Lawrence, and MacLean, Sally-Beth, Lord Strange’s Men and Their Plays (New Haven: Yale University Press, 2014)CrossRefGoogle Scholar
Marcus, Leah S., ‘Levelling Shakespeare: Local Customs and Local Texts’, Shakespeare Quarterly, 42 (1991), 168–78CrossRefGoogle Scholar
Marino, James, Owning William Shakespeare: The King’s Men and Their Intellectual Property (Philadelphia: University of Pennsylvania Press, 2011)CrossRefGoogle Scholar
Marlowe, Christopher, The Complete Poems and Translations, ed. by Orgel, Stephen, 2nd edn (London: Penguin, 2007)Google Scholar
Marlowe, Christopher, ‘Dido Queen of Carthage’ and ‘The Massacre at Paris’, ed. by Oliver, H. J. (London: Methuen, 1968)Google Scholar
Marlowe, Christopher, Doctor Faustus 1604–1616: Parallel Texts, ed. by Greg, W. W. (Oxford: Clarendon Press, 1950)Google Scholar
Marlowe, Christopher, Doctor Faustus: A- and B-texts (1604, 1616), ed. by Bevington, David and Rasmussen, Eric (Manchester: Manchester University Press, 1993)Google Scholar
Marlowe, Christopher, The Jew of Malta, ed. by Bawcutt, N. W. (Manchester: Manchester University Press, 1978)Google Scholar
Marlowe, Christopher, Tamburlaine the Great, ed. by Cunningham, J. S. (Manchester: Manchester University Press, 1981)Google Scholar
Marotti, Arthur F., ‘Shakespeare and Catholicism’, in Dutton, Richard, Findlay, Alison and Wilson, Richard, eds., Theatre and Religion: Lancastrian Shakespeare (Manchester: Manchester University Press, 2003), pp. 218–41Google Scholar
Marx, Stephen, Shakespeare and the Bible (Oxford: Oxford University Press, 2000)CrossRefGoogle Scholar
Matthews, David, and McMullan, Gordon, eds., Reading the Medieval in Early Modern England (Cambridge: Cambridge University Press, 2007)Google Scholar
McCallum, James Dow, ‘Greene’s Friar Bacon and Friar Bungay,’ Modern Language Notes, 35 (1920), 212–17CrossRefGoogle Scholar
McDermott, James, ‘Howard, Charles, Second Baron Howard of Effingham and First Earl of Nottingham (1536–1624)’, in Oxford Dictionary of National Biography (Oxford: Oxford University Press, 2004); online edn, January 2008 www.oxforddnb.com/view/article/13885Google Scholar
Mcintosh, Shona, ‘Recent Studies in George Chapman (1975–2009)’, English Literary Renaissance, 41 (2011), 219–44CrossRefGoogle Scholar
McMillin, Scott, and MacLean, Sally-Beth, The Queen’s Men and Their Plays (Cambridge: Cambridge University Press, 1998)Google Scholar
McNeir, Waldo F., ‘Reconstructing the Conclusion of John of Bordeaux’, PMLA, 66 (1951), 540–3Google Scholar
McNeir, Waldo F., ‘Robert Greene and John of Bordeaux’, PMLA 64 (1949), 781801Google Scholar
McPherson, David C., Shakespeare, Jonson, and the Myth of Venice (Newark: University of Delaware Press; London: Associated University Presses, 1990)Google Scholar
Menzer, Paul, ‘Shades of Marlowe’, Marlowe Studies: An Annual, 1 (2011), 181–92Google Scholar
Middleton, Thomas, The Collected Works, ed. by Taylor, Gary and Lavagnino, John (Oxford: Clarendon Press, 2007)Google Scholar
Milward, Peter, The Catholicism of Shakespeare’s Plays, Renaissance Monographs, 23 (Tokyo: Renaissance Institute, 1997)Google Scholar
Munday, Anthony, The Death of Robert, Earl of Huntingdon, ed. by Meagher, John C. (Oxford: Malone Society, 1967)Google Scholar
Munday, Anthony, The Downfall of Robert, Earl of Huntingdon, ed. by Meagher, John C. (Oxford: Malone Society, 1965)Google Scholar
Munday, Anthony, John a Kent and John a Cumber, ed. by Byrne, Muriel St.Clare (Oxford: Malone Society, 1923)Google Scholar
Munro, Lucy, Children of the Queen’s Revels: A Jacobean Theatre Repertory (Cambridge: Cambridge University Press, 2005)CrossRefGoogle Scholar
Munro, Lucy, ‘Early Modern Drama and the Repertory Approach’, Research Opportunities in Renaissance Drama, 42 (2003), 133Google Scholar
O’Neill, Stephen, Staging Ireland: Representations in Shakespeare and Renaissance Drama (Dublin: Four Courts Press, 2007)Google Scholar
Orgel, Stephen, ‘Shylock’s Tribe’, in Clayton, Tom, Brock, Susan and Forés, Vicente, eds., Shakespeare and the Mediterranean: The Selected Proceedings of the International Shakespeare Association World Congress, Valencia, 2001 (Newark: University of Delaware Press, 2004), pp. 3853Google Scholar
Orlin, Lena Cowen, ‘Shakespearean Comedy and Material Life’, in Dutton, Richard and Howard, Jean E., eds., A Companion to Shakespeare’s Works, vol. III: The Comedies (Malden, MA: Blackwell, 2003), pp. 159–81Google Scholar
Ostovich, Helen, Syme, Holger Schott and Griffin, Andrew, eds., Locating the Queen’s Men, 1583–1603: Material Practices and Conditions of Playing (Aldershot: Ashgate, 2009)Google Scholar
Palmer, D. J., ‘Casting off the Old Man: History and St. Paul in “Henry IV”’, Critical Quarterly, 12 (1970), 267–83CrossRefGoogle Scholar
Patterson, Annabel, ‘Sir John Oldcastle as Symbol of Reformation Historiography’, in Hamilton, Donna B. and Strier, Richard, eds., Religion, Literature, and Politics in Post-Reformation England, 1540–1688 (Cambridge: Cambridge University Press, 1996), pp. 626CrossRefGoogle Scholar
Peele, George, The Dramatic Works of George Peele, gen. ed. Prouty, Charles Tyler, 3 vols. (New Haven: Yale University Press, 1952–70)Google Scholar
Poole, Kristen, ‘Saints Alive! Falstaff, Martin Marprelate, and the Staging of Puritanism’, Shakespeare Quarterly, 46 (1995), 4775CrossRefGoogle Scholar
Pope, Maurice, ‘My Kingdom for a Horse’, Notes and Queries, 41 (1994), 472–7CrossRefGoogle Scholar
Porter, Henry, The Two Angry Women of Abington, ed. by Greg, W. W. (Oxford: Malone Society, 1912)Google Scholar
Potter, Lois, ed., Playing Robin Hood: The Legend as Performance in Five Centuries (Newark: University of Delaware Press; London: Associated University Presses, 1998)Google Scholar
Proudfoot, G. R., ed., A Knack to Know a Knave (Oxford: Malone Society, 1964)Google Scholar
Pugliatti, Paola, Shakespeare the Historian (Basingstoke: Macmillan, 1996)CrossRefGoogle Scholar
Quarmby, Kevin A., The Disguised Ruler in Shakespeare and His Contemporaries (Farnham: Ashgate, 2012)Google Scholar
Rabkin, Norman, Shakespeare and the Common Understanding (New York: Free Press, 1967)Google Scholar
Rackin, Phyllis, Stages of History: Shakespeare’s English Chronicles (London: Routledge, 1990)CrossRefGoogle Scholar
Records of Early English Drama: Patrons and Performances Web Site, University of Toronto http://link.library.utoronto.ca/reed (accessed 29 July 2015)Google Scholar
Renwick, William Lindsay, ed., John of Bordeaux; or, The Second Part of Friar Bacon (Oxford: Malone Society, 1936)Google Scholar
Ribner, Irving, The English History Play in the Age of Shakespeare (Princeton: Princeton University Press, 1957)Google Scholar
Richards, Jennifer, ‘Male Friendship and Counsel in Richard Edwards’ Damon and Pythias’, in Betteridge, Thomas and Walker, Greg, eds., The Oxford Handbook to Tudor Drama (Oxford: Oxford University Press, 2012), pp. 293308Google Scholar
Riggs, David, Shakespeare’s Heroical Histories: ‘Henry VI’ and its Literary Tradition (Cambridge, MS.: Harvard University Press, 1971)CrossRefGoogle Scholar
Rossiter, A. P., Angel with Horns and Other Shakespearean Lectures, ed. by Storey, Graham (London: Longmans, 1961)Google Scholar
Rutter, Carol Chillington, Documents of the Rose Playhouse (Manchester: Manchester University Press, 1984)Google Scholar
Rutter, Tom, ‘Adult Playing Companies, 1603–1613’, in Dutton, Richard, ed., The Oxford Handbook of Early Modern Theatre (Oxford: Oxford University Press, 2009), pp. 7287Google Scholar
Rutter, Tom, ‘The Communities of George Chapman’s All Fools’, in Sell, Roger D., Johnson, Anthony W. and Wilcox, Helen, eds., Community-Making in Early Stuart Theatres: Stage and Audience (Abingdon: Routledge, 2017), pp. 218238Google Scholar
Rutter, Tom, ‘Englishmen for My Money: Work and Social Conflict?’, in Dowd, Michelle M. and Korda, Natasha, eds., Working Subjects in Early Modern English Drama (Farnham: Ashgate, 2011), pp. 8799Google Scholar
Rutter, Tom, ‘Introduction: The Repertory-Based Approach’, ‘Issues in Review: Dramatists, Playing Companies, and Repertories’, Early Theatre, 13.3 (2011), 121–32Google Scholar
Rutter, Tom, ‘Marlovian Echoes in the Admiral’s Men Repertory: Alcazar, Stukeley, Patient Grissil ’, Shakespeare Bulletin, 27 (2009), 2738CrossRefGoogle Scholar
Rutter, Tom, ‘Merchants of Venice in A Knack to Know an Honest Man’, Medieval and Renaissance Drama in England, 19 (2006), 194209Google Scholar
Rutter, Tom, ‘Repertory Studies: An Overview’, Shakespeare, 4 (2008), 352–66CrossRefGoogle Scholar
Rutter, Tom, Work and Play on the Shakespearean Stage (Cambridge: Cambridge University Press, 2008)CrossRefGoogle Scholar
Salingar, Leo, Shakespeare and the Traditions of Comedy (Cambridge: Cambridge University Press, 1974)CrossRefGoogle Scholar
Sanders, Norman, ‘The Comedy of Greene and Shakespeare’, in Brown, John Russell and Harris, Bernard, eds., Early Shakespeare, Stratford-upon-Avon Studies, 3 (London: Edward Arnold, 1961), pp. 3453Google Scholar
Schafer, Elizabeth, ‘William Haughton’s Englishmen for My Money: A Critical Note’, Review of English Studies, n.s., 41 (1990), 536–8Google Scholar
Schalkwyk, David, ‘The Impossible Gift of Love in The Merchant of Venice and the Sonnets’, Shakespeare, 7 (2011), 142–55CrossRefGoogle Scholar
Schelling, Felix E., Elizabethan Playwrights: A Short History of the English Drama from Mediaeval Times to the Closing of the Theaters in 1642 (New York: Harper, 1925, repr. New York: Blom, 1965)Google Scholar
Schoone-Jongen, Terence G., Shakespeare’s Companies: William Shakespeare’s Early Career and the Acting Companies, 1577–1594 (Farnham: Ashgate, 2008)Google Scholar
Scott, Sarah, and Stapleton, Michael, eds., Christopher Marlowe the Craftsman: Lives, Stage, and Page (Aldershot: Ashgate, 2010)Google Scholar
Scoufos, Alice-Lyle, Shakespeare’s Typological Satire: A Study of the Falstaff-Oldcastle Problem (Athens, Ohio: Ohio University Press, 1979)Google Scholar
Scragg, Leah, ‘Shakespeare, Lyly and Ovid: The Influence of Gallathea on A Midsummer Night’s Dream’, Shakespeare Survey, 30 (1977), 125–34Google Scholar
Sell, Roger D., Johnson, Anthony W. and Wilcox, Helen, eds., Community-Making in Early Stuart Theatres: Stage and Audience (Abingdon: Routledge, 2017)Google Scholar
Shakespeare, William, As You Like It, ed. by Hattaway, Michael (Cambridge: Cambridge University Press, 2009)Google Scholar
Shakespeare, William, The First Part of King Henry IV, ed. by Weil, Herbert and Weil, Judith (Cambridge: Cambridge University Press, 1997)Google Scholar
Shakespeare, William, Henry IV Part One, ed. by Bevington, David (Oxford: Clarendon Press, 1987)Google Scholar
Shakespeare, William, King Henry IV Part 1, ed. by Kastan, David Scott (London: Arden Shakespeare, 2002)CrossRefGoogle Scholar
Shakespeare, William, King Henry V, ed. by Gurr, Andrew, updated edn (Cambridge: Cambridge University Press, 2005)CrossRefGoogle Scholar
Shakespeare, William, King Richard II, ed. by Gurr, Andrew, updated edn (Cambridge: Cambridge University Press, 2003)Google Scholar
Shakespeare, William, Love’s Labour’s Lost, ed. by Carroll, William C. (Cambridge: Cambridge University Press, 2009)Google Scholar
Shakespeare, William, The Merchant of Venice, ed. by Brown, John Russell (London: Methuen, 1955)Google Scholar
Shakespeare, William, The Merchant of Venice, ed. by Halio, Jay L. (Oxford: Clarendon Press, 1993)Google Scholar
Shakespeare, William, The Merchant of Venice, ed. by Mahood, M. M. (Cambridge: Cambridge University Press, 2003)CrossRefGoogle Scholar
Shakespeare, William, The Merry Wives of Windsor, ed. by Craik, T. W. (Oxford: Clarendon Press, 1989)Google Scholar
Shakespeare, William, The Merry Wives of Windsor, ed. by Crane, David, updated edn (Cambridge: Cambridge University Press, 2010)CrossRefGoogle Scholar
Shakespeare, William, The Merry Wives of Windsor, ed. by Hibbard, G. R. (Harmondsworth: Penguin, 1973)Google Scholar
Shakespeare, William, The Merry Wives of Windsor, ed. by Melchiori, Giorgio (London: Thomas Nelson and Sons, 2000)Google Scholar
Shakespeare, William, A Midsummer Night’s Dream, ed. by Brooks, Harold E. (London: Methuen, 1979)Google Scholar
Shakespeare, William, A Midsummer Night’s Dream, ed. by Foakes, R. A., updated edn (Cambridge: Cambridge University Press, 2003)CrossRefGoogle Scholar
Shakespeare, William, A Midsummer Night’s Dream, ed. by Holland, Peter (Oxford: Clarendon Press, 1994)Google Scholar
Shakespeare, William, A Midsummer Night’s Dream, ed. by Wells, Stanley (London: Penguin, 2005)Google Scholar
Shakespeare, William, Romeo and Juliet, ed. by Evans, G. Blakemore (Cambridge: Cambridge University Press, 1984)Google Scholar
Shakespeare, William, The Second Part of King Henry IV, ed. by Melchiori, Giorgio (Cambridge: Cambridge University Press, 1989)Google Scholar
Shapiro, I. A., ‘The Significance of a Date’, Shakespeare Survey, 8 (1955), 100105Google Scholar
Shapiro, I. A., ‘Shakespeare and Mundy’, Shakespeare Survey, 14 (1961), 2533CrossRefGoogle Scholar
Shapiro, James, Rival Playwrights: Marlowe, Jonson, Shakespeare (New York: Columbia University Press, 1991)Google Scholar
Sharpe, Robert Boies, The Real War of the Theaters: Shakespeare’s Fellows in Rivalry with the Admiral’s Men, 1594–1603: Repertories, Devices and Types (New York: Modern Language Association of America, 1935)Google Scholar
Shell, Alison, Shakespeare and Religion (London: Arden Shakespeare, 2010)Google Scholar
Simmons, J. L., ‘Masculine Negotiations in Shakespeare’s History Plays: Hal, Hotspur, and “the foolish Mortimer”’, Shakespeare Quarterly, 44 (1993), 440–63CrossRefGoogle Scholar
Simpson, Richard, ed., The School of Shakespere, 2 vols (London: Chatto and Windus, 1878)Google Scholar
Sinfield, Alan, ‘How to Read The Merchant of Venice Without Being Heterosexist’, in Hawkes, Terence, ed., Alternative Shakespeares Vol. II (London: Routledge, 1996), pp. 122–39Google Scholar
Singman, Jeffrey L., ‘Munday’s Unruly Earl’, in Potter, Lois, ed., Playing Robin Hood: The Legend as Performance in Five Centuries (Newark: University of Delaware Press; London: Associated University Presses, 1998), pp. 6376Google Scholar
Skura, Meredith, ‘Anthony Munday’s “Gentrification” of Robin Hood’, English Literary Renaissance, 33 (2003), 155–80CrossRefGoogle Scholar
Skura, Meredith, Shakespeare the Actor and the Purposes of Playing (Chicago: University of Chicago Press, 1993)Google Scholar
Skura, Meredith, ‘What Shakespeare Did to Marlowe in Private: Dido, Faustus, and Bottom’, in Scott, Sarah and Stapleton, Michael, eds., Christopher Marlowe the Craftsman: Lives, Stage, and Page (Aldershot: Ashgate, 2010), pp. 7990Google Scholar
Smith, Emma, “‘So Much English by the Mother’: Gender, Foreigners, and the Mother Tongue in William Haughton’s Englishmen for My Money’, Medieval and Renaissance Drama in England, 13 (2001), 165–81Google Scholar
Smout, Clare, ‘Actor, Poet, Playwright, Sharer … Rival? Shakespeare and Heywood, 1603–4’, Early Theatre, 13.2 (December 2010), 175–89CrossRefGoogle Scholar
Stallybrass, Peter, ‘“Drunk with the Cup of Liberty”: Robin Hood, the Carnivalesque, and the Rhetoric of Violence in Early Modern England’, in Knight, Stephen, ed., Robin Hood: An Anthology of Scholarship and Criticism (Cambridge: D. S. Brewer, 1999), pp. 113–45Google Scholar
Stewart, Alan, Close Readers: Humanism and Sodomy in Early Modern England (Princeton: Princeton University Press, 1997)CrossRefGoogle Scholar
Syme, Holger Schott, ‘The Meaning of Success: Stories of 1594 and Its Aftermath’, Shakespeare Quarterly, 61 (2010), 490525CrossRefGoogle Scholar
Taylor, Gary, ‘The Fortunes of Oldcastle’, Shakespeare Survey, 38 (1985), 85100Google Scholar
Thompson, Ann, and McMullen, Gordon, eds., In Arden: Editing Shakespeare: Essays in Honour of Richard Proudfoot (London: Arden Shakespeare, 2003)Google Scholar
Thorndike, Ashley, ‘The Relation of As You Like It to Robin Hood Plays’, Journal of Germanic Philology, 4 (1902), 5969Google Scholar
Tillyard, E. M. W., Shakespeare’s History Plays (London: Chatto and Windus, 1944)Google Scholar
Towne, Frank, ‘“White Magic” in Friar Bacon and Friar Bungay?’, Modern Language Notes, 67 (1952), 913CrossRefGoogle Scholar
Traister, Barbara Howard, Heavenly Necromancers: The Magician in English Renaissance Drama (Columbia: University of Missouri Press, 1984)Google Scholar
van Es, Bart, Shakespeare in Company (Oxford: Oxford University Press, 2013)CrossRefGoogle Scholar
von Rosador, Kurt Tetzeli, ‘The Sacralizing Sign: Religion and Magic in Bale, Greene, and the Early Shakespeare’, Yearbook of English Studies, 23 (1993), 3045CrossRefGoogle Scholar
Virgil (Publius Vergilius Maro), The Pastoral Poems, tr. Rieu, E. V. (Harmondsworth: Penguin, 1954)Google Scholar
Waith, Eugene M., The Herculean Hero in Marlowe, Chapman, Shakespeare and Dryden (New York: Columbia University Press, 1962)CrossRefGoogle Scholar
Wall, Wendy, ‘The Merry Wives of Windsor: Unhusbanding Desires in Windsor’, in Dutton, Richard and Howard, Jean E., eds., A Companion to Shakespeare’s Works, vol. III: The Comedies (Malden: Blackwell, 2003), pp. 376–92Google Scholar
Wall, Wendy, Staging Domesticity: Household Work and English Identity in Early Modern Drama (Cambridge: Cambridge University Press, 2002)Google Scholar
Walsh, Brian, Shakespeare, the Queen’s Men, and the Elizabethan Performance of History (Cambridge: Cambridge University Press, 2009)CrossRefGoogle Scholar
Wells, Robin Headlam, Shakespeare on Masculinity (Cambridge: Cambridge University Press, 2000)Google Scholar
Wertheim, Albert, ‘The Presentation of Sin in Friar Bacon and Friar Bungay’, Criticism, 16 (1974), 273–89Google Scholar
White, Paul Whitfield, ‘Holy Robin Hood! Carnival, Parish Guilds, and the Outlaw Tradition’, in Kermode, Lloyd Edward, Scott-Warren, Jason and van Elk, Martine, eds., Tudor Drama before Shakespeare, 1485–1590: New Directions for Research, Criticism, and Pedagogy (Basingstoke: Palgrave Macmillan, 2004), pp. 6789Google Scholar
White, Paul Whitfield, ‘Shakespeare and the Cobhams’, in White, Paul Whitfield and Westfall, Suzanne R., eds., Shakespeare and Theatrical Patronage in Early Modern England (Cambridge University Press, 2002), pp. 6489Google Scholar
White, Paul Whitfield, Theatre and Reformation: Protestantism, Patronage, and Playing in Tudor England (Cambridge: Cambridge University Press, 1993)Google Scholar
White, Paul Whitfield, and Westfall, Suzanne R., eds., Shakespeare and Theatrical Patronage in Early Modern England (Cambridge University Press, 2002)Google Scholar
Wickham, Glynne, Berry, Herbert and Ingram, William, eds., English Professional Theatre, 1530–1660 (Cambridge: Cambridge University Press, 2000)Google Scholar
Wiggins, Martin, ‘A Choice of Impossible Things: Dating the Revival of The Battle of Alcazar’, in Dorval, Patricia and Maguin, Jean-Marie, eds., Shakespeare et ses Contemporains (Paris: Société Français Shakespeare, 2002), pp. 185202Google Scholar
Wiggins, Martin, ‘Marlowe’s Chronology and Canon’, in Bartels, Emily C. and Smith, Emma, eds., Christopher Marlowe in Context (Cambridge: Cambridge University Press, 2013), pp. 714CrossRefGoogle Scholar
Wiggins, Martin, Shakespeare and the Drama of His Time (Oxford: Oxford University Press, 2000).Google Scholar
Wiggins, Martin, ‘Things That Go Bump in the Text: Captain Thomas Stukeley’, Proceedings of the Bibliographical Society of America, 98 (2001), 520CrossRefGoogle Scholar
Williams, Deanne, ‘Friar Bacon and Friar Bungay and the Rhetoric of Temporality’, in Matthews, David and McMullan, Gordon, eds., Reading the Medieval in Early Modern England (Cambridge: Cambridge University Press, 2007), pp. 3148Google Scholar
Wilson, Richard, Secret Shakespeare: Studies in Theatre, Religion and Resistance (Manchester: Manchester University Press, 2004)Google Scholar
Wilson, Richard, ‘“The Words of Mercury”: Shakespeare and Marlowe’ in Hoenselaars, Ton, ed., Shakespeare and Contemporary Dramatists (Cambridge: Cambridge University Press, 2012), pp. 3453Google Scholar
Withington, Phil, ‘Putting the City into Shakespeare’s City Comedy’, in Armitage, David, Condren, Conal and Fitzmaurice, Andrew, eds., Shakespeare and Early Modern Political Thought (Cambridge: Cambridge University Press, 2009), pp. 197216CrossRefGoogle Scholar
Womersley, David, Divinity and State (Oxford: Oxford University Press, 2010)CrossRefGoogle Scholar
Yates, Frances, Giordano Bruno and the Hermetic Tradition (London: Routledge and Kegan Paul, 1964)Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Bibliography
  • Tom Rutter, University of Sheffield
  • Book: Shakespeare and the Admiral's Men
  • Online publication: 02 March 2017
  • Chapter DOI: https://doi.org/10.1017/9781139924870.008
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Bibliography
  • Tom Rutter, University of Sheffield
  • Book: Shakespeare and the Admiral's Men
  • Online publication: 02 March 2017
  • Chapter DOI: https://doi.org/10.1017/9781139924870.008
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Bibliography
  • Tom Rutter, University of Sheffield
  • Book: Shakespeare and the Admiral's Men
  • Online publication: 02 March 2017
  • Chapter DOI: https://doi.org/10.1017/9781139924870.008
Available formats
×