Chapter 4 considers the project of worldmaking and the concept of personality from the perspective of two prose genres that dominated Yeats’s writing in the 1920s and 1930s: autobiography and occult philosophy. My justification for bringing these genres together lies in an understanding of how they are used in his exploration of personality and aesthetic Bildung. The logic of misrecognition can be discerned not only in Yeats’s growing understanding of the self/anti-self dichotomy but also in the the process by which he learns, at the hands of sometimes deceptive instructors, the secrets of the spirit world. Yeats’s spiritual journey in A Vision frames a cosmic system in which personality, understood as a dialectics of self and anti-self, defines many of the historical figures who exemplify the phases of the moon. In Autobiographies, he becomes increasingly aware of the need to document his own personality with the rectifying aim of discovering the “age-long memoried self” that coexists with his ordinary “daily self” (Au 216). Each text creates in its own fashion the contours and atmosphere of a world in which the past – on the one hand, through recollection; on the other, through an understanding of the historical gyres – retains its vitality and presentness.