Skip to main content Accessibility help
×
Hostname: page-component-848d4c4894-x5gtn Total loading time: 0 Render date: 2024-06-02T11:21:20.662Z Has data issue: false hasContentIssue false

Further Reading

Published online by Cambridge University Press:  14 March 2024

Patricia Gaborik
Affiliation:
Accademia Nazionale d'Arte Drammatica ‘Silvio d'Amico’
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Pirandello in Context , pp. 299 - 301
Publisher: Cambridge University Press
Print publication year: 2024

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Primary Sources

Bassanese, Fiora A., Understanding Luigi Pirandello (Columbia: University of South Carolina Press, 1997)Google Scholar
Bassnett, Susan and Lorch, Jennifer, eds, Luigi Pirandello in the Theatre: A Documentary Record (Philadelphia: Harwood Academic Publishers, 1993)Google Scholar
Bini, Daniela, Pirandello and His Muse: The Plays for Marta Abba (Gainesville: University Press of Florida, 1998)Google Scholar
Di Gaetani, John Louis, A Companion to Pirandello Studies (Westport, CT: Greenwood, 1991)Google Scholar
Frassica, Pietro, Her Maestro’s Echo: Pirandello and the Actress Who Conquered Broadway in One Evening (Leicester: Troubador, 2010)Google Scholar
Giudice, Gaspare, Pirandello, trans. Alastair Hamilton (London: Oxford University Press, 1975)Google Scholar
Lorch, Jennifer, Six Characters in Search of an Author: Plays in Performance (Cambridge: Cambridge University Press, 2005)Google Scholar
Troiano, James J., “The Influence of Pirandello in Latin America.” PSA – Journal of the Pirandello Society of America 14 (1999), 3849Google Scholar

Secondary Sources

Billiani, Francesca and Pennacchietti, Laura, Architecture and the Novel under the Italian Fascist Regime (Germany: Springer International, 2019)CrossRefGoogle Scholar
Bonsaver, Guido and Gordon, Robert S. C., Culture, Censorship and the State in Twentieth-Century Italy (London: Legenda, 2005)Google Scholar
Wires, Richard, The Politics of the Nobel Prize in Literature: How the Laureates Were Selected, 1901–2007 (Lewiston, NY: Edwin Mellen, 2008)Google Scholar
Alessio, Pietropaolo et al., eds, Pirandello and the Modern Theatre (Ottawa: Canadian Society for Pirandello Studies, 1992)Google Scholar
Billiani, Francesca and Sulis, Gigliola, eds, The Italian Gothic and Fantastic: Encounters and Rewritings of Narrative Traditions (Cranbury, NJ: Associated University Press, 2007)Google Scholar
Bossche, Bart, “Unreliability in Italian Modernist Fiction: The Cases of Italo Svevo and Luigi Pirandello,” in Narrative Unreliability in the Twentieth-Century First-Person Novel, ed. D’hoker, Elke and Martens, Gunther (Berlin: De Gruyter, 2008), 247–58Google Scholar
Caesar, Ann Hallamore, Characters and Authors in Luigi Pirandello (Oxford: Oxford University Press, 1998)Google Scholar
Gaborik, Patricia, “The Space in-between: Six Characters and the Search for the Right Way to Do a Play.” PSA – Journal of the Pirandello Society of America 33 (2020–2021), 6893Google Scholar
Godioli, Alberto, Laughter from Realism to Modernism: Misfits and Humorists in Pirandello, Svevo, Palazzeschi, and Gadda (Oxford: Legenda, 2015)Google Scholar
Sarti, Lisa and Subialka, Michael, eds, Pirandello’s Visual Philosophy: Imagination and Thought across Media (Madison, NJ: Fairleigh Dickinson University Press, 2017)Google Scholar
Segal, Harold B., Pinocchio’s Progeny: Puppets, Marionettes, Automatons, and Robots in Modernist and Avant-Garde Drama (Baltimore, MD: Johns Hopkins University Press, 1995)Google Scholar
Somigli, Luca, Legitimizing the Artist: Manifesto Writing and European Modernism 1885–1915 (Toronto: University of Toronto Press, 2003)Google Scholar
Somigli, Luca and Moroni, Mario, eds, Italian Modernism: Italian Culture between Decadentism and Avant-Garde (Toronto: University of Toronto Press, 2004)Google Scholar
Storm, William, Dramaturgy and Dramatic Character: A Long View (Cambridge: Cambridge University Press, 2016)Google Scholar
Storm, William, Irony and the Modern Theatre (Cambridge: Cambridge University Press, 2011)Google Scholar
Subialka, Michael, “The Meaning of Acting in the Age of Cinema: Benjamin, Pirandello, and the Italian Diva.” Comparative Literature 68:3 (2016), 312–31Google Scholar
Witt, Mary Ann Frese, Metatheatre and Modernity: Baroque and Neobaroque (Madison, NJ: Fairleigh Dickinson University Press, 2012)Google Scholar
Bernardini, Paolo and Verga, Anita, “Voglio Morire!”: Suicide in Italian Literature, Culture, and Society 1789–1919 (Newcastle: Cambridge Scholars Publishing, 2013)Google Scholar
Bini, Daniela, Portrait of the Artist and His Mother in Twentieth-Century Italian Culture (Madison, NJ: Fairleigh Dickinson University Press, 2020)Google Scholar
Bouchard, Norma, Risorgimento in Modern Italian Culture: Revisiting the Nineteenth Century Past in History, Narrative, and Cinema (Madison, NJ: Fairleigh Dickinson Press, 2005)Google Scholar
Caputi, Anthony, Pirandello and the Crisis of Modern Consciousness (Urbana: University of Illinois Press, 1988)Google Scholar
Cesaretti, Enrico, “Bringing the Great War Home in Pirandello’s Novelle per un anno.” Annali d’Italianistica, 33 (2015), 223–39Google Scholar
Copenhaver, Brian and Copenhaver, Rebecca, From Kant to Croce: Modern Philosophy in Italy 1800–1950 (Toronto: University of Toronto Press, 2012)CrossRefGoogle Scholar
Dashwood, Julie, trans. and intro., “Introduction” to Pirandello, Berecche and the War (Leicester: Troubadour, 2000), 123Google Scholar
De Francisci, Enza, A New Woman in Verga and Pirandello: From Page to Stage (Oxford: Legenda, 2018)Google Scholar
Dombrowski, Robert, Properties of Writing: Ideological Discourse in Modern Italian Fiction (Baltimore, MD: Johns Hopkins University Press, 1994)Google Scholar
Gaborik, Patricia, Mussolini’s Theatre: Fascist Experiments in Art and Politics (Cambridge: Cambridge University Press, 2021)Google Scholar
Gaedtke, Andrew, Modernism and the Machinery of Madness: Psychosis, Technology, and Narrative Worlds (Cambridge: Cambridge University Press, 2017)Google Scholar
Gunsberg, Maggie, Patriarchal Representations: Gender and Discourse in Pirandello’s Theater (Oxford: Berg, 1994)Google Scholar
Harrison, Thomas, 1910: The Emancipation of Dissonance (Berkeley, CA: University of California Press, 1996)CrossRefGoogle Scholar
Nichols, Nina daVinci and Bazzoni, Jana O’Keefe, Pirandello and Film (Lincoln: University of Nebraska Press, 1995)Google Scholar
Parati, Graziella, ed, Italy and the Cultural Politics of World War I (Madison, NJ: Fairleigh Dickinson University Press, 2016)Google Scholar
Pick, Daniel, Faces of Degeneration: A European Disorder, c. 1848–1918 (Cambridge: Cambridge University Press, 1993)Google Scholar
Subialka, Michael, Modernist Idealism: Ambivalent Legacies of German Philosophy in Italian Literature (Toronto: University of Toronto Press, 2021)Google Scholar
Syrimis, Michael, The Great Black Spider on Its Knock-Kneed Tripod: Reflections of Cinema in Early Twentieth-Century Italy (Toronto: University of Toronto Press, 2012)CrossRefGoogle Scholar
Witt, Mary Ann Frese, The Search for Modern Tragedy: Aesthetic Fascism in Italy and France (Ithaca, NY: Cornell University Press, 2001)Google Scholar
Frampton, Daniel, Filmosophy (New York, NY: Columbia University Press, 2006)Google Scholar
Gieri, Manuela, Contemporary Italian Filmmaking: Strategies of Subversion (Toronto: University of Toronto Press, 1995)CrossRefGoogle Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Further Reading
  • Edited by Patricia Gaborik, Accademia Nazionale d'Arte Drammatica ‘Silvio d'Amico’
  • Book: Pirandello in Context
  • Online publication: 14 March 2024
  • Chapter DOI: https://doi.org/10.1017/9781108339391.046
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Further Reading
  • Edited by Patricia Gaborik, Accademia Nazionale d'Arte Drammatica ‘Silvio d'Amico’
  • Book: Pirandello in Context
  • Online publication: 14 March 2024
  • Chapter DOI: https://doi.org/10.1017/9781108339391.046
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Further Reading
  • Edited by Patricia Gaborik, Accademia Nazionale d'Arte Drammatica ‘Silvio d'Amico’
  • Book: Pirandello in Context
  • Online publication: 14 March 2024
  • Chapter DOI: https://doi.org/10.1017/9781108339391.046
Available formats
×