‘In 1986 we should no longer settle for books that present women as almost invisible entities.’
(Charlayne Allan, 1986, p.6).Charlayne Allan's conclusion in her 1986 work, ‘Images of Women’ calls for a transformation in the inclusion and presentation of women in Classics educational materials. However, 33 years later, the presentation of women in educational textbooks remains a prevalent issue in many countries today with slow progress being made (BBC, 2017). The discipline of Classics has been criticised for being particularly slow in addressing the issue of gender bias in textbooks, both ensuring that there is a female voice in educational materials and also responding to female scholarship (Churchill, 2006, p.86). There has been some criticism of the popular and widely-used Cambridge Latin Course with the suggestion that ancient women are not equally or fairly represented through the characters and storylines used in the textbooks (Churchill, 2006; Upchurch, 2013). The course was first written in the 1970s and so, perhaps understandably, lacks strong female characters which might suit the engagement of students of the modern world. One solution which has been proposed by the critics mentioned above is the re-designing of the course with a more equal gender balance. However, I am unsure as to whether this is the best way forward. The re-designing of an entire textbook course (and all its online resources, etc.) is a complex undertaking, especially as the CLC has been carefully constructed around a continuous storyline. The creation of female characters, who would have a real significance to students’ learning and understanding of the Roman world, cannot simply be added into the stories without significantly changing the course (Joffe, 2019). Moreover, the way in which women are depicted in the CLC should not merely be a numerical matter. Consideration of how best to accurately present and teach students about the experiences of women in the Roman world, bearing in mind the Roman patriarchal way of thinking, could be endangered to achieve a mathematical solution for gender balance. The success of the CLC is largely down to its popular storylines and characters and so, for the purposes of my research, I will focus on the balance between the importance of an engaging storyline and at the same time, ensuring that the lives of ancient women are accurately presented through the female characters.