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  3. Maritime Humanities, 1400?1800

Early modern oceans not only provided temperate climates, resources, and opportunities for commercial exchange, they also played a central role in cultural life. Increased exploration, travel, and trade, marked this period of history, and early modern seascapes were cultural spaces and contact zones, where connections and circulations occurred outside established centres of control and the dictates of individual national histories. Likewise, coastlines, rivers, and ports were all key sites for commercial and cultural exchange. Interdisciplinary in its approach, Maritime Humanities, 1400–1800: Cultures of the Sea welcomes books from across the full range of humanities subjects, and invites submissions that conceptually engage with issues of globalization, post-colonialism, eco-criticism, environmentalism, and the histories of science and technology. The series puts maritime humanities at the centre of a transnational historiographical scholarship that seeks to transform traditional land-based histories of states and nations by focusing on the cultural meanings of the early modern ocean.

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3 results in Maritime Humanities, 1400?1800

Exploration, Religion and Empire in the Sixteenth-Century Ibero-Atlantic World
  • A New Perspective on the History of Modern Science
  • Mauricio Nieto Olarte
  • Published by:
    Amsterdam University Press
    Published online:
    20 January 2022
    Print publication:
    21 December 2021
  • The Iberian conquest of the Atlantic at the beginning of the sixteenth century had a notable impact on the formation of the new world order in which Christian Europe claimed control over a considerable part of the planet. This was possible thanks to the confluence of different and inseparable factors: the development of new technical capacities and favorable geographical conditions in which to navigate the great oceans; the Christian mandate to extend the faith; the need for new trade routes; and an imperial organization aspiring to global dominance. The author explores new methods for approaching old historiographical problems of the Renaissance – such as the discovery and conquest of America, the birth of modern science, and the problem of Eurocentrism – now in reference to actors and regions scarcely visible in the complex history of modern Europe: the ships, the wind, the navigators, their instruments, their gods, saints, and demons.

Piracy in World History
  • Edited by Stefan Amirell, Hans Hägerdal, Bruce Buchan
  • Published by:
    Amsterdam University Press
    Published online:
    16 December 2021
    Print publication:
    01 November 2021
  • In a modern global historical context, scholars have often regarded piracy as an essentially European concept which was inappropriately applied by the expanding European powers to the rest of the world, mainly for the purpose of furthering colonial forms of domination in the economic, political, military, legal and cultural spheres. By contrast, this edited volume highlights the relevance of both European and non-European understandings of piracy to the development of global maritime security and freedom of navigation. It explores the significance of 'legal posturing' on the part of those accused of piracy, as well as the existence of non-European laws and regulations regarding piracy and related forms of maritime violence in the early modern era. The authors in this volume highlight cases from various parts of the early-modern world, thereby explaining piracy as a global phenomenon.

Shipwreck Hauntography
  • Underwater Ruins and the Uncanny
  • Sara Rich
  • Published by:
    Amsterdam University Press
    Published online:
    16 July 2022
    Print publication:
    16 September 2021
  • Drawing on a broad theoretical range from speculative realism to feminist psychoanalysis and anti-colonialism, this book represents a radical departure from traditional scholarship on maritime archaeology. Shipwreck Hauntography asserts that nautical archaeology bears the legacy of Early Modern theological imperialism, most evident through the savior-scholar model that resurrects - physically or virtually - ships from wrecks. Instead of construing shipwrecks as dead, awaiting resurrection from the seafloor, they are presented as vibrant if not recalcitrant objects, having shaken off anthropogenesis through varying stages of ruination. Sara Rich illustrates this anarchic condition with 'hauntographs' of five Age of 'Discovery' shipwrecks, each of which elucidates the wonder of failure and finitude, alongside an intimate brush with the eerie, horrific, and uncanny.