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This series, published in association with the Pasold Research Fund and comprising monographs and edited collections, is concerned with textile, fashion, and clothing history from academic and museological perspectives. The range incorporates social, cultural, and economic history and material culture history, along with distinctive approaches drawn from anthropology, art history, fashion theory, and critical studies. Recent trends in fashion and dress history seen in popular museum exhibitions and in an increasingly global understanding of the manufacture and trade in textiles are reflected in this series.