The Voyage to Brobdingnag reduces Gulliver from the magnanimous and principled behemoth of the Voyage to Lilliput to a risible and contemptible little beast. The first section considers how Gulliver is diminished to an inconsequential creature, objectified and commodified by the giants who handle him as a freak show exhibit or a pet. The second section contends that Gulliver does recuperate his human identity, albeit in a precarious manner, by differentiating himself from animals he encounters in Brobdingnag. However, he is confronted with the disgusting physicality of humans, making his restitution of human identity highly ambivalent. The third section examines how the satire is broadened from human nature to political institutions in Gulliver’s dialogue with the king and account of Brobdingnagian society. The destabilisation of species boundaries and pessimism about human corruption in this voyage are key to the overall vision of Gulliver’s Travels.