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1 - The Mystical Blade

Published online by Cambridge University Press:  10 January 2024

Robert W. Jones
Affiliation:
Franklin and Marshall College, Pennsylvania
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Summary

We are culturally attuned to swords being objects of mysticism and magic. The cruciform shape of the medieval weapon connects it with the cross of Christianity and makes it a spiritual emblem, reinforced by its metaphorical use in religious literature: the Bible itself and later doctrinal works, most notably Bernard of Clairvaux's De consideratione and Pope Boniface VIII's Bull Unam Sanctum, both of which espoused papal power through the metaphor of there being two swords. The magical sword is a strong image in the popular imagination, thanks in no small part to the Lord of the Rings, in which named swords, of power and pedigree almost as strong as the magical rings, are wielded by hero and villain alike. Whether it be Narsil, the sword used by Isildur to cut the ring from the finger of Sauron, and whose fragments were re-forged into Andúril to be the sword of Aragorn as Isildur's heir, or Sting, the weapon found by Bilbo Baggins, whose blade glows blue in the presence of orcs and goblins, Tolkien's weapons are invariably ancient, forged by elves or dwarves in earlier ages, and imbued with the magical cunning of those eldar people.

Other fantasy writers have followed suit, equipping their characters with swords of power and potency. Tolkien's contemporary, C.S. Lewis, gives a named sword – Rhindon – to Peter Pevensie in his Chronicles of Narnia. In more modern literature their powers can be complex. The sword of Michael Moorcock's anti-hero Elric of Melniboné – Stormbringer – is one of a number of demons in sword form, having the ability to drink the soul of any it strikes, feeding the vitality and energy to Elric and imparting a bloodlust that leads the tragic figure to attack friends and lovers against his will. Terry Brooks’ Sword of Shannara forces its wielder to face the full truth about themselves. If they can accept their failings, flaws, and shortcomings they are able to wield the weapon. That ability to force people to acknowledge the truth can be used to destroy anyone ‘evil’ enough. Even the Harry Potter series has its magical sword – the Sword of Gryffindor – which is Goblin-made and able to absorb any substance that will make it stronger, such as Basilisk venom.

Type
Chapter
Information
A Cultural History of the Medieval Sword
Power, Piety and Play
, pp. 9 - 36
Publisher: Boydell & Brewer
Print publication year: 2023

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  • The Mystical Blade
  • Robert W. Jones, Franklin and Marshall College, Pennsylvania
  • Book: A Cultural History of the Medieval Sword
  • Online publication: 10 January 2024
  • Chapter DOI: https://doi.org/10.1017/9781787448353.002
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  • The Mystical Blade
  • Robert W. Jones, Franklin and Marshall College, Pennsylvania
  • Book: A Cultural History of the Medieval Sword
  • Online publication: 10 January 2024
  • Chapter DOI: https://doi.org/10.1017/9781787448353.002
Available formats
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To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • The Mystical Blade
  • Robert W. Jones, Franklin and Marshall College, Pennsylvania
  • Book: A Cultural History of the Medieval Sword
  • Online publication: 10 January 2024
  • Chapter DOI: https://doi.org/10.1017/9781787448353.002
Available formats
×