Skip to main content Accessibility help
×
Hostname: page-component-848d4c4894-wg55d Total loading time: 0 Render date: 2024-06-12T10:27:32.762Z Has data issue: false hasContentIssue false

Conclusion

Published online by Cambridge University Press:  05 August 2013

Tony Shaw
Affiliation:
University of Hertfordshire
Get access

Summary

I won't be so bold as to say that American movies are responsible for the popular uprising in China. But I am willing to bet that for more than a few Chinese citizens our films served as an inspiration to strike for something better.

Richard Frank, President of Walt Disney Studios, to the US Congress, July 1989

Female Soviet apparatchiks spellbound by Parisian lingerie. Emotionally deranged subversives betraying their wholesome American families for the communist cause. Giant alien robots espousing nuclear disarmament. Revamped Old Testament stories of freedom versus dictatorship. Brave black Americans campaigning for racial progress. GIs forced to play Russian roulette for the entertainment of their Viet Cong captors. Globe-trotting Western spies slaying KGB assassins with a hi-tech gizmo in one hand and a curvaceous blonde in another. Kafkaesque CIA agents murdering their colleagues for oil. Muscle-bound Russian cops beating America's new drug-dealing enemies to a pulp.

Hollywood made hay with the Cold War, plundering the conflict for profit and propaganda from beginning to end. Cold War themes appeared in a multitude of genres including musicals, Westerns, biblical epics, romantic comedies, science-fiction fantasies, documentaries, detective thrillers and absurdist biopics. The result was thousands of images — some bland, some compelling — that helped millions of people worldwide to grasp the ‘real’ meaning of a conflict that for most of them was peculiarly abstract and, for many Americans especially, was fought solely on an imaginary level.

Type
Chapter
Information
Hollywood's Cold War , pp. 301 - 309
Publisher: Edinburgh University Press
Print publication year: 2007

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Conclusion
  • Tony Shaw, University of Hertfordshire
  • Book: Hollywood's Cold War
  • Online publication: 05 August 2013
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Conclusion
  • Tony Shaw, University of Hertfordshire
  • Book: Hollywood's Cold War
  • Online publication: 05 August 2013
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Conclusion
  • Tony Shaw, University of Hertfordshire
  • Book: Hollywood's Cold War
  • Online publication: 05 August 2013
Available formats
×