This chapter tracks the development and use of magical realism in South Asia. It argues that realism in the colonial novel grew in a complex fashion, drawing upon elements from fables, myths, puranas and epics. The term's South Asian ‘boom‘ arises in the decolonized context, specifically in the political turmoil of the 1970s, and with the publication of Salman Rushdie’s Midnight’s Children. While the essay offers a through reading of the novel, it situates Rushdie alongside a host of lesser-known English and vernacular-language writers from India, Pakistan and Bangladesh. Further, it shows that beyond this time frame the term has been used by writers with tremendous heterogeneity to address social issues ranging from gender, caste, religion, ecology, identity, refugee movements and others. Offering a list of resources, the essay builds a much-needed archive on the vast and diverse examples of magical realism in South Asia.