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11 - Gender at Cyberspace: Who's Online?

from Part II - Framing Women

Published online by Cambridge University Press:  05 November 2011

Lavanya Kolluri
Affiliation:
Hyderabad Central University
K. Durga Bhavani
Affiliation:
Department of English, Osmania University, Hyderabad
C. Vijayasree
Affiliation:
Department of English, Osmania University, Hyderabad
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Summary

What is perhaps central to the debate on women in media is the question of how completely a woman is identified with her body and how limited she is to her gender. When we talk about women, the subtext is usually the body. Critical discourse on the representation of women in media invariably focuses on how her body is represented. And when we say the media is sexist or insensitive, it is the treatment of women's bodies that we are troubled by. Therefore, the site on which my paper is built is primarily the body. However, in a polemical sleight of hand, I intend to make the body disappear and explore how gender is construed.

Discourses surrounding the body often hinge on the classic binary of sex: male and female. But how real is this binary? Tracing its origins, Thomas Laqueur, in his extensively researched book, Making Sex: Body and Gender from the Greeks to Freud, shows how our concept of the body has evolved from the one-sex to the two-sex model. Examining medical and philosophical literature, and accounts from reproductive anatomy and physiology from the second century A.D. down to the twentieth century, he shows how descriptions of the body were used by scientists, political activists, literary figures and theorists to explain gender. In the one-sex model, prevalent from antiquity to the early seventeenth century, man was the only sex and woman was merely an inversion of this basic form.

Type
Chapter
Information
Woman as Spectator and Spectacle
Essays on Women and Media
, pp. 94 - 100
Publisher: Foundation Books
Print publication year: 2010

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