The private letters exchanged between Robert Browning and Elizabeth Barrett provide a dramatic contrast to the open letters discussed in Part I, the tone of which tends to reflect the robust nature of the political debates associated with three public scandals. The confidential letters exchanged between two highly gifted and sensitive poets explore themes, such as liminality, and contain symbols, such as those of sight and blindness, of a kind that also features in their poetry. These letters are intimate, focused and exclusive, gradually relaxing in style as mutual trust grows between the lovers and a long series of nuanced exchanges establishes a private set of shared associations and references. All this is made possible through the security of the uniform penny post that was so fiercely defended during the Mazzini scandal. References to the mechanics of letter writing, descriptions of the rooms in which the writers sit and references to delays in the delivery of letters ground the correspondence in the material culture of the day, enhancing a sense of immediacy and sometimes of synchrony.