Hostname: page-component-848d4c4894-2pzkn Total loading time: 0 Render date: 2024-06-09T13:59:06.881Z Has data issue: false hasContentIssue false

Barbarism in the Muck of the Present: Dystopia and the Postapocalyptic from Pinedo to Sarmiento

Published online by Cambridge University Press:  05 September 2022

Zac Zimmer*
Affiliation:
Virginia Tech
Rights & Permissions [Opens in a new window]

Abstract

Core share and HTML view are not available for this content. However, as you have access to this content, a full PDF is available via the ‘Save PDF’ action button.

In this article I consider the temporality of postapocalyptic narrative and use a contemporary postapocalyptic novel, Plop (2004), by the Argentine author Rafael Pinedo, to open up new considerations of Domingo Faustino Sarmiento's classic Facundo: Civilización y barbarie (1845). Following the method proposed by Jorge Luis Borges (1966) in “Kafka and His Precursors,” it is my position that Pinedos novel invents a new, postapocalyptic Facundo, thus converting Sarmiento into one of the American continent's first postapocalyptic authors. Furthermore, Pinedos novel reframes the “civilization or barbarism” debate under the contemporary sign of ecological catastrophe, allowing the reader to arrive at new and startling conclusions about language, the environment, and disaster.

Resumo

Resumo

En este artículo, el autor considera la temporalidad general de las narrativas posapocalípticas, y el uso particular de una de esas narrativas en la novela Plop del argentino Rafael Pinedo (2004), para luego abarcar nuevas consideraciones sobre Facundo: Civilización y barbarie de Domingo Faustino Sarmiento (1845). Movilizando la metodología histórica-literaria propuesta por Jorge Luis Borges en “Kakfa y sus precursores”, se avanza que la novela de Pinedo inventa un Facundo nuevo y posapocalíptico, convirtiendo así a Sarmiento en uno de los primeros autores posapocalípticos del continente americano. Pinedo logra esto al replantear el debate civilización o barbarie bajo el signo contemporáneo de la catástrofe ecológica, hecho que destaca nuevas y asombrosas conclusiones sobre el lenguaje, el medio ambiente y el desastre.

Type
Research Article
Copyright
Copyright © 2013 by the Latin American Studies Association

Footnotes

My thanks to Bruno Bosteels, Susan Buck-Morss, Edmundo Paz-Soldán, Debra Castillo, Juan Manuel Espinosa, and Elisabeth Austin for their comments and suggestions. I presented preliminary versions of this argument at the 2007 and 2009 congresses of the Latin American Studies Association, in Montreal and Rio de Janeiro, respectively.

References

Adams, John Joseph 2004Post-Apocalyptic Science Fiction.” Internet Review of Science Fiction 1 (1). http://www.irosf.com/q/zine/article/10013.Google Scholar
Adorno, Rolena 1986 Guarnan Poma: Writing and Resistance in Colonial Peru. Austin: University of Texas Press.Google Scholar
Alonso, Alejandro 2004 “Entrevista con el escritor Rafael Pinedo.” Axxón 10. http://axxon.com.ar/not/136/c-1360035.htm.Google Scholar
Benjamin, Walter 2003On the Concept of History.” In Selected Writings IV (1938–1940), edited by Eiland, Howard and Jennings, Michael W., 401424. Cambridge, MA: Harvard University Press.Google Scholar
Berger, James 1999 After the End: Representations of Post-Apocalypse. Minneapolis: University of Minnesota Press.Google Scholar
Certeau, Michel de 1984 The Practice of Everyday Life. Translated by Rendall, Steven. Berkeley: University of California Press.Google Scholar
Friera, Silvina 2006 “Argentina ayuda mucho al pesimismo.” Página/12 (Buenos Aires). January 17.Google Scholar
González Echevarría, Roberto 1998 Myth and Archive: A Theory of Latin American Narrative. Durham, NC: Duke University Press.Google Scholar
González Echevarría, Roberto 2000 Mito y archivo: Una teoría de la narrativa latinoamericana. Translated by Muñoz, Virginia Aguirre. Mexico City: Fondo de Cultura Económica.Google Scholar
Harvey, David 2003 The New Imperialism. Oxford: Oxford University Press.CrossRefGoogle Scholar
Link, Daniel 1994 Escalera al cielo: Utopía y ciencia ficción. Buenos Aires: La Marca.Google Scholar
Link, Daniel 2003 Cómo se lee y otras intervenciones críticas. Buenos Aires: Norma.Google Scholar
Macpherson, C. B. 1962 The Political Theory of Possessive Individualism: Hobbes to Locke. New York: Oxford University Press.Google Scholar
McCarthy, Cormac 2007 The Road. New York: Vintage.Google Scholar
More, Thomas 1965 The Complete Works of St. Thomas More. Vol. 4, Utopia. Edited by Surtz, Edward and Hexter, J. H.. New Haven, CT: Yale University Press.Google Scholar
Oesterheld, Héctor Germán, and López, Solano 2004 El eternauta. 2 vols. Buenos Aires: Biblioteca Clarín de la Historieta.Google Scholar
Pinedo, Rafael 2004 Plop. Buenos Aires: Interzona.Google Scholar
Pinedo, Rafael 2011 Frío. Madrid: Salto de Página.Google Scholar
Quiroga, Vasco 1992 La utopía en América. Madrid: Historia 16.Google Scholar
Ramos, Julio 1989 Desencuentros de la modernidad en América Latina. Mexico City: Fondo de Cultura Económica.Google Scholar
Sarmiento, Domingo F. (1845) 1963 Facundo. Buenos Aires: Losada.Google Scholar
Zamora, Lois Parkinson 1989 Writing the Apocalypse: Historical Vision in Contemporary U.S. and Latin American Fiction. Cambridge: Cambridge University Press.Google Scholar
Zavala, Silvio Arturo 1955 Sir Thomas More in New Spain: A Utopian Adventure of the Renaissance. London: Hispanic and Luso-Brazilian Council.Google Scholar