This chapter examines the pinnacles of Black British theatre from the 1950s to the 2020s. It attempts to reconstruct the historiography of Black British theatre in a way that emphasises Black practitioners who wielded agency in hostile environments and contributed to reconfiguring what it means to work in British theatre. It builds on existing scholarship that acknowledges the social, political, and economic issues faced by the theatre industry to offer an analysis of how issues of belonging and nation are reflected in work produced. It traces the key historical trajectories of Black British theatre over three generations organised by similar concerns rather than time periods. It begins exploring the first generation of Black playwrights and the impact of the written play text. Its examination of the second generation acknowledges the development of Black theatre companies in the 1980s, focusing on the role state subsidy played in these companies’ deeply uneven longevity. Lastly, its focus on the third generation explores the structural changes pursued by Black makers, performers, directors, designers, producers, and audiences that demand that we renegotiate what is invoked by ‘Black British theatre’.