Skip to main content Accessibility help
×
Hostname: page-component-76fb5796d-skm99 Total loading time: 0 Render date: 2024-04-27T20:28:20.463Z Has data issue: false hasContentIssue false

Chapter 15 - More than Theater: Cherríe Moraga’sThe Hungry Womanand the Feminist Phenomenology of Excess

Published online by Cambridge University Press:  05 December 2015

Robin Truth Goodman
Affiliation:
Florida State University
Get access
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2015

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Accomando, Christina. “‘All its people, including its jotería’: Rewriting Nationalisms in Cherríe Moraga’s Queer Aztlán.” Humboldt Journal of Social Relations 31(1/2) (2008): 111–24.Google Scholar
Anzaldúa, Gloria. Borderlands/La Frontera: The New Mestiza. San Francisco, CA: Aunt Lote Books, 1999.Google Scholar
Broyles-González, Yolanda. El Teatro Campesino: Theater in the Chicano Movement. Austin: University of Texas Press, 2006.Google Scholar
González, Tanya. “The (Gothic) Gift of Death in Cherríe Moraga’s The Hungry Woman: A Mexican Medea.” Chicana/Latina Studies 7(1) (Fall 2007).Google Scholar
Huerta, Jorge. Chicano Drama: Performance, Society and Myth. Cambridge: Cambridge University Press, 2000.Google Scholar
Kadir, Djelal. “To World, to Globalize-Comparative Literature’s Crossroads.” Comparative Critical Studies 41(1) (2004): 19.Google Scholar
Miller, Mary and Samayoa, Marco. “Where Maize May Grow: Jade, Chacmools, and the Maize God.” Anthropology and Aesthetics 33(1) (1998): 5472.CrossRefGoogle Scholar
Moraga, Cherríe. “Art in America: Con Acento.” Frontiers: A Journal of Women Studies 12(3) (1992): 154–60.Google Scholar
Moraga, CherríeThe Hungry Woman: A Mexican Medea/Heart of the Earth: A Popul Vuh Story. New York: West End Press, 2001.Google Scholar
Moraga, CherríeThe Last Generation. Boston, MA: South End Press, 1993.Google Scholar
Moraga, CherríeLoving in the War Years: lo que nunca pasó por sus labios. 2nd ed. Cambridge, MA: South End Press, 2000.Google Scholar
Straile-Costa, Paula. “Myth and Ritual in The Hungry Woman: A Mexican Medea: Cherríe Moraga’s Xicana-Indígena Interpretation of Euripides’ Medea.” In Unbinding Medea: Interdisciplinary Approaches to a Classical Myth from Antiquity to the 21st Century, edited by Bartel, Heike and Simon, Anne, 208–23. London: LEGENDA, 2010.Google Scholar
Tatonetti, Lisa. “‘A Kind of Queer Balance’: Cherríe Moraga’s Aztlán.” MELUS 29(2) (Summer 2004): 227–47.CrossRefGoogle Scholar
Yarbro-Bejarano, Yvonne. The Wounded Heart: Writing on Cherríe Moraga. Austin: University of Texas Press, 2001.Google Scholar
Žižek, Slavoj. The Parallax View. Cambridge, MA: MIT Press, 2006.CrossRefGoogle Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×