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8 - Myth – The National Form: Mission Istanbul and Muslim Representation in Hindi Popular Cinema

from Part Two - Telling Texts: Media Discourse, Identity and Politics

Published online by Cambridge University Press:  05 March 2012

Noorel Mecklai
Affiliation:
University in Perth
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Summary

Introduction

During the course of the coverage of the attacks of 26 November 2008 in Bombay, the New Delhi TV (NDTV) anchorperson, Barkha Dutt (whose remarks also open the previous chapter by Britta Ohm) commented upon the resemblance of the events unfolding to those in a film. Another viewer interviewed by NDTV also made the same remark. Both comments expressed disbelief that these were real attacks suggesting that it is possible to become inured to violence and the idea of terrorism in the post 9/11 era, which has become the most represented theme in film contributing to the mythology of Islamic terrorism. In recent films from the Hindi cinema not only is the main subject about terrorism, in some cases the events are played out within the film but on television via simulations of news broadcasts. In Mission Kashmir (2000, dir. Vidhu Vinodh Chopra) Sufi Parvez was a television anchor; in Fanaa (Destruction, 2006 dir. Kunal Kohli) a blind woman befriends a Kashmiri terrorist; in LOC Kargil (2003, dir. J. P. Dutta) Preity Zinta's character became a reporter; the mission in the film Mission Istanbul (July 2008 dir. Apoorva Lakhia. MI hereafter) was to thwart terrorist attacks on Indian cities, with obvious reference to Bombay, a television station owner in Istanbul being identified as the mastermind. The actual reporting by NDTV jounrnalists on 26 November 2008 was no different from much that is depicted within Hindi films.

Type
Chapter
Information
South Asian Media Cultures
Audiences, Representations, Contexts
, pp. 145 - 162
Publisher: Anthem Press
Print publication year: 2010

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